The Australian and New Zealand Journal of Art, published by Taylor & Francis Ltd, stands as a critical platform for scholarly discourse in the fields of art, visual arts, and performing arts, contributing to the ongoing dialogue regarding contemporary artistic practices and methodologies across Australia and New Zealand. With an ISSN of 1443-4318 and an E-ISSN of 2203-1871, this journal invites submissions that strive for innovation and insightful critique, aiming to foster a deeper appreciation and understanding of diverse artistic expressions. Despite its classification in the fourth quartile under the Arts and Humanities categories, it continues to attract attention within its niche, as evidenced by its Scopus rankings, indicating its vital role in the academic landscape. The journal is committed to bridging the gap between research and practice, providing access to a wealth of interdisciplinary knowledge for researchers, professionals, and students alike.

OCTOBER is a seminal journal published by MIT PRESS that spans a diverse array of interdisciplinary themes within the humanities, specifically focusing on literature and literary theory, music, and the visual arts and performing arts. Established in 2002, this journal has become a cornerstone for scholars and practitioners seeking critical discourse and innovative research across its converged fields, maintaining a respectable impact factor that attests to its influence in academic circles. While OCTOBER currently does not offer open access, it provides valuable insights and analysis that drive contemporary thought and discussion, positioned in the Q2 and Q3 quartiles of Scopus rankings. The journal’s commitment to high-quality scholarship makes it an essential resource for those looking to deepen their understanding of cultural and artistic practices, reflecting the evolving landscape of the arts and humanities from a rigorously theoretical perspective.

SOURCE-NOTES IN THE HISTORY OF ART is a vital publication in the field of visual arts and performing arts, managed by the prestigious University of Chicago Press. With its ISSN 0737-4453 and E-ISSN 2328-207X, the journal serves as a scholarly platform for researchers, professionals, and students who are passionate about exploring the intricacies of art history. Although it currently holds a Q4 ranking in 2023, it provides a unique contribution by documenting and analyzing various dimensions of artistic endeavors, from historical references to contemporary practices. Despite being a newer entrant in the academic landscape, its focus on detailed source notes allows for deeper understanding and connections within art scholarship. Situated in the heart of Chicago, a city rich in artistic heritage, this journal is committed to promoting critical discourse and fostering awareness of the evolving narratives in art history. As the journal continues to cultivate rigorous academic dialogue, it stands as an essential resource for those dedicated to advancing and enriching the study of the arts.

Boletin de Arte is a distinguished academic journal dedicated to the field of visual arts, published by the Universidad Nacional de La Plata, Facultad de Bellas Artes. With its inception in 2013, this Open Access journal aims to foster scholarly communication and collaboration among researchers, artists, and students by providing a platform for high-quality peer-reviewed articles that explore various dimensions of artistic expression and cultural dialogue. The journal's commitment to accessibility ensures that emerging insights and innovative artistic practices reach a broad audience, while its evolving repository of research contributes significantly to the advancement of knowledge in the arts. Situated in the vibrant academic environment of La Plata, Argentina, Boletin de Arte is an essential resource for those involved in the creative arts, offering insights that enhance both academic scholarship and practical application in the field.

ART BULLETIN is a prestigious journal dedicated to the fields of history and visual arts, published by Routledge Journals, Taylor & Francis Ltd. With a rich publication history dating back to 1945, this journal serves as a vital platform for scholarly discourse, presenting cutting-edge research and critical analyses that contribute to our understanding of the arts across various contexts. Despite its Q3 ranking in both the History and Visual Arts categories, the journal has managed to achieve notable stature among its peers, evidenced by its Scopus ranking, placing it in the top 20% for Visual Arts and in the top 25% for History. Scholars and students alike will find valuable insights and innovative perspectives within its pages, making it an essential resource for anyone invested in the academic exploration of art and cultural history. Although currently not open access, the journal is committed to fostering an informed community by disseminating works that encourage scholarly engagement and creative thought.

