ARTIBUS ASIAE

Scope & Guideline

Inspiring Dialogue Across Artistic Frontiers

Introduction

Welcome to your portal for understanding ARTIBUS ASIAE, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0004-3648
PublisherARTIBUS ASIAE
Support Open AccessNo
CountrySwitzerland
TypeJournal
Convergefrom 2002 to 2024
AbbreviationARTIBUS ASIAE / Artibus Asiae
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressMUSEUM RIETBERG, GABLERSTRASSE 15, CH-8002 ZURICH, SWITZERLAND

Aims and Scopes

ARTIBUS ASIAE is dedicated to the exploration of Asian art and its various cultural, historical, and social contexts. The journal emphasizes interdisciplinary research that integrates perspectives from art history, anthropology, and cultural studies, thereby contributing to a deeper understanding of the artistic practices across different Asian regions.
  1. Interdisciplinary Approaches to Asian Art:
    The journal promotes research that combines art history with methodologies from anthropology, sociology, and cultural studies, facilitating a comprehensive understanding of the artworks within their cultural and historical contexts.
  2. Focus on Historical and Contemporary Art:
    ARTIBUS ASIAE covers a broad temporal spectrum, analyzing both historical artifacts and contemporary artistic practices. This dual focus allows for discussions on the evolution of artistic traditions in Asia.
  3. Regional Diversity in Asian Art Studies:
    The journal showcases diverse regional art forms, from South Asian temple sculptures to East Asian ink paintings, highlighting the unique characteristics and influences of each region.
  4. Thematic Exploration of Cultural Narratives:
    Research articles often delve into specific themes such as gender dynamics, social structures, and religious influences in art, providing insights into the narratives embedded in artistic expressions.
  5. Materiality and Object Studies:
    The journal emphasizes the importance of material culture, examining how the physical properties of art objects contribute to their meanings and cultural significance.
ARTIBUS ASIAE is witnessing a rise in research themes that reflect current societal issues, interdisciplinary methodologies, and a broader understanding of art in a global context. These emerging scopes indicate the journal's responsiveness to contemporary discourses in art and culture.
  1. Social and Economic Dynamics in Art:
    Recent publications highlight the interplay between social, economic, and artistic practices, particularly in premodern contexts, reflecting a trend towards understanding the societal implications of art.
  2. Intersections of Art and Identity:
    There is an increasing focus on how art relates to identity, including gender, religion, and community, which showcases the journal's commitment to exploring the personal and social dimensions of artistic expression.
  3. Contemporary Reappraisals of Historical Art:
    Scholarly efforts to reinterpret historical art through modern lenses are becoming more common, indicating a trend towards critical reexaminations that challenge traditional narratives.
  4. Material Culture and Object Agency:
    The exploration of the materiality of art objects and their roles in cultural practices is gaining traction, suggesting a growing interest in how objects interact with social and cultural dynamics.
  5. Global Perspectives on Asian Art:
    There is a notable shift towards comparative studies that place Asian art within a global context, reflecting an emerging interest in transnational influences and dialogues.

Declining or Waning

While ARTIBUS ASIAE continues to thrive in its exploration of Asian art, certain themes appear to be experiencing a decline in prominence. This shift may reflect changing research interests or broader trends in the field of art history.
  1. Traditional Art Forms and Iconography:
    There has been a noticeable decrease in studies focused solely on traditional art forms and iconography, as the journal increasingly emphasizes interdisciplinary approaches that incorporate contemporary perspectives.
  2. Static Historical Narratives:
    Research that presents static historical narratives without engaging with contemporary implications or interdisciplinary connections seems to be waning, suggesting a shift towards more dynamic, evolving interpretations of art history.
  3. Regional Exclusivity:
    The focus on singular regional studies without comparative analysis is declining. There is a growing preference for research that connects different regions and cultures, indicating a trend towards global dialogues in Asian art.

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