GOYA, published by the esteemed FUNDACION LAZARO GALDIANO, is a pivotal journal in the field of Visual Arts and Performing Arts. With an ISSN of 0017-2715, this Spanish journal serves as a critical platform for scholars, artists, and practitioners to engage with contemporary issues, trends, and methodologies in the arts. Since its inception, GOYA has strived to illuminate the intersection of artistic expression and cultural discourse, with coverage spanning from 2002 to 2024. The journal proudly holds a Q3 category ranking in the 2023 Scopus assessments for its field, reflecting its respected position among peers, with a notable rank of #377 out of 667. Though it does not follow an Open Access model, GOYA continues to contribute significantly to the academic landscape, enabling a deeper understanding of artistic practices and their societal implications. Researchers and students alike will find the journal an invaluable resource for insights and inspiration within the dynamic realm of the arts.

Quintana-Revista do Departamento de Historia da Arte, published by the Universidade de Santiago de Compostela, is a distinguished academic journal that focuses on the critical analysis and exploration of visual arts and performing arts. With its ISSN 1579-7414 and E-ISSN 2340-0005, this journal serves as a vital platform for researchers, professionals, and students interested in the depth of art history and cultural discourse. Operating under a Q4 category in the realm of Visual Arts and Performing Arts, the journal is committed to fostering scholarly dialogue and advancing knowledge in the field. Though it currently does not offer open access options, it remains an invaluable resource for those aiming to contribute to and understand the evolving landscape of art history. The journal covers converged years from 2011 to 2012 and 2014 to 2024, highlighting its ongoing relevance and adaptability to contemporary discussions. As it continues to enhance its visibility and impact within the 20th percentile of its category according to Scopus rankings, Quintana invites contributions that deepen our understanding of artistic expression and cultural heritage.

SOURCE-NOTES IN THE HISTORY OF ART is a vital publication in the field of visual arts and performing arts, managed by the prestigious University of Chicago Press. With its ISSN 0737-4453 and E-ISSN 2328-207X, the journal serves as a scholarly platform for researchers, professionals, and students who are passionate about exploring the intricacies of art history. Although it currently holds a Q4 ranking in 2023, it provides a unique contribution by documenting and analyzing various dimensions of artistic endeavors, from historical references to contemporary practices. Despite being a newer entrant in the academic landscape, its focus on detailed source notes allows for deeper understanding and connections within art scholarship. Situated in the heart of Chicago, a city rich in artistic heritage, this journal is committed to promoting critical discourse and fostering awareness of the evolving narratives in art history. As the journal continues to cultivate rigorous academic dialogue, it stands as an essential resource for those dedicated to advancing and enriching the study of the arts.

Oxford Art Journal, published by Oxford University Press, serves as a vital platform for scholarly discourse in the fields of History, Visual Arts, and Performing Arts. With an ISSN of 0142-6540 and an E-ISSN of 1741-7287, this esteemed journal has cultivated a rich academic presence since its inception, reflecting a deep commitment to exploring the intricacies of art history and contemporary visual culture. Holding a Q2 ranking in Visual Arts and Performing Arts and a Q3 ranking in History for the year 2023, the journal features rigorous peer-reviewed articles that push the boundaries of research and offer new insights into artistic practices. Although not offering open access, the journal is widely respected for its contributions to the academic community, making it invaluable for researchers, professionals, and students deeply engaged in art studies. For those seeking a comprehensive understanding of the visual arts landscape, the Oxford Art Journal remains an indispensable resource.

Baltic Journal of Art History is a prominent academic journal published by UNIV TARTU PRESS, focusing on the rich tapestry of art historical research within the Baltic region and beyond. With its ISSN 1736-8812 and E-ISSN 2346-5581, the journal serves as a vital platform for scholars, artists, and historians to disseminate innovative findings and critical analyses in the fields of History and Visual Arts and Performing Arts. Established in 2017, it has gained recognition in academic circles, achieving a Q3 ranking in History and a Q2 ranking in Visual Arts and Performing Arts as of 2023. Despite not being open access, the journal continues to attract a diverse readership eager to engage with its rigorous, peer-reviewed content. Situated in Estonia, the journal not only enriches the regional scholarly discourse but also contributes significantly to global conversations on art history. Positioned at a pivotal intersection of various disciplines, the Baltic Journal of Art History invites researchers and practitioners alike to explore the aesthetic and cultural narratives that shape our understanding of art.

