Muqarnas: An Annual on the Visual Cultures of the Islamic World, published by BRILL, stands as a seminal contribution to the academic discourse surrounding the visual cultures intrinsic to Islamic societies. With its ISSN 0732-2992 and E-ISSN 2211-8993, this prestigious journal, based in the Netherlands, has been a vital resource for scholars since its inception in 1985. Specializing in the intersection of Cultural Studies, History, and Visual Arts, Muqarnas is recognized as a Q1 journal in Visual Arts and Performing Arts and maintains strong positions in other academic categories, underscored by impressive Scopus rankings. Offering a deep exploration of visual traditions and practices, the journal fosters a broader understanding of Islamic art and architecture's historical contexts, contributing significantly to its field. With its rigorous peer-review process and commitment to scholarly excellence, Muqarnas invites researchers, professionals, and students to engage with the rich tapestry of Islamic visual culture, ensuring its relevance and importance for contemporary scholarship.

Anales de Historia del Arte is a distinguished open-access journal published by Univ Complutense De Madrid, focusing on the diverse fields of art history, visual arts, and performing arts. Since its inception in 2005, this journal has provided a platform for scholars and researchers to disseminate original research, critical reviews, and theoretical discussions that enhance the understanding of artistic developments throughout history. Located in Madrid, Spain, and embracing a global perspective, it plays a crucial role in fostering dialogue within the arts and humanities sectors. The journal is currently categorized in the Q4 quartiles of its respective fields according to Scopus metrics, ranking among approximately 15-25% of publications within the arts and humanities domains as of 2023. Researchers and academics can take advantage of the open-access model, allowing for wider dissemination of knowledge and enhancing the accessibility of critical discourse in art history. Explore Anales de Historia del Arte for its significant contributions to emerging trends and established research in the arts.

Grey Room is a distinguished peer-reviewed academic journal published by MIT Press, focusing on interdisciplinary discussions at the intersection of architecture, communication, sociology, political science, and the visual and performing arts. Established in 2002, the journal has carved out a critical space for exploring the links between built environments and cultural narratives, engaging a diverse readership of researchers, professionals, and students. With an impact factor reflecting its contribution to these fields, it is recognized for fostering innovative dialogue and scholarship. Although it operates without an open access model, Grey Room continues to thrive in the academic community, particularly as it moves towards converged years spanning from 2002 to 2024. The journal's categorization into various quartiles highlights its relevance and ongoing commitment to contemporary issues. Readers can expect thought-provoking articles that challenge conventional boundaries of practice and scholarship, making Grey Room an essential resource for those interested in the dynamic interplay of architecture and culture.

ZEITSCHRIFT FUR KUNSTGESCHICHTE is a prestigious journal dedicated to the study of art history, offering insightful analyses and discussions that enrich the understanding of visual arts and performing arts. Published by DEUTSCHER KUNSTVERLAG GMBH in Germany, this journal has established itself as a significant platform for researchers and professionals alike since its inception. With a print ISSN of 0044-2992 and an e-ISSN of 2569-1619, it spans a comprehensive range of topics in art history, reflecting both traditional and contemporary perspectives. Although categorized in the Q4 quartile for Visual Arts and Performing Arts, the journal contributes to a rich dialogue within its field, aiming to foster academic discourse and promote scholarly research. Its scope has evolved notably from converged years starting in 1975 and gathering strength from 2001 to 2024, and it is committed to serving as an essential resource for students, academics, and practitioners in the arts. While not offering open access, the journal maintains a rigorous peer-review process to ensure high-quality submissions that advance knowledge and stimulate critical thought.

Res Mobilis - International Research Journal of Furniture and Decorative Objects is a pioneering academic platform committed to advancing research in the field of furniture design, decorative arts, and their cultural significance. Published by UNIV OVIEDO, this esteemed open-access journal has been serving the scholarly community since 2012, making cutting-edge research readily accessible to researchers, professionals, and students across the globe. With an impressive categorization in Q1 and Q2 quartiles for the Visual Arts and Performing Arts and History respectively, and a diverse scope that encompasses anthropology and social sciences, Res Mobilis plays a crucial role in facilitating multidisciplinary discourse. Based in the vibrant academic landscape of Asturias, Spain, the journal is dedicated to promoting innovative perspectives and fostering collaboration among interdisciplinary scholars. With its rich context and open-access model, it stands as an essential resource for those interested in exploring the interplay between design, culture, and society.

