ESPES-The Slovak Journal of Aesthetics, published by UNIV PRESOV, FAC ARTS, serves as a prominent platform for scholarly inquiry in the field of aesthetics and the arts. Since its inception in 2012, the journal has embraced an Open Access model, facilitating a wider dissemination of knowledge and fostering global collaboration among researchers, professionals, and students alike. Notably, ESPES has achieved significant standing within its discipline, represented by its quartile placements in 2023, including Q3 in Literature and Literary Theory and various Q4 rankings across fields such as Philosophy, Visual Arts, and Music. While the H-Index data is currently unspecified, the journal's efforts to include thematic diversity and academic rigor are underscored by its rankings in Scopus, positioning it as a valuable resource for those interested in the interplay between aesthetics and cultural expression. The journal is committed to exploring novel perspectives and fostering critical discussions, thereby enhancing the understanding of aesthetic theories and practices in a contemporary context.

Sztuka i Dokumentacja-Art & Documentation is a pioneering open-access journal published by ACAD FINE ARTS GDANSK, focusing on the intersections of art, documentation, and artistic practices. Since its inception in 2009, this journal has committed itself to fostering a vibrant scholarly discourse within the fields of art history, visual documentation, and cultural criticism. With an ISSN of 2080-413X, it provides a platform for researchers, practitioners, and students to contribute to and access high-quality artistic research and theoretical investigations. The journal's open-access model ensures that studies are readily available to a global audience, promoting the dissemination of innovative ideas and dialogue in the contemporary art world. With its dedication to advancing the understanding of art through rigorous documentation and research, Sztuka i Dokumentacja serves as an essential resource for anyone seeking to explore the dynamic and multifaceted relationship between art and its documentation.

Rivista di Estetica is a renowned academic journal published by ROSENBERG & SELLIER, dedicated to the exploration and discussion of aesthetic theory and practice. Since its establishment in 1966, the journal has been a significant platform for philosophers, artists, and scholars, contributing to the vibrant discourse within the field of Philosophy. With an impact factor that reflects its scholarly influence, Rivista di Estetica is categorized in the Q3 quartile of 2023, ranking 343 out of 806 in the Scopus database under Arts and Humanities: Philosophy. Recognizing the importance of accessibility in academia, the journal has been Open Access since 2014, allowing an expansive audience to engage with cutting-edge research and critical essays. Based in Turin, Italy, this journal invites researchers, professionals, and students alike to contribute to its pages, fostering a rich dialogue on artistic expression and aesthetic inquiry.

Oxford Art Journal, published by Oxford University Press, serves as a vital platform for scholarly discourse in the fields of History, Visual Arts, and Performing Arts. With an ISSN of 0142-6540 and an E-ISSN of 1741-7287, this esteemed journal has cultivated a rich academic presence since its inception, reflecting a deep commitment to exploring the intricacies of art history and contemporary visual culture. Holding a Q2 ranking in Visual Arts and Performing Arts and a Q3 ranking in History for the year 2023, the journal features rigorous peer-reviewed articles that push the boundaries of research and offer new insights into artistic practices. Although not offering open access, the journal is widely respected for its contributions to the academic community, making it invaluable for researchers, professionals, and students deeply engaged in art studies. For those seeking a comprehensive understanding of the visual arts landscape, the Oxford Art Journal remains an indispensable resource.

Technoetic Arts, an influential journal published by INTELLECT LTD, serves as a vital platform for interdisciplinary research at the intersection of the arts, philosophy, and technology. Established in 2003, this journal has evolved to encompass a diverse range of innovative topics, while focusing on the critical examination of art's future amid rapid technological advances. With an ISSN of 1477-965X and E-ISSN 1758-9533, it appeals to researchers, professionals, and students interested in explorations within the fields of Computer Science Applications, Human-Computer Interaction, Philosophy, and Visual Arts and Performing Arts. Although currently not open access, Technoetic Arts is recognized for its rigorous scholarship, as evidenced by its Scopus rankings—achieving the 75th percentile in Visual Arts and Performing Arts. The journal operates from its base in the United Kingdom, offering a unique lens through which contemporary techno-artistic dialogues are examined and promoted. As it aims for continuous improvement in academic merit and relevance, Technoetic Arts remains an essential resource for anyone looking to engage with the transformative power of technology in art.

