The Journal of Design History, published by Oxford University Press, stands as a pivotal resource in the field of visual arts and performing arts. Since its inception in 1988, this esteemed journal has evolved through various phases, currently converging from 1996 to 2024, while maintaining a strong focus on the critical examination of design practices within their historical contexts. With an impressive Q1 ranking in 2023, it positions itself at the forefront of scholarly research, holding a significant rank of #161 out of 667 in the Scopus categories for Arts and Humanities. This journal not only aims to illuminate the complex interplay between design and history but also fosters scholarly discourse among researchers, professionals, and students. While it operates under traditional subscription access, its contributions are invaluable for those engaged in the study and practice of design. To enhance your academic exploration, visit the journal's website for the latest issues and submissions.

Material Religion is a premier scholarly journal dedicated to examining the interplay between material culture and religious practices, published by Routledge Journals, Taylor & Francis Ltd, based in the United Kingdom. Since its inception in 2005, the journal has established itself as a vital resource in the fields of Religious Studies and Visual Arts and Performing Arts, holding a commendable Q2 quartile ranking and featuring a robust Scopus ranking that places it in the top 13% of its discipline. Designed to foster interdisciplinary dialogue, Material Religion offers a platform for innovative research that explores how material objects influence and are influenced by religious beliefs and practices. With no open access options, this journal continues to thrive as an essential reference for researchers, professionals, and students eager to understand the complexities of materiality in the context of religion and art. Positioned at the intersection of diverse academic fields, Material Religion not only contributes to scholarly discourse but also encourages critical reflections on how society engages with the material aspects of spirituality.

Mouseion - Journal of the Classical Association of Canada, published by University of Toronto Press Inc, stands as a vital academic resource in the fields of Classics and Archaeology. With a focus on promoting scholarly discourse, this journal provides a platform for original research, critical reviews, and interdisciplinary studies that engage with ancient cultures and their legacies. Since its convergence in 2019, Mouseion has quickly established itself within the academic community, achieving a commendable Q1 ranking in Classics and Q2 in both Archaeology categories in 2023, showcasing its commitment to excellence. While not an open-access journal, it is positioned among the top 29% of classics journals, reflecting its impact and the quality of publications. Nestled within Canada, this journal addresses a global audience of researchers, professionals, and students dedicated to the exploration of the classical world, and it endeavors to contribute significantly to the scholarly understanding of cultural heritage.

Journal of Visual Art and Design is a pivotal academic platform dedicated to advancing scholarship in the realms of visual arts and design, published by ITB JOURNAL PUBL. With its ISSN 2337-5795 and E-ISSN 2338-5480, this journal serves as a rich resource for researchers, practitioners, and students alike, facilitating the dissemination of innovative ideas and critical research findings. As part of its commitment to accessibility, the journal provides open access to its publications, ensuring that knowledge in the visual arts and design fields is readily available to a global audience. The journal’s coverage spans from 2022 to 2024, encouraging a contemporary and relevant dialogue within the discipline. Although the current Scopus rank places it in the 10th percentile, the journal aims to foster scholarly exchange and inspire future advancements in visual arts. Located in Bandung, Indonesia, at the ITB Rectorate Building, the journal reflects the dynamic cultural landscape of its locale while addressing global trends in visual arts and design.

ARCHITECTURAL RECORD, published by McGraw Hill Inc, stands as a vital resource in the field of architecture and design, offering insightful perspectives and critical analyses that cater to architects, designers, and academia alike. With an ISSN of 0003-858X, this prestigious journal has been a cornerstone for the architectural community, providing a blend of contemporary practices and theoretical frameworks since its inception. Although it is not currently available through Open Access, its rich content contributes to the ongoing dialogue in both the Visual Arts and Performing Arts, as well as Engineering and Architecture disciplines. The journal's historical impact can be seen through its wide readership and influence in shaping architectural discourse, making it a highly regarded publication for professionals and students in the field. As a beacon of innovative practices, ARCHITECTURAL RECORD continues to inspire and educate, even despite its coverage discontinuation in Scopus since 2018.