ARTMargins, published by MIT Press, stands at the intersection of cultural studies, history, and the visual and performing arts. Since its inception in 2012, this journal has provided a platform for critical dialogue and scholarly inquiry into contemporary art and its socio-political contexts, exploring the margins of artistic practice and representation. With a current Q3 ranking in Cultural Studies and History, and a Q2 ranking in Visual Arts and Performing Arts, ARTMargins is recognized for its impactful contributions to its fields, despite facing significant competition. The journal caters to academics, professionals, and students eager to delve into nuanced analyses and interdisciplinary approaches that challenge traditional narratives. As an essential resource for those studying art's role in society, ARTMargins fosters a deeper understanding of how culture shapes and is shaped by ephemeral artistic expressions. While the journal operates under a subscription model, it remains committed to accessibility and wide-reaching discourse within the academic community.

CRITICA D'ARTE is a distinguished academic journal published by CASA EDITRICE LE LETTERE that delves into the rich field of art criticism. With its ISSN 0011-1511, this journal serves as an essential platform for scholars, artists, and practitioners interested in contemporary discourse surrounding art practice, theory, and history. While it currently does not offer Open Access, its commitment to quality research is reflected in its selective publication process and robust editorial standards. Historically, CRITICA D'ARTE has covered critical perspectives from 2002 to 2005 and 2007 to 2014, attracting contributions from leading figures in the art community. Its role in fostering dialogue and critique makes it invaluable for researchers and students alike, seeking to deepen their understanding of artistic movements and aesthetic philosophies. Situated in Florence, Italy, a city synonymous with art and culture, the journal continues to contribute to the global conversation on art, stimulating thought and inspiring future generations of art critics and enthusiasts.

Perspective-Actualite en Histoire de L Art is a scholarly journal published by ARMAND COLIN, dedicated to the exploration and analysis of art history through a contemporary lens. With its ISSN 1777-7852, the journal provides insights and research findings that contribute to the ongoing discourse in the fields of history and visual arts, though it currently does not offer an open access model. Based in France, the journal has been actively publishing since 2010 and extends its academic reach through its rigorous evaluation process, ensuring quality and scholarly merit in its contributions. Despite currently holding a Q4 quartile ranking in both History and Visual Arts and Performing Arts categories, the journal plays a vital role in fostering dialogue among researchers, professionals, and students interested in the historical context and evolution of visual arts. Moreover, with Scopus rankings indicating its position within the competitive landscape of arts and humanities, Perspective-Actualite en Histoire de L Art serves as an important platform for critical analysis and modern interpretations of art history.

Arte Individuo y Sociedad, published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, is a leading Open Access journal dedicated to advancing understanding in the realms of Visual Arts and Performing Arts. With an impressive impact factor that places it in the Q1 category of its field and a remarkable Scopus rank of #92 out of 667, this journal stands as a vital resource for scholars, practitioners, and students alike. Since its inception in 1988, the journal has championed the dissemination of innovative research and critical discourse, fostering a platform where creativity and academia intersect. The converged years from 2010 to 2024 signify a dynamic evolution of the journal, reflecting contemporary issues and developments in visual and performing arts. For those interested in exploring the complex interplay between art and society, Arte Individuo y Sociedad offers essential insights and diverse perspectives in an increasingly interconnected global landscape.

Sanat Tarihi Dergisi-Journal of Art History is a distinguished academic journal dedicated to the exploration and analysis of art history, published by the reputable E.U. Printing and Publishing House in Turkiye. With an ISSN of 1300-5707 and an E-ISSN of 2636-8064, this openly accessible journal has been providing a platform for scholarly discourse since its transition to Open Access in 2016. Catering to a diverse audience of researchers, professionals, and students, the journal aims to disseminate original research articles, critical reviews, and theoretical discussions that contribute to the understanding of artistic movements and their cultural implications throughout history. By fostering interdisciplinary dialogue, Sanat Tarihi Dergisi plays a pivotal role in advancing the field of art history and encouraging the exchange of innovative ideas among scholars globally. Its dedication to enhancing accessibility to high-quality research makes it an invaluable resource for anyone engaged in the study of visual culture.