INFINI is a distinguished academic journal published by EDITIONS GALLIMARD, focused on the fields of Literature and Literary Theory. With a commitment to advancing scholarship, INFINI provides a platform for innovative research and critical discourse, contributing significantly to the literary discourse landscape since its inception. The journal, which has achieved a Q3 ranking in the 2023 category of Literature and Literary Theory, aims to foster a deeper understanding of literary texts, contexts, and theories through rigorous analysis and scholarly dialogue. Though it currently does not offer open access, INFINI remains an essential resource for researchers, professionals, and students dedicated to exploring the complexities of literature. By continuously publishing thought-provoking articles, INFINI plays a crucial role in shaping the future of literary studies. For more information or to submit your work, you can reach out to them at their address in Paris, France: 5 RUE SEBASTIEN-BOTTIN, 75328 PARIS, CEDEX 07, FRANCE.

ART HISTORY is a prestigious journal published by Wiley, focusing on the dynamic and diverse field of visual arts and performing arts since its inception in 1978. With an ISSN of 0141-6790 and an E-ISSN of 1467-8365, the journal has established itself as a significant resource for researchers, professionals, and students interested in exploring the complexities of art across various epochs and cultures. Currently ranked in the Q3 category within the Visual Arts and Performing Arts sector and positioned at #132 out of 667 in Scopus rankings—representing the top 80th percentile—ART HISTORY delivers insightful scholarship that contributes to the understanding and appreciation of art history. Although it does not offer open access, the journal remains committed to publishing high-quality, peer-reviewed articles that delve into critical artistic practices, theories, and aesthetics. The journal's location in the United Kingdom further enhances its international reach and influence, making it a vital platform for advancing discourse in the arts.

Enrahonar-Quaderns de Filosofia, published by Universitat Autònoma de Barcelona, stands as a significant academic journal in the field of Philosophy, offering open access to a diverse range of philosophical inquiries since its establishment in 1997. With an ISSN of 0211-402X and E-ISSN 2014-881X, it serves as a crucial conduit for scholars to disseminate their research globally. Positioned in the Q3 quartile of Philosophy journals according to 2023 metrics, and ranking #417 out of 806 in Scopus, it reflects a solid standing within the academic community. The journal is committed to advancing philosophical discourse by encouraging critical engagement and interdisciplinary collaboration, ultimately fostering a vibrant dialogue among researchers, professionals, and students. Located in Cerdanyola del Vallès, Barcelona, Spain, it aims to contribute to the European and global philosophical landscape by supporting innovative and rigorous scholarship through its accessible platform.

De Arte is a distinguished journal dedicated to the field of Cultural Studies, published by Routledge Journals, Taylor & Francis Ltd. Since its inception in 1967, the journal has served as a critical platform for scholarly discourse, exploring the intersection of the arts and cultural dynamics. With an Impact Factor reflecting its quality and relevance in the academic community, De Arte is committed to advancing knowledge through rigorous research. It currently holds a Category Quartile ranking of Q3 in Cultural Studies according to the 2023 metrics, and is indexed in Scopus, ranking #1024 out of 1304 in the Social Sciences subcategory. Although it operates under a traditional publishing model, the journal ensures broad access to its insightful publications. The journal invites researchers, professionals, and students to contribute and engage with contemporary cultural issues, making it an essential resource for those invested in the arts and humanities.

The Journal of Contemporary Chinese Art is a prestigious academic publication dedicated to advancing the discourse surrounding contemporary artworks and artistic practices in China. Published by INTELLECT LTD, this journal features insightful articles and research that catalyze discussions among scholars, practitioners, and students within the Visual Arts and Performing Arts fields. With an ISSN of 2051-7041 and an E-ISSN of 2051-705X, the journal operates without open access, yet remains a pivotal resource as reflected in its Q2 ranking in the 2023 category of Visual Arts and Performing Arts, positioning it within the 70th percentile on the Scopus Ranks. Covering a diverse range of topics from global influences on Chinese art to the socio-political dimensions of artistic expressions, the journal aims to foster a deeper understanding of contemporary cultural dynamics. Since its inception in 2019 and continuing through 2024, it has established itself as a critical platform for emerging voices and established experts alike, making it an essential read for anyone engaged in the study and appreciation of modern Chinese art.