Science Fiction Film and Television, published by LIVERPOOL UNIV PRESS, is a leading academic journal that explores the rich intersection of science fiction with cinematic and television narratives. With an ISSN of 1754-3770 and E-ISSN 1754-3789, this journal provides a platform for critically engaging with both historical and contemporary works within the genre, offering insights into its cultural significance, aesthetic innovations, and societal impacts. As part of the communication and visual arts fields, it is recognized in the Scopus ranking, achieving an impressive percentile of 87th in Visual Arts and Performing Arts, and maintaining a respectable rank within communication studies. Since its inception in 2018, it aims to foster dialogues among scholars, professionals, and students, making substantial contributions to the understanding of science fiction as a vital cultural phenomenon. With access options that cater to a broad audience, Science Fiction Film and Television is essential reading for those interested in exploring the innovative potentials and narratives of science fiction across media.

Urdimento-Revista de Estudos em Artes Cenicas, published by UNIV ESTADO SANTA CATARINA-UDESC, is a leading open-access journal dedicated to the field of performing arts studies. With an ISSN of 1414-5731 and an E-ISSN of 2358-6958, this journal has been freely accessible since 1997, promoting the dissemination of innovative research and critical analysis in visual and performing arts. Hailing from Florianopolis, Brazil, Urdimento invites submissions that explore a variety of interdisciplinary approaches, reflecting the journal’s commitment to enriching the academic discourse within the arts and humanities. Despite its emerging ranking at the 23rd percentile in Scopus’s classification, Urdimento serves as a vital platform for researchers, students, and professionals in the field, facilitating scholarly exchange and fostering new ideas. As the journal converges its focus from 2021 to 2024, it aims to provide inclusive and diverse perspectives on contemporary artistic practices and theories.

Journal of Aesthetics & Culture, published by TAYLOR & FRANCIS LTD, is a prestigious Open Access journal that has been serving the academic community since its inception in 2009. Based in the United Kingdom, this journal aims to explore, document, and critically engage with themes in Cultural Studies, Philosophy, and the Visual and Performing Arts. Notable for its impact, the journal holds a Q3 ranking in Cultural Studies and Philosophy, and a Q2 ranking in Visual Arts and Performing Arts as of 2023. With its Scopus rankings placing it within the top 17% of Visual Arts and Performing Arts journals and top 31% in Philosophy, it stands as a vital resource for researchers and practitioners alike. Covering a broad range of contemporary issues and inviting innovative perspectives, the Journal of Aesthetics & Culture plays a crucial role in shaping critical discourse within its fields and fostering an understanding of the intricate interplay between aesthetics and societal contexts.

KOREA JOURNAL, published by the Academy of Korean Studies, stands as a significant scholarly resource in the fields of Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts. With an impressive impact factor highlighted by its Q1 and Q2 quartile rankings across multiple categories, the journal facilitates the dissemination of innovative research that contributes to the understanding of Korean society and culture, offering a platform for both local and international scholars. Open Access since 2020, ensures that its articles are readily available to a wide audience, thereby promoting broader academic engagement. By featuring diverse interdisciplinary studies, the journal aims to bridge gaps across various fields and foster dialogue among researchers, practitioners, and students alike. Located in Seongnam-si, Gyeonggi-do, South Korea, it continues to play an essential role in advancing scholarship related to Korean studies while maintaining academic rigor and quality.

Area Abierta is a prominent scholarly journal dedicated to the exploration and dissemination of research in the fields of social sciences and education. Published by the Universidad Complutense de Madrid, this journal has embraced an Open Access model since 2001, allowing for unrestricted access to its diverse array of articles and enhancing the visibility of research findings globally. With a commitment to fostering academic discourse and innovation, Area Abierta serves as an essential resource for researchers, professionals, and students alike, providing a platform for critical insights and studies that contribute to ongoing advancements in its scope. The journal's alignment with rigorous academic standards and its role in the scholarly community underline its significance in promoting accessible knowledge and collaborative learning.

Music Sound and the Moving Image is an esteemed journal published by Liverpool University Press, focusing on the intricate relationships between music, sound, and the moving image. Since its inception, the journal has aimed to foster a multidisciplinary discourse, engaging scholars and practitioners across the fields of musicology, media studies, and visual arts. With an ISSN of 1753-0768 and an E-ISSN of 1753-0776, it has solidified its presence in the academic community, evidenced by its diverse impact reflected in Scopus rankings, including Rank #63/180 in Music and Percentile 65th. The journal's classification in Q3 for Music and its active coverage from 2018 to 2024 enhances its relevance, making it a pivotal resource for researchers and creators who explore the dynamic interplay of sound and imagery. Although currently not available as Open Access, the journal offers a robust platform for peer-reviewed articles, contributing to the advancement of knowledge in this rapidly evolving field.

French Screen Studies is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the dynamic interactions between film, media, and cultural studies within the context of French cinema. Since its inception in 2020, the journal has contributed significantly to the academic landscape, providing a platform for innovative research and critical discussion on visual arts and performance as reflected in its prestigious Q1 ranking in Visual Arts and Performing Arts for 2023. Despite being a burgeoning journal, it holds an impressive position within Scopus rankings, particularly in the Arts and Humanities sphere. Researchers and scholars will find the journal a vital resource, as it endeavors to explore the intersections of screen studies with broader social and cultural implications. Although currently not open access, French Screen Studies continues to foster an inclusive dialogue among academics, paving the way for future exploration of France’s influential cinematic heritage.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.

Film International is a prominent journal dedicated to the exploration of film and its cultural, social, and artistic significance. Published by INTELLECT LTD, this journal serves as a platform for interdisciplinary studies in the field of film criticism, theory, and scholarship, contributing valuable insights from both established and emerging researchers. With an ISSN of 1651-6826 and an E-ISSN of 2040-3801, the journal is an essential resource for those engaged in the realms of communication, cultural studies, and visual arts, though it is currently classified in the lower quartiles of these fields (Q4). Noteworthy for its critical perspectives and diverse content, Film International enhances the dialogue surrounding cinematic practices and their impact on society. Researchers, professionals, and students can explore its rich assemblage of articles and reviews that reflect the evolving landscape of film studies, making it a significant addition to the academic community focused on the art of film.

SIGHT AND SOUND is a prestigious journal published by the British Film Institute, dedicated to the exploration of cinema and its cultural significance. With an ISSN of 0037-4806 and an E-ISSN matching the same, this journal has been a critical platform for film studies since its inception, contributing valuable insights to the realms of visual arts and performing arts. Despite its discontinuation in the Scopus database post-2021, SIGHT AND SOUND commands respect within its field, currently holding a Q3 rank among Visual Arts and Performing Arts journals. Operating from 21 Stephen Street, London W1P 1PL, England, it serves as a vital resource for researchers, professionals, and students looking to deepen their understanding of film theory, critique, and history. While access to its articles is not open, the journal continues to influence the discourse in film studies, making it a significant asset in academic and professional circles.