REVUE DE L'ART, published by EDITIONS C N R S, is a significant scholarly journal that focuses on the diverse realms of visual arts and performing arts. With an ISSN of 0035-1326, the journal serves as a vital forum for researchers, professionals, and students, engaging them in contemporary discourses surrounding artistic practices and critical theories. While it currently holds a Q4 ranking in the Visual Arts and Performing Arts category for 2023, with a Scopus ranking of #578 out of 667, REVUE DE L'ART emphasizes the importance of innovative research and interdisciplinary studies in the arts. Although it is not an open access publication, the journal ensures that high-quality scholarship remains accessible to professionals and student communities in France and beyond. The journal’s commitment to artistic investigation and analysis continues to contribute significantly to the understanding of art within historical and contemporary contexts, making it a crucial resource for anyone engaged in these fields.

Iconographica is an esteemed journal published by SISMEL EDIZIONI GALLUZZO, dedicated to the exploration of cultural narratives through visual arts and performing arts. Based in Italy, this journal has been providing a platform for scholarly discourse from 2015 to 2023, and it serves as an important resource for researchers, professionals, and students interested in these interdisciplinary fields. Although indexed in the Q4 quartile for both Cultural Studies and Visual Arts, this journal offers valuable insights that encourage the examination and understanding of visual culture. While currently operating without an open access model, its rigorous peer-review process ensures high-quality academic contributions that reflect the evolving dynamics within these areas of study. Set against the backdrop of a rapidly transforming cultural landscape, Iconographica aims to foster engagement, inspire innovative perspectives, and cultivate a deeper appreciation for the interplay between culture and visual representation.

Zbornik Matice Srpske za Likovne Umetnosti-Matica Srpska Journal for Fine Arts is a prestigious academic journal published by Matica Srpska, dedicated to the study and exploration of fine arts in Serbia and beyond. With the ISSN 0352-6844, this journal serves as a vital platform for researchers, professionals, and students engaged in the visual arts, fostering a rich dialogue on artistic practices, theory, and history. Although currently not an open access publication, it provides invaluable insights into the artistic developments within the Serbian cultural landscape. The journal's commitment to high-quality scholarship is essential in advancing the study of fine arts, ensuring that the contributions reflect the evolving dynamics of artistic expression and cultural heritage. Whether you are a seasoned scholar or an emerging artist, Zbornik Matice Srpske za Likovne Umetnosti invites you to engage with its rigorous research and to contribute to an ever-growing body of knowledge in the realm of fine arts.

Taida Journal of Art History, published by NATIONAL TAIWAN UNIVERSITY, GRADUATE INSTITUTE OF ART, is a pioneering academic journal dedicated to the exploration and critique of art history, particularly within the unique cultural context of Taiwan. Since its inception in 2018, the journal has become an important platform for scholarly discourse, offering insights into the evolution of visual arts and performing arts, alongside comprehensive studies in history. With an ISSN of 1023-2095, it currently ranks within the Q4 category in Arts and Humanities (Miscellaneous) and the Q3 category in History and Visual Arts and Performing Arts, indicating its growing influence in these fields. Researchers, professionals, and students alike can benefit from its rigorous peer-reviewed articles that bridge theoretical frameworks with practical applications, making it an essential resource for those engaged in the arts and humanities. This commitment to fostering academic excellence is reflected in its Scopus rankings, where it stands at Rank #338/667 in Visual Arts and Performing Arts and Rank #1027/1760 in History. Engage with the Taida Journal of Art History to gain deeper insights into the evolving narratives of artistic expression.

Boletin de Arte-UMA is a distinguished academic journal published by the University of Malaga, Department of History of Art, focusing on the rich interplay between history, visual arts, and performing arts. Operating under an Open Access model since 2013, this journal ensures that valuable research is freely available for scholars and practitioners worldwide. With an impact factor currently reflecting its academic rigor through its Q2 ranking in History and Q1 ranking in Visual Arts and Performing Arts, Boletin de Arte-UMA serves as a vital platform for cutting-edge research, critical analysis, and the promotion of cultural heritage studies. Based in Malaga, Spain, the journal not only provides insights into its thematic scope but also fosters a global dialogue among researchers, professionals, and students passionate about the visual and performing arts.

