AFRICAN ARTS is a distinguished journal published by MIT PRESS, focusing on the vibrant intersections of literature, visual arts, and performing arts within the African context. Boasting an ISSN of 0001-9933 and an E-ISSN of 1937-2108, this journal serves as a critical platform for scholars and practitioners worldwide to explore and disseminate their research on African artistic expressions. With a solid impact represented by its Q3 rankings in both Literature and Literary Theory and Visual Arts and Performing Arts as of 2023, it ranks in the top 20% within the literature category and in the top 30% for visual arts. AFRICAN ARTS aims to foster a deeper understanding of the cultural, historical, and social contexts that shape these disciplines, embracing a wide array of methodologies and theoretical frameworks. Though not an open-access journal, it provides valuable insights and analysis that contribute significantly to the global discourse surrounding African arts, making it a vital resource for researchers, professionals, and students alike.

GOYA, published by the esteemed FUNDACION LAZARO GALDIANO, is a pivotal journal in the field of Visual Arts and Performing Arts. With an ISSN of 0017-2715, this Spanish journal serves as a critical platform for scholars, artists, and practitioners to engage with contemporary issues, trends, and methodologies in the arts. Since its inception, GOYA has strived to illuminate the intersection of artistic expression and cultural discourse, with coverage spanning from 2002 to 2024. The journal proudly holds a Q3 category ranking in the 2023 Scopus assessments for its field, reflecting its respected position among peers, with a notable rank of #377 out of 667. Though it does not follow an Open Access model, GOYA continues to contribute significantly to the academic landscape, enabling a deeper understanding of artistic practices and their societal implications. Researchers and students alike will find the journal an invaluable resource for insights and inspiration within the dynamic realm of the arts.

Oxford Art Journal, published by Oxford University Press, serves as a vital platform for scholarly discourse in the fields of History, Visual Arts, and Performing Arts. With an ISSN of 0142-6540 and an E-ISSN of 1741-7287, this esteemed journal has cultivated a rich academic presence since its inception, reflecting a deep commitment to exploring the intricacies of art history and contemporary visual culture. Holding a Q2 ranking in Visual Arts and Performing Arts and a Q3 ranking in History for the year 2023, the journal features rigorous peer-reviewed articles that push the boundaries of research and offer new insights into artistic practices. Although not offering open access, the journal is widely respected for its contributions to the academic community, making it invaluable for researchers, professionals, and students deeply engaged in art studies. For those seeking a comprehensive understanding of the visual arts landscape, the Oxford Art Journal remains an indispensable resource.

Sanat Tarihi Dergisi-Journal of Art History is a distinguished academic journal dedicated to the exploration and analysis of art history, published by the reputable E.U. Printing and Publishing House in Turkiye. With an ISSN of 1300-5707 and an E-ISSN of 2636-8064, this openly accessible journal has been providing a platform for scholarly discourse since its transition to Open Access in 2016. Catering to a diverse audience of researchers, professionals, and students, the journal aims to disseminate original research articles, critical reviews, and theoretical discussions that contribute to the understanding of artistic movements and their cultural implications throughout history. By fostering interdisciplinary dialogue, Sanat Tarihi Dergisi plays a pivotal role in advancing the field of art history and encouraging the exchange of innovative ideas among scholars globally. Its dedication to enhancing accessibility to high-quality research makes it an invaluable resource for anyone engaged in the study of visual culture.

ART HISTORY is a prestigious journal published by Wiley, focusing on the dynamic and diverse field of visual arts and performing arts since its inception in 1978. With an ISSN of 