CRITIQUE: STUDIES IN CONTEMPORARY FICTION is a premier scholarly journal published by Routledge Journals, Taylor & Francis Ltd, dedicated to advancing our understanding of contemporary fiction within the broader spectrum of literature and literary theory. With an esteemed reputation in the academic community, this journal has achieved a remarkable impact factor and ranks in the Q1 category in Literature and Literary Theory, showcasing its influence and credibility, as reflected in its Scopus Rank of #142 out of 1,106 and a notable 87th percentile. The journal invites researchers, scholars, and students to engage with innovative perspectives, critical analysis, and interdisciplinary exploration of contemporary narratives. Published continuously since 1956, CRITIQUE serves as a vital resource for those seeking to understand the complexities of modern literature, and it remains committed to fostering dialogue around diverse textual and cultural contexts.

Journal of Literary Studies, published by UNISA PRESS, is a premier open access journal dedicated to advancing the field of literature and literary theory. With its ISSN 0256-4718 and E-ISSN 1753-5387, the journal has established itself as a leading platform for innovative research since its inception in 1985, with a notable convergence period running through to 2024. Recognized in the Q1 quartile of literature and literary theory, the journal ranks impressively at #236 out of 1106 in its category according to Scopus, highlighting its impact in the arts and humanities with a percentile rank of 78th. The journal's open access model, adopted in 2022, reflects its commitment to accessibility and dissemination of knowledge globally, making it an essential resource for researchers, academics, and students alike. With an editorial focus on interdisciplinary approaches and contemporary critical discourse, the Journal of Literary Studies serves as a vital vessel for the exchange of ideas and scholarly dialogue in the intricate landscape of literary studies.

Studies in Russian and Soviet Cinema, published by Routledge Journals, Taylor & Francis Ltd, provides a critical forum for the exploration and analysis of cinematic practices, histories, and cultures from the Russian and Soviet eras. With its ISSN 1750-3132 and E-ISSN 1750-3140, this journal operates under the editorial guidance of leading scholars in the field, making significant contributions to the Visual Arts and Performing Arts and Communication categories, where it is ranked in the upper quartiles of its peer group. The journal spans a rich period of study, converging insights from 2006 to 2024, thereby allowing for an in-depth understanding of the evolution and impact of cinema in societal narratives. Researchers and enthusiasts alike will appreciate its dedication to illuminating the often-neglected cinematic treasures of Russia and the Soviet Union, promoting scholarly discourse through its rigorous analyses and diverse range of articles. This journal serves as an essential resource for anyone interested in the intersections of film, culture, and history.

Historical Reflections / Reflexions Historiques is a pivotal academic journal in the field of history, published by Berghahn Journals. Established to provide a platform for innovative historical scholarship, the journal offers a unique blend of theoretical discussions and empirical studies that critically engage with new interpretations and methodologies. With a robust reputation evidenced by its category ranking in the 2023 Q3 History quartile and a Scopus ranking of #1164 in the Arts and Humanities, Historical Reflections serves as an essential resource for researchers, professionals, and students alike. Although the journal is not available through open access, it contributes significantly to historical discourse through its diverse range of articles, fostering a deeper understanding of past events and their implications for the present and future. As it continues to evolve from its inception in 1977 to the present day, Historical Reflections remains committed to advancing the field through rigorous analysis and scholarly debate.

French Cultural Studies, published by SAGE Publications Inc, is a leading journal in the domains of Cultural Studies and History. With its ISSN 0957-1558 and E-ISSN 1740-2352, this esteemed journal has made significant contributions to the understanding of French culture, literature, and society since its inception in 1990. Notably ranked in the Q2 category for Cultural Studies and Q1 category for History in 2023, it stands out with impressive Scopus rankings, placing 447th in History and 482nd in Cultural Studies. The journal aims to facilitate a nuanced discourse around French cultural phenomena, offering researchers, professionals, and students a platform for high-quality scholarly work. Although it does not operate under an Open Access model, its rigorous peer-review process ensures the publication of impactful articles that advance academic inquiry and foster collaborative dialogue in the field. Adhering to the mission of promoting interdisciplinary research, French Cultural Studies is a vital resource for anyone interested in exploring the complexities of French cultural identity and its global implications.

MFS-Modern Fiction Studies is a premier journal in the field of literature and literary theory, published by Johns Hopkins University Press. With an impressive impact factor and a 2023 classification in Q1, this journal stands out as a vital resource for scholars, researchers, and practitioners interested in contemporary fiction analysis and criticism. The journal aims to foster innovative scholarship, enhance discussions around literary trends, and explore the intricacies of modern narrative forms. Notably, it ranks #119 among 1,106 in the Scopus Arts and Humanities category, placing it within the top 89th percentile. Published four times a year, MFS is committed to making significant contributions to the understanding of modern fiction, making it a must-read for anyone vested in the evolution of literature. Access options are available through institutional subscriptions, ensuring that readers can engage with cutting-edge research and discourse in the literary community.

EXTRAPOLATION, published by Liverpool University Press, is a leading academic journal that occupies a vital space in the fields of Cultural Studies and Literature and Literary Theory. With an ISSN of 0014-5483 and an E-ISSN of 2047-7708, the journal has established a robust scholarly reputation, as evidenced by its Q1 ranking in Literature and Literary Theory and Q2 ranking in Cultural Studies for 2023. The journal serves as a platform for in-depth research and critical discourse, ranging from contemporary literary analyses to interdisciplinary cultural investigations. By embracing an array of theoretical perspectives, EXTRAPOLATION offers readers access to cutting-edge scholarship and fosters a dynamic exchange of ideas, making it an indispensable resource for researchers, educators, and students alike. The journal has been converging valuable contributions from 2011 to 2024, solidifying its importance in the academic landscape. Although access is not open, the journal's exceptional standing, indicated by a rank of #163 in Literature and Literary Theory (85th percentile) and #543 in Cultural Studies (58th percentile) within Scopus rankings, underscores its relevance and impact.

NOVEL-A FORUM ON FICTION, published by DUKE UNIVERSITY PRESS, is an influential peer-reviewed journal dedicated to the critical exploration and analysis of contemporary fiction. With an ISSN of 0029-5132 and an E-ISSN of 1945-8509, this journal serves as a vital platform for scholars and practitioners in the fields of literature and literary theory. Its commendable impact factor and a ranking of #265/1106 in Scopus place it firmly within the 75th percentile of its category, highlighting the quality and relevance of its published work. Operating within the United States, NOVEL spans contributions from 2002 to 2024, providing comprehensive coverage in its Q3 quartile ranking for 2023. Though it does not offer Open Access, the journal’s dedication to fostering scholarly dialogue and advancing critical thought in narrative studies makes it an essential resource for researchers, practitioners, and students seeking to deepen their understanding of fiction and its myriad implications.

Georgia Review is a distinguished literary journal published by the University of Georgia, renowned for its commitment to showcasing a diverse array of creative writing, including poetry, fiction, and essays. With its ISSN number 0016-8386, the journal has fostered a vibrant community of writers and scholars since its inception, offering a platform for emerging and established voices alike. Although the journal's coverage in Scopus was discontinued in 2012, its influence within the literary field remains significant, bolstered by a rich tradition of insightful commentary and cultural critique reflective of contemporary issues. Access to the journal is available through traditional subscription models, making it a valuable resource for researchers, students, and literary enthusiasts aiming to explore the intersections of literature and society. The Georgia Review stands out for its rigorous editorial standards and its role in advancing the appreciation of the literary arts, cementing its importance within the landscape of American literary journals.

New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.