Welcome to Ekphrasis-Images Cinema Theory Media, an academic journal dedicated to exploring the intersections of visual arts, cinema, and media studies. Published by the esteemed BABES-BOLYAI UNIVERSITY, FACULTY OF THEATRE & TELEVISION in Romania, this journal serves as a critical platform for scholars and practitioners to disseminate groundbreaking research and innovative ideas within these vibrant fields. With an ISSN of 2067-631X and an E-ISSN of 2559-2068, Ekphrasis is committed to enhancing the discourse surrounding contemporary visual culture, as evidenced by its Scopus rankings in the arts and humanities categories. Aiming to contribute to academic discussions from 2019 to 2024, it invites submissions that challenge conventional perspectives and promote new methodologies. Although currently positioned in the Q4 category for Communication and Q3 for Visual Arts and Performing Arts, the journal is poised for growth and aims to increase its impact factor through the openness of scholarly exchange and rigorous peer review. Join us in advancing the critical discourse at the crossroads of art and media!

Review of Communication Research is a prestigious open-access journal dedicated to advancing the field of communication studies. Published by REVIEW COMMUNICATION RESEARCH from its base in Madrid, Spain, this journal has established itself as a vital platform for scholarly discourse since its inception. With an impressive impact factor and ranked in the Q1 quartile of communication journals for 2023, it holds a commendable position, placing it within the top 13% of approximately 511 journals in the communication category on Scopus. Since becoming open-access in 2013, the journal has enabled researchers, professionals, and students to access high-quality research without financial barriers, thereby fostering a greater dissemination of knowledge and dialogue within the community. Covering a wide array of topics from communication theory to media studies, the Review of Communication Research continues to contribute significantly to the understanding and evolution of communication in today’s interconnected world. Researchers are encouraged to engage with and submit their findings to this influential journal to further enrich the scholarly landscape.

Global Media Journal-Canadian Edition is a prestigious academic outlet that delves into the intersections of communication, media studies, and cultural discourse. Published by the University of Ottawa's Department of Communication, this journal serves as a platform for innovative research and critical analysis, highlighting the dynamics of media in a global context with a specific focus on Canadian perspectives. Since its transition to Open Access in 2008, the journal has greatly expanded its readership and accessibility, enabling a wider dissemination of knowledge. Despite facing a Q4 category quartile ranking in 2023 for the field of Communication, it continues to promote scholarly dialogue and is a valuable resource for researchers, professionals, and students alike, eager to explore contemporary media issues. The journal has documented converge years from 2013 to 2017 and 2021, fostering timeless discourse that resonates with the ever-evolving landscape of media and communication.

New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.

Moving Image is a distinguished academic journal published by University of Minnesota Press, dedicated to the exploration and critical analysis of visual culture. With an ISSN of 1532-3978 and an E-ISSN of 1542-4235, this journal plays a vital role in advancing scholarship in the fields of Conservation, Visual Arts, and Performing Arts, offering insights from its notable publication history from 2013 to 2019 and again from 2021 to 2022. While it currently does not offer open access options, the journal is recognized as a crucial platform for disseminating research, reflected in its rankings—#442/667 in Visual Arts and Performing Arts and #87/103 in Conservation according to Scopus. Despite its placement in the Q4 quartile for both fields, Moving Image remains a key resource for scholars, students, and practitioners interested in the intricate dynamics of moving images in contemporary culture. Its commitment to fostering dialogue and innovation in visual studies ensures its relevance and influence within the academic community.

KOREA JOURNAL, published by the Academy of Korean Studies, stands as a significant scholarly resource in the fields of Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts. With an impressive impact factor highlighted by its Q1 and Q2 quartile rankings across multiple categories, the journal facilitates the dissemination of innovative research that contributes to the understanding of Korean society and culture, offering a platform for both local and international scholars. Open Access since 2020, ensures that its articles are readily available to a wide audience, thereby promoting broader academic engagement. By featuring diverse interdisciplinary studies, the journal aims to bridge gaps across various fields and foster dialogue among researchers, practitioners, and students alike. Located in Seongnam-si, Gyeonggi-do, South Korea, it continues to play an essential role in advancing scholarship related to Korean studies while maintaining academic rigor and quality.

Critical Studies in Television is a leading academic journal published by SAGE Publications Ltd, dedicated to exploring the intricate dimensions of television within the fields of Communication and Cultural Studies. Since its inception, this journal has become an essential resource for researchers, professionals, and students alike, particularly as it navigates the evolving landscape of television studies from 2014 to 2024. With an impressive impact factor, the journal achieved notable rankings in 2023: it is positioned in the Q2 quartile for Communications and the Q1 quartile for Cultural Studies. Recognized by Scopus with a rank of #160 in Cultural Studies and #193 in Communication, it reflects its growing influence and relevance in these academic arenas. While currently not available through an Open Access model, readers are encouraged to engage with its diverse and critical contributions that foster a deep understanding of television’s role in contemporary culture.

Journal of Aesthetics & Culture, published by TAYLOR & FRANCIS LTD, is a prestigious Open Access journal that has been serving the academic community since its inception in 2009. Based in the United Kingdom, this journal aims to explore, document, and critically engage with themes in Cultural Studies, Philosophy, and the Visual and Performing Arts. Notable for its impact, the journal holds a Q3 ranking in Cultural Studies and Philosophy, and a Q2 ranking in Visual Arts and Performing Arts as of 2023. With its Scopus rankings placing it within the top 17% of Visual Arts and Performing Arts journals and top 31% in Philosophy, it stands as a vital resource for researchers and practitioners alike. Covering a broad range of contemporary issues and inviting innovative perspectives, the Journal of Aesthetics & Culture plays a crucial role in shaping critical discourse within its fields and fostering an understanding of the intricate interplay between aesthetics and societal contexts.

The Journal of Religion Media and Digital Culture, published by BRILL, is a premier open-access academic journal that dives into the intersections of religion, media, and digital culture. Since its inception in 2014, it has established itself within the Q1 quartile of Religious Studies, holding an impressive ranking of #133 out of 644 in Scopus, placing it in the 79th percentile among its peers. The journal aims to facilitate critical discourse and innovative scholarship, making it an essential resource for researchers, professionals, and students interested in the dynamic ways that digital media influences religious practices and beliefs globally. With a commitment to high-quality research, the journal invites contributions that explore diverse methodologies and perspectives, as the impact of digital culture continues to reshape the landscape of religious communication. Located in Leiden, Netherlands, the journal addresses a broad international audience, promoting accessibility and inclusiveness in scholarship. Explore the rich contents of the Journal of Religion Media and Digital Culture to enrich your understanding and contributions to this evolving field.

The Chinese Journal of Communication, published by Routledge Journals, Taylor & Francis Ltd, has established itself as a pivotal platform for scholarly discourse in the field of communication, particularly within the context of Chinese media and its global interactions. With a notable Q1 ranking in the 2023 Communication category and a commendable Scopus ranking of #77 out of 511 journals, it represents a significant contributor to the advancement of communication studies. The journal's focus extends from theoretical frameworks to empirical research, fostering a comprehensive understanding of the evolving communication landscape. Available in both print (ISSN: 1754-4750) and digital formats (E-ISSN: 1754-4769), the journal does not operate on an Open Access basis, yet it remains a highly sought-after resource for researchers, professionals, and students aiming to explore communication phenomena from a Chinese perspective. Given its publication history converging from 2010 to 2024, it serves as a valuable reference point for ongoing academic investigations and is instrumental in shaping future research directions in this dynamic field.