RACAR-REVUE D ART CANADIENNE-CANADIAN ART REVIEW
Scope & Guideline
Connecting Researchers with Canadian Art Narratives
Introduction
Aims and Scopes
- Research-Creation:
The journal prioritizes research-creation as a methodology, exploring how artistic practices can inform and transform research processes. - Socially Engaged Art:
RACAR emphasizes socially engaged art practices, encouraging discussions around art's role in community engagement, activism, and public discourse. - Historical Perspectives:
The journal frequently addresses historical contexts, examining how past artistic movements and figures influence contemporary practices and discourses. - Indigenous and Black Art Histories:
A significant focus is placed on Indigenous and Black art histories in Canada, exploring their contributions and the complexities of representation. - Intersectionality in Art:
RACAR examines the intersections of race, gender, and class in artistic production, fostering a critical understanding of diverse narratives within the art world.
Trending and Emerging
- Research-Creation Interdisciplinarity:
An increasing number of articles focus on the intersection of research and creation, showcasing how artistic practices can produce knowledge and engage with academic research methodologies. - Decolonizing Art Practices:
Emerging discussions around decolonization in art highlight the need to challenge colonial narratives and promote Indigenous perspectives and methodologies. - Affective Pedagogies:
The incorporation of affective pedagogies in art education and practice is gaining traction, emphasizing emotional engagement and the transformative power of art. - Public Art and Community Engagement:
There is a growing focus on public art as a means of fostering community engagement, exploring how art can act as a catalyst for social change and dialogue. - Global and Transnational Perspectives:
The journal increasingly features global and transnational perspectives, reflecting the interconnectedness of contemporary art practices across different cultural contexts.
Declining or Waning
- Traditional Art Historical Methods:
There is a noticeable decline in the use of traditional art historical methodologies, as the journal shifts towards more interdisciplinary and innovative approaches. - Eurocentric Art Narratives:
The focus on Eurocentric art narratives has waned, reflecting a broader trend towards inclusivity and the recognition of diverse artistic contributions from non-Western contexts. - Formal Aesthetic Criticism:
Formal aesthetic criticism, which emphasizes the visual elements of artworks in isolation, is less frequently addressed, as the journal increasingly favors contextual and conceptual analyses. - Conventional Exhibition Reviews:
Standard exhibition reviews are becoming less common in favor of more critical essays that engage with broader cultural and social issues surrounding art. - Art Market Analysis:
There is a decreased emphasis on the commercial aspects of art, such as market trends and pricing, indicating a shift towards exploring art's social and cultural implications.
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