Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.

Popular Communication, published by Routledge Journals, Taylor & Francis Ltd, is a leading academic journal in the field of Communication, recognized for its Q1 ranking in the 2023 Scopus category. With an ISSN of 1540-5702 and an E-ISSN of 1540-5710, this journal has been converging significant research from 2010 to 2024, highlighting contemporary trends and evolving dynamics in popular communication practices. The journal is based in the United Kingdom and focuses on the intersection of media, culture, and communication, making it a vital resource for researchers, professionals, and students interested in understanding the impact of communication in society today. Although it does not offer Open Access options, it remains a cornerstone for scholarly discourse, with an impressive rank of #96 out of 511 in Social Sciences Communication, placing it in the 81st percentile. Contributions to this journal play a critical role in advancing knowledge and encouraging further scholarship in the diverse realm of popular communication.

Area Abierta is a prominent scholarly journal dedicated to the exploration and dissemination of research in the fields of social sciences and education. Published by the Universidad Complutense de Madrid, this journal has embraced an Open Access model since 2001, allowing for unrestricted access to its diverse array of articles and enhancing the visibility of research findings globally. With a commitment to fostering academic discourse and innovation, Area Abierta serves as an essential resource for researchers, professionals, and students alike, providing a platform for critical insights and studies that contribute to ongoing advancements in its scope. The journal's alignment with rigorous academic standards and its role in the scholarly community underline its significance in promoting accessible knowledge and collaborative learning.

The Chinese Journal of Communication, published by Routledge Journals, Taylor & Francis Ltd, has established itself as a pivotal platform for scholarly discourse in the field of communication, particularly within the context of Chinese media and its global interactions. With a notable Q1 ranking in the 2023 Communication category and a commendable Scopus ranking of #77 out of 511 journals, it represents a significant contributor to the advancement of communication studies. The journal's focus extends from theoretical frameworks to empirical research, fostering a comprehensive understanding of the evolving communication landscape. Available in both print (ISSN: 1754-4750) and digital formats (E-ISSN: 1754-4769), the journal does not operate on an Open Access basis, yet it remains a highly sought-after resource for researchers, professionals, and students aiming to explore communication phenomena from a Chinese perspective. Given its publication history converging from 2010 to 2024, it serves as a valuable reference point for ongoing academic investigations and is instrumental in shaping future research directions in this dynamic field.

The JOURNAL OF BROADCASTING & ELECTRONIC MEDIA, published by Routledge Journals, Taylor & Francis Ltd, is a premier academic publication in the field of communication, officially recognized in the Q1 category for its exceptional quality and impact. With a rich history dating back to 1985, this journal serves as a vital platform for innovative research and critical discussions surrounding broadcasting and electronic media, addressing contemporary issues in digital communication, media technology, and audience studies. The journal boasts an impressive Scopus rank of #73 out of 511 in the Social Sciences - Communication category, placing it within the top 15% of its field. Researchers, professionals, and students alike benefit from its insightful articles that contribute to understanding the evolving landscape of media and communication. Although it does not currently operate under an Open Access model, its rigorous peer-review process ensures that published works meet high academic standards, sustaining its reputation as a cornerstone for scholarly discourse in the media industry.

CAMERA OBSCURA, an esteemed journal published by DUKE UNIVERSITY PRESS, serves as a vital platform at the intersection of Visual Arts and Gender Studies. With its ISSN 0270-5346 and E-ISSN 1529-1510, this journal has been an influential contributor to critical discussions in cultural theory and visual culture from 2002 to 2024. Notably categorized in the Q4 quartile for Gender Studies and Q2 for Visual Arts and Performing Arts in 2023, CAMERA OBSCURA boasts a Scopus rank that reflects its growing impact within the academic community. Although currently not offered as an open-access publication, its rigorous peer-reviewed content remains crucial for researchers, professionals, and students alike, facilitating a deeper understanding of how visual representation shapes and is shaped by societal constructs. Set in the heart of the United States, the journal's commitment to exploring the complexities of gendered visuality emphasizes its importance within contemporary scholarship in these vibrant fields.

JCMS-Journal of Cinema and Media Studies, published by University of Texas Press, stands as a vital platform for scholars and practitioners in the realms of cinema, media, and visual arts. With an ISSN of 2578-4900 and an E-ISSN of 2578-4919, the journal has been a part of the academic landscape since its inception in 2018 and will continue to contribute valuable research until 2024. Notably ranked in the top tiers of Scopus, securing Q1 status in Visual Arts and Performing Arts and Q3 in Communication, JCMS features articles that critically engage with both traditional and contemporary issues in media studies. Located in the United States, the journal is committed to providing open access to a wide array of interdisciplinary research, fostering dialogue among researchers, students, and media professionals. By serving as a nexus for innovative scholarship and creative discourse, JCMS enriches our understanding of cinematic and media practices and their impact on society today.

CRITICAL STUDIES IN MEDIA COMMUNICATION, published by Routledge Journals, Taylor & Francis Ltd, stands as an influential platform for discourse in the field of communication studies. With an ISSN of 1529-5036 and an E-ISSN of 1479-5809, the journal provides an invaluable resource for researchers, professionals, and students exploring the complexities of media interactions and their socio-cultural implications. The journal has established a solid reputation, evidenced by its categorization as Q2 in Communication for 2023 and its impressive Scopus ranking of #189 out of 511 within the Social Sciences _ Communication category, placing it in the 63rd percentile. Operating out of the United Kingdom, CRITICAL STUDIES IN MEDIA COMMUNICATION encompasses a scope that debates critical theory versus applied media research, fostering interdisciplinary dialogue that addresses emerging trends and critical issues within the media landscape. With a commitment to open access and forward-thinking scholarship, this journal not only enhances academic understanding but also actively shapes practices within the communication field as it continues through its converged years from 1996 to 2024.

New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.

Global Media Journal-Canadian Edition is a prestigious academic outlet that delves into the intersections of communication, media studies, and cultural discourse. Published by the University of Ottawa's Department of Communication, this journal serves as a platform for innovative research and critical analysis, highlighting the dynamics of media in a global context with a specific focus on Canadian perspectives. Since its transition to Open Access in 2008, the journal has greatly expanded its readership and accessibility, enabling a wider dissemination of knowledge. Despite facing a Q4 category quartile ranking in 2023 for the field of Communication, it continues to promote scholarly dialogue and is a valuable resource for researchers, professionals, and students alike, eager to explore contemporary media issues. The journal has documented converge years from 2013 to 2017 and 2021, fostering timeless discourse that resonates with the ever-evolving landscape of media and communication.