RACAR-REVUE D ART CANADIENNE-CANADIAN ART REVIEW

Scope & Guideline

Advancing Critical Discourse on Canadian Art

Introduction

Immerse yourself in the scholarly insights of RACAR-REVUE D ART CANADIENNE-CANADIAN ART REVIEW with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageMulti-Language
ISSN0315-9906
PublisherUNIV ART ASSOC CANADA
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationRACAR / RACAR-Rev. Art Can.-Can. Art Rev.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressDEPARTMENT HISTORY IN ART, UNIV VICTORIA, BOX 1700, VICTORIA, BC V8W 2Y2, CANADA

Aims and Scopes

RACAR - Revue d'Art Canadienne / Canadian Art Review focuses on the intersection of art, culture, and historical context within Canadian and international frameworks. The journal promotes interdisciplinary research that combines academic rigor with creative practice, emphasizing innovative methodologies and critical perspectives.
  1. Research-Creation:
    The journal prioritizes research-creation as a methodology, exploring how artistic practices can inform and transform research processes.
  2. Socially Engaged Art:
    RACAR emphasizes socially engaged art practices, encouraging discussions around art's role in community engagement, activism, and public discourse.
  3. Historical Perspectives:
    The journal frequently addresses historical contexts, examining how past artistic movements and figures influence contemporary practices and discourses.
  4. Indigenous and Black Art Histories:
    A significant focus is placed on Indigenous and Black art histories in Canada, exploring their contributions and the complexities of representation.
  5. Intersectionality in Art:
    RACAR examines the intersections of race, gender, and class in artistic production, fostering a critical understanding of diverse narratives within the art world.
Recent publications in RACAR indicate a dynamic shift towards several emerging themes that reflect current societal issues and artistic practices. This section outlines these trending topics and their significance in contemporary art discourse.
  1. Research-Creation Interdisciplinarity:
    An increasing number of articles focus on the intersection of research and creation, showcasing how artistic practices can produce knowledge and engage with academic research methodologies.
  2. Decolonizing Art Practices:
    Emerging discussions around decolonization in art highlight the need to challenge colonial narratives and promote Indigenous perspectives and methodologies.
  3. Affective Pedagogies:
    The incorporation of affective pedagogies in art education and practice is gaining traction, emphasizing emotional engagement and the transformative power of art.
  4. Public Art and Community Engagement:
    There is a growing focus on public art as a means of fostering community engagement, exploring how art can act as a catalyst for social change and dialogue.
  5. Global and Transnational Perspectives:
    The journal increasingly features global and transnational perspectives, reflecting the interconnectedness of contemporary art practices across different cultural contexts.

Declining or Waning

While the journal continues to evolve, certain themes have shown a decline in prominence over recent years. This section highlights areas that appear to be receiving less attention in current discourse.
  1. Traditional Art Historical Methods:
    There is a noticeable decline in the use of traditional art historical methodologies, as the journal shifts towards more interdisciplinary and innovative approaches.
  2. Eurocentric Art Narratives:
    The focus on Eurocentric art narratives has waned, reflecting a broader trend towards inclusivity and the recognition of diverse artistic contributions from non-Western contexts.
  3. Formal Aesthetic Criticism:
    Formal aesthetic criticism, which emphasizes the visual elements of artworks in isolation, is less frequently addressed, as the journal increasingly favors contextual and conceptual analyses.
  4. Conventional Exhibition Reviews:
    Standard exhibition reviews are becoming less common in favor of more critical essays that engage with broader cultural and social issues surrounding art.
  5. Art Market Analysis:
    There is a decreased emphasis on the commercial aspects of art, such as market trends and pricing, indicating a shift towards exploring art's social and cultural implications.

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