EIGHTEENTH-CENTURY LIFE is a prominent academic journal published by DUKE UNIVERSITY PRESS, focusing on the interdisciplinary study of the 18th century through the lenses of Cultural Studies, History, Literature, and the Visual Arts and Performing Arts. With an established history since 1977, this journal serves as a vital platform for scholars and students to publish innovative research and critical discourse, shedding light on the complex social, political, and artistic currents of the 18th century. Despite its current ranking in the lower quartiles according to Scopus, the journal continues to foster scholarly dialogue and contribute to the understanding of this pivotal era in Western history. Its accessible yet scholarly articles make it a valuable resource for researchers, educators, and students alike, facilitating engagement with 18th-century studies from various disciplinary perspectives.

Quiroga-Revista de Patrimonio Iberoamericano, published by UNIV GRANADA, is a distinguished open-access journal dedicated to the fields of conservation, museology, and the visual and performing arts. Since its inception in 2012, the journal has provided a platform for scholars and practitioners to disseminate innovative research and critical discussions pertinent to Ibero-American heritage. With a growing impact, evidenced by its category quartiles ranking—Q3 in Conservation and Q2 in both Museology and Visual Arts and Performing Arts—as well as its Scopus rankings, Quiroga serves as an essential resource for researchers, professionals, and students who engage with the complexities of cultural preservation and artistic expression. The journal’s commitment to open access ensures the widespread availability of knowledge, fostering academic dialogue and collaboration within the global community. For inquiries, the journal can be reached at their offices located in Granada, Spain.

The JOURNAL OF MATERIAL CULTURE, published by SAGE PUBLICATIONS LTD, stands at the forefront of interdisciplinary research in the realms of anthropology, archaeology, and arts and humanities. With an ISSN of 1359-1835 and an E-ISSN of 1460-3586, this esteemed journal has evolved since its inception in 1996, with its impactful contributions recognized by its Q2 ranking in the 2023 category quartiles across key fields. Positioned within the 82nd percentile for archaeology and 74th percentile for anthropology in Scopus, it serves as a vital resource for scholars, professionals, and students alike, keen to explore the complex interactions between material culture and social practices. While the journal adopts a traditional subscription model, its commitment to disseminating rigorous and innovative research ensures ongoing relevance and accessibility in a rapidly evolving academic landscape. The journal’s focus on fostering critical dialogues around materiality, identity, and meaning makes it indispensable for those committed to understanding the past and its implications for contemporary society in an increasingly material world.

RIHA Journal, an esteemed publication in the field of Visual Arts and Performing Arts, is published by the RIHA-INT ASSOC RESEARCH, INST HISTORY ART in Germany. Since its inception in 2010, this Open Access journal has aimed to foster scholarly discussion and dissemination of research within art history and related disciplines. With a commitment to providing a platform for innovative and interdisciplinary approaches, RIHA Journal is easily accessible to a global audience, encouraging researchers, professionals, and students alike to engage with cutting-edge scholarship. Despite its current position within the Q4 category and a Scopus rank of #402 out of 667, the journal's role is increasingly pivotal as it continues to expand its reach and impact within the academic community. Located at the Central Institute for Art History in Munich, Germany, RIHA Journal is dedicated to enriching the study of art history from 2010 to 2024 and beyond, paving the way for future explorations and discussions in the visual arts.

The Innes Review is a distinguished academic journal published by Edinburgh University Press, focusing on the study of culture, history, and religion. With a commitment to advancing scholarly discourse, the journal serves as an essential resource for researchers and professionals alike, providing critical insights and analyses that cater to the diverse interests within Cultural Studies, History, and Religious Studies. Established in 1996 and continuing through 2024, the journal has achieved notable recognition, reflecting its contributions through its Q3 ranking in History and Q4 rankings in Cultural and Religious Studies according to the latest metrics. While it currently operates without an open access model, the Innes Review remains accessible through a variety of academic databases and resources, underpinned by rigorous peer-review processes that ensure high-quality publications. As such, it stands as a vital platform for disseminating innovative research and fostering intellectual engagement within the humanities.