The Metropolitan Museum of Art Bulletin is a distinguished periodical dedicated to the study and appreciation of art, particularly within the vast collections of the Metropolitan Museum of Art in New York. Published by the Metropolitan Museum of Art, this journal represents a pivotal resource for scholars, curators, and art enthusiasts alike, exploring diverse topics that span museology and the visual arts. With an ISSN of 0026-1521 and an E-ISSN of 2325-6915, the journal features scholarly articles and insights reflecting the museum's unique collections and exhibitions from 2002 to 2022. Although categorized in the Q4 quartile in both Museology and Visual Arts and Performing Arts, the Bulletin remains instrumental in fostering academic discourse in these fields, regardless of its Scopus rankings. As the world of art continues to evolve, this journal provides critical context and scholarly evaluation that inspire ongoing research and engagement with art institutions.

Arte Individuo y Sociedad, published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, is a leading Open Access journal dedicated to advancing understanding in the realms of Visual Arts and Performing Arts. With an impressive impact factor that places it in the Q1 category of its field and a remarkable Scopus rank of #92 out of 667, this journal stands as a vital resource for scholars, practitioners, and students alike. Since its inception in 1988, the journal has championed the dissemination of innovative research and critical discourse, fostering a platform where creativity and academia intersect. The converged years from 2010 to 2024 signify a dynamic evolution of the journal, reflecting contemporary issues and developments in visual and performing arts. For those interested in exploring the complex interplay between art and society, Arte Individuo y Sociedad offers essential insights and diverse perspectives in an increasingly interconnected global landscape.

AFRICAN ARTS is a distinguished journal published by MIT PRESS, focusing on the vibrant intersections of literature, visual arts, and performing arts within the African context. Boasting an ISSN of 0001-9933 and an E-ISSN of 1937-2108, this journal serves as a critical platform for scholars and practitioners worldwide to explore and disseminate their research on African artistic expressions. With a solid impact represented by its Q3 rankings in both Literature and Literary Theory and Visual Arts and Performing Arts as of 2023, it ranks in the top 20% within the literature category and in the top 30% for visual arts. AFRICAN ARTS aims to foster a deeper understanding of the cultural, historical, and social contexts that shape these disciplines, embracing a wide array of methodologies and theoretical frameworks. Though not an open-access journal, it provides valuable insights and analysis that contribute significantly to the global discourse surrounding African arts, making it a vital resource for researchers, professionals, and students alike.

Third Text is a premier academic journal dedicated to the critical engagement with cultural and artistic practices, serving as a vital platform for scholars and practitioners in the fields of Cultural Studies and Visual Arts and Performing Arts. Published by Routledge Journals, Taylor & Francis Ltd in the United Kingdom, this journal has steadily established itself as a leader in its field since its inception in 1987. With an impressive Q2 ranking in both categories as of 2023, Third Text is noted for its rigorous peer-reviewed research and thought-provoking analysis, contributing significantly to contemporary discourse in the arts. While the journal maintains a traditional publication model, it offers a rich array of scholarly articles aimed at fostering dialogue and innovation among researchers, professionals, and students alike. Researchers looking to explore intricate cultural dynamics and the intersections of art, society, and politics will find Third Text an indispensable resource in their academic journey.

AMERICAN HISTORY is a pivotal journal published by HISTORYNET, dedicated to the exploration and analysis of historical narratives, events, and figures that have shaped the United States. With an ISSN of 1076-8866, this journal offers a comprehensive platform for historians, scholars, and students to publish and access critical research and discussions in the field. Although categorized in the Q4 quartile in the history domain according to 2023 metrics, its targeted scope from 2009 to 2023 ensures a rich reservoir of contemporary and historical research articles. Positioned at Rank #1711 out of 1760 in the Scopus database, AMERICAN HISTORY caters to a niche audience passionate about uncovering the complexities of American past. While it does not offer open access, its printed contributions are invaluable for those aiming to deepen their understanding of historical context in modern society. AMERICAN HISTORY stands as an essential resource for anyone engaged in detailed historical research and discourse.