Laboratorio de Arte is an esteemed journal published by UNIV SEVILLA, EDITORIAL, specializing in the interdisciplinary fields of Arts and Humanities, Conservation, Museology, and Visual Arts. With an impactful presence in research since its inception, the journal has been open access since 2006, promoting the free dissemination of knowledge and fostering academic dialogue among scholars, professionals, and students. The journal adheres to rigorous academic standards, reflected in its categorization within the Q2 and Q3 quartiles across various disciplines, and its commendable rankings in Scopus make it an essential resource for those engaged in the arts. The h-index for this journal showcases its contribution to the field, further solidifying its importance in contemporary research. As it continues to evolve through 2023 and beyond, Laboratorio de Arte serves as a vital platform for innovative thoughts and practices within the vibrant landscape of artistic and cultural studies.

Eidola - International Journal of Classical Art History, published by Fabrizio Serra Editore, is dedicated to exploring the intricate connections between classical art and history. With an ISSN of 1824-6192 and an E-ISSN of 1826-719X, this journal stands as a pivotal resource for researchers, academics, and students within the realms of Classics, Visual Arts, and Performing Arts. Despite its recent establishment, having converged in the years 2019 to 2023, Eidola has carved out a place in various category quartiles, specifically achieving Q3 in Classics and Visual Arts and Q4 in History for 2023, indicating its growing influence in the field. Its Scopus rankings (Rank #163/170 in Classics and Rank #638/667 in Visual Arts and Performing Arts) further reflect its contribution to scholarly discourse, albeit in a competitive landscape. Though not openly accessible, the publication prioritizes substantial research, original scholarship, and critical reviews that enhance the understanding of classical art within broader historical contexts. For anyone invested in the dialogues surrounding art history, Eidola presents a vital avenue for engagement and scholarly exploration.

KONSTHISTORISK TIDSKRIFT is a distinguished journal dedicated to the exploration of art history and its intersections with visual and performing arts. Published by Routledge Journals, Taylor & Francis Ltd, this esteemed publication has been a vital resource for scholars and professionals alike since its inception in 1932, with a mission to advance the understanding of historical and contemporary artistic expression. Operating from the United Kingdom, it currently occupies a commendable Q3 Quartile ranking in both History and Visual Arts and Performing Arts categories for 2023, according to Scopus metrics. With an engaging array of peer-reviewed articles, the journal serves as a platform for critical discourse, fostering an inclusive intellectual community. As it looks ahead to its convergence into 2024, KONSTHISTORISK TIDSKRIFT promises to enrich the academic landscape with impactful research and insights, making it a vital resource for researchers, professionals, and students passionate about the field.

Quiroga-Revista de Patrimonio Iberoamericano, published by UNIV GRANADA, is a distinguished open-access journal dedicated to the fields of conservation, museology, and the visual and performing arts. Since its inception in 2012, the journal has provided a platform for scholars and practitioners to disseminate innovative research and critical discussions pertinent to Ibero-American heritage. With a growing impact, evidenced by its category quartiles ranking—Q3 in Conservation and Q2 in both Museology and Visual Arts and Performing Arts—as well as its Scopus rankings, Quiroga serves as an essential resource for researchers, professionals, and students who engage with the complexities of cultural preservation and artistic expression. The journal’s commitment to open access ensures the widespread availability of knowledge, fostering academic dialogue and collaboration within the global community. For inquiries, the journal can be reached at their offices located in Granada, Spain.

AFRICAN ARTS is a distinguished journal published by MIT PRESS, focusing on the vibrant intersections of literature, visual arts, and performing arts within the African context. Boasting an ISSN of 0001-9933 and an E-ISSN of 1937-2108, this journal serves as a critical platform for scholars and practitioners worldwide to explore and disseminate their research on African artistic expressions. With a solid impact represented by its Q3 rankings in both Literature and Literary Theory and Visual Arts and Performing Arts as of 2023, it ranks in the top 20% within the literature category and in the top 30% for visual arts. AFRICAN ARTS aims to foster a deeper understanding of the cultural, historical, and social contexts that shape these disciplines, embracing a wide array of methodologies and theoretical frameworks. Though not an open-access journal, it provides valuable insights and analysis that contribute significantly to the global discourse surrounding African arts, making it a vital resource for researchers, professionals, and students alike.