Journal of the History of Collections, published by Oxford University Press, serves as a vital resource for scholars and practitioners in the fields of conservation, museology, and visual arts. Established in 1989, this esteemed journal explores the intricate narratives of collections, addressing the historical, cultural, and social dynamics that influence collecting practices across various mediums. With an evolving publication span through 1994 and resuming in 1996 to the present day, the journal maintains a strong academic reputation, demonstrated by its impressive rankings in Scopus—placing it in the top quartiles for both Museology and Visual Arts and Performing Arts. Researchers and students will find engaging articles that not only contribute to academic discourse but also reflect on the conservation challenges faced by collections today. While currently not available as open access, the journal’s rigorous peer-review process ensures that only the highest quality research is published, making it an essential addition to any library dedicated to the arts and humanities.

Material Religion is a premier scholarly journal dedicated to examining the interplay between material culture and religious practices, published by Routledge Journals, Taylor & Francis Ltd, based in the United Kingdom. Since its inception in 2005, the journal has established itself as a vital resource in the fields of Religious Studies and Visual Arts and Performing Arts, holding a commendable Q2 quartile ranking and featuring a robust Scopus ranking that places it in the top 13% of its discipline. Designed to foster interdisciplinary dialogue, Material Religion offers a platform for innovative research that explores how material objects influence and are influenced by religious beliefs and practices. With no open access options, this journal continues to thrive as an essential reference for researchers, professionals, and students eager to understand the complexities of materiality in the context of religion and art. Positioned at the intersection of diverse academic fields, Material Religion not only contributes to scholarly discourse but also encourages critical reflections on how society engages with the material aspects of spirituality.

OUD HOLLAND is a prestigious journal published by BRILL, focusing on the rich history and developments in the visual arts and performing arts. With a historical lineage dating back to its initial publication years from 1883 and periodic revivals until 2024, this journal has maintained its relevance amidst evolving artistic discourse. It holds an impressive standing in the Arts and Humanities field, ranking 338 out of 667 in the Visual Arts and Performing Arts category, positioning it comfortably within the 49th percentile. The journal disseminates critical research and insightful articles that cater to scholars, professionals, and students dedicated to advancing their understanding of artistic heritage and contemporary methodologies. Though currently not open access, OUD HOLLAND represents an invaluable resource for those committed to exploring the multifaceted dimensions of art, offering access to a wealth of knowledge grounded in meticulous research and scholarship.

ART HISTORY is a prestigious journal published by Wiley, focusing on the dynamic and diverse field of visual arts and performing arts since its inception in 1978. With an ISSN of 0141-6790 and an E-ISSN of 1467-8365, the journal has established itself as a significant resource for researchers, professionals, and students interested in exploring the complexities of art across various epochs and cultures. Currently ranked in the Q3 category within the Visual Arts and Performing Arts sector and positioned at #132 out of 667 in Scopus rankings—representing the top 80th percentile—ART HISTORY delivers insightful scholarship that contributes to the understanding and appreciation of art history. Although it does not offer open access, the journal remains committed to publishing high-quality, peer-reviewed articles that delve into critical artistic practices, theories, and aesthetics. The journal's location in the United Kingdom further enhances its international reach and influence, making it a vital platform for advancing discourse in the arts.

ARS Orientalis is a distinguished academic journal published by the Smithsonian Institution's Freer Gallery of Art, specializing in the fields of archaeology, cultural studies, and the visual and performing arts. With an ISSN of 0571-1371, this journal contributes significantly to scholarly discourse, having established a robust timeline of publication since its inception, notably from 2001 to 2006, 2010 to 2012, 2014 to 2017, and resuming again from 2022 to 2023. Though currently not open access, it maintains a respectable standing in the academic community with a categorization into Q3 quartiles across several disciplines, highlighting its relevance amid rigorous scholarly evaluation. The journal is particularly valuable for researchers, professionals, and students who seek to explore interdisciplinary connections within its scope. Situated in the United States, it aims to disseminate insightful research that bridges the gap between traditional scholarship and contemporary studies in visual culture and archaeological findings.