RACAR - Revue d'Art Canadienne (Canadian Art Review), published by the University Art Association of Canada, stands as a pivotal academic journal in the field of Canadian art history and cultural studies. With its ISSN 0315-9906 and E-ISSN 1918-4778, RACAR serves as a vital platform for scholarly research and discourse, aiming to illuminate the rich tapestry of Canada's artistic heritage. Although not an open-access journal, it is committed to disseminating high-quality peer-reviewed articles that contribute to the ongoing dialogue about art in Canada. The journal's focus encompasses a diverse range of topics, from contemporary visual arts to historical investigations, appealing to researchers, professionals, and students alike. Based at the Department of History in Art at University of Victoria, RACAR fosters a critical understanding of Canadian art within broader national and global contexts, making it an essential resource for anyone engaged in this vibrant field of study.

Espacio Tiempo y Forma Serie VII-Historia del Arte, published by the Universidad Nacional de Educación a Distancia, stands as a pivotal open-access journal in the realm of Art History. Since its inception, it has steadily contributed to scholarly discourse by providing a platform for the publication of rigorous research that explores the intricate relationship between historical contexts and artistic expressions. With an Impact Factor reflecting its relevance, this journal occupies a critical niche within the Q3 categories of both History and Visual Arts and Performing Arts. Researchers and practitioners alike can benefit from the diverse range of articles published, which delve into various artistic movements and their socio-cultural implications. Operating from its base in Madrid, Spain, the journal continues to accept submissions through 2024, fostering an inclusive academic environment that nurtures the exchange of ideas. With its open-access model established since 2005, Espacio Tiempo y Forma enhances accessibility to vital research, inviting an engaged readership from around the globe.

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico is a distinguished journal published by FIRENZE UNIV PRESS, dedicated to the exploration of aesthetics and its intersection with language, knowledge, and practices in the arts. Since its inception, the journal has embraced an Open Access model, facilitating widespread dissemination of research since 2008, appealing to a global audience and fostering an inclusive academic dialogue. With a focus spanning across Philosophy, Visual Arts, and Performing Arts, it has established itself as a significant contribution to the field, achieving a Q3 categorization in both Philosophy and Visual Arts and Performing Arts as of 2023. Ranked comfortably within the Scopus indexing, the journal currently sits at Rank #305 in Visual Arts and Performing Arts and Rank #475 in Philosophy, reflecting its growing influence. The converged years from 2017 to 2023 mark a period of robust scholarly engagement and innovative contributions. For researchers, professionals, and students alike, Aisthesis remains a vital resource for contemporary discourse in aesthetics and an essential platform for the exchange of ideas.

OCTOBER is a seminal journal published by MIT PRESS that spans a diverse array of interdisciplinary themes within the humanities, specifically focusing on literature and literary theory, music, and the visual arts and performing arts. Established in 2002, this journal has become a cornerstone for scholars and practitioners seeking critical discourse and innovative research across its converged fields, maintaining a respectable impact factor that attests to its influence in academic circles. While OCTOBER currently does not offer open access, it provides valuable insights and analysis that drive contemporary thought and discussion, positioned in the Q2 and Q3 quartiles of Scopus rankings. The journal’s commitment to high-quality scholarship makes it an essential resource for those looking to deepen their understanding of cultural and artistic practices, reflecting the evolving landscape of the arts and humanities from a rigorously theoretical perspective.

The Australian and New Zealand Journal of Art, published by Taylor & Francis Ltd, stands as a critical platform for scholarly discourse in the fields of art, visual arts, and performing arts, contributing to the ongoing dialogue regarding contemporary artistic practices and methodologies across Australia and New Zealand. With an ISSN of 1443-4318 and an E-ISSN of 2203-1871, this journal invites submissions that strive for innovation and insightful critique, aiming to foster a deeper appreciation and understanding of diverse artistic expressions. Despite its classification in the fourth quartile under the Arts and Humanities categories, it continues to attract attention within its niche, as evidenced by its Scopus rankings, indicating its vital role in the academic landscape. The journal is committed to bridging the gap between research and practice, providing access to a wealth of interdisciplinary knowledge for researchers, professionals, and students alike.