Eikon Imago is an esteemed academic journal published by Universidad Complutense de Madrid, Facultad de Geografía e Historia, focusing on a diverse range of subjects within the Arts and Humanities. With an ISSN of 2254-8718 and an e-ISSN matching its print counterpart, the journal embraces an Open Access model since 2012, ensuring that its rich content remains freely accessible to researchers, professionals, and students around the globe. Lauded for its rigorous contributions to the fields of History, Religious Studies, and Visual Arts and Performing Arts, Eikon Imago has achieved notable rankings, including Q3 in several categories and a commendable position within the Scopus metrics, emphasizing its relevance and impact. With a commitment to interdisciplinary scholarship, the journal provides a valuable platform for innovative research and critical discourse, fostering a deeper understanding of cultural phenomena. As it converges through the years from 2019 to 2024, Eikon Imago continues to play a pivotal role in shaping the academic landscape of the humanities.

ARTIBUS ASIAE, published by ARTIBUS ASIAE, is a distinguished journal focused on the fields of Archeology and Visual Arts and Performing Arts. Based in Switzerland and with a history of converged years from 2002 to 2024, this journal serves as a vital platform for scholarly discourse and research dissemination within the arts and humanities. Although it currently does not offer open access, ARTIBUS ASIAE maintains a commitment to academic integrity and quality, as evidenced by its presence in Scopus rankings, which places it in the Q4 tier for both Archeology and its niche in the arts and humanities, while achieving a Q3 ranking in Visual Arts and Performing Arts. With an emphasis on advancing knowledge and understanding across various disciplines, ARTIBUS ASIAE is an essential resource for researchers, professionals, and students seeking to enrich their understanding and contribute to the ongoing dialogue in these significant areas of study.

Wacana Seni-Journal of Art Discourse, published by Penerbit Universiti Sains Malaysia, is a premier academic journal that has been a pivotal platform for the exploration and engagement of interdisciplinary studies within the fields of Cultural Studies, Music, and Visual Arts and Performing Arts. With its ISSN 1675-3410 and E-ISSN 1985-8418, the journal has established itself as an influential resource since its inception in 2011, now spanning up to 2023. Recognized in the Q2 category within multiple disciplines, Wacana Seni ranks impressively among its peers, reflecting its commitment to high-quality research, as evidenced by its admirable rankings within Scopus. The journal aims to foster dialogue and disseminate cutting-edge scholarship that enhances the understanding and appreciation of art in its myriad forms, thus inviting contributions from researchers, professionals, and students alike to further enrich the discourse in the arts. Based in Penang, Malaysia, and committed to open access, Wacana Seni serves as a vital conduit for knowledge exchange within the global art community.

KONSTHISTORISK TIDSKRIFT is a distinguished journal dedicated to the exploration of art history and its intersections with visual and performing arts. Published by Routledge Journals, Taylor & Francis Ltd, this esteemed publication has been a vital resource for scholars and professionals alike since its inception in 1932, with a mission to advance the understanding of historical and contemporary artistic expression. Operating from the United Kingdom, it currently occupies a commendable Q3 Quartile ranking in both History and Visual Arts and Performing Arts categories for 2023, according to Scopus metrics. With an engaging array of peer-reviewed articles, the journal serves as a platform for critical discourse, fostering an inclusive intellectual community. As it looks ahead to its convergence into 2024, KONSTHISTORISK TIDSKRIFT promises to enrich the academic landscape with impactful research and insights, making it a vital resource for researchers, professionals, and students passionate about the field.

Artibus et Historiae is a distinguished academic journal published by IRSA PUBLISHING HOUSE, focusing on the fields of Visual Arts and Performing Arts within the broader scope of Arts and Humanities. With an ISSN of 0391-9064, this journal has become a crucial platform for the dissemination of scholarly research, critical discourse, and innovative ideas in art history and visual culture. Though its coverage in Scopus was discontinued in 2018, it maintained a respectable ranking of #279 out of 502 in its category, placing it in the 44th percentile. This positions Artibus et Historiae as a respected contributor to scholarly conversations in its field. Researchers, professionals, and students will find valuable insights and analyses that deepen their understanding of artistic practices and historical contexts. While not an open-access journal, it aims to bridge the gap between academia and broader audiences interested in the dynamic interplay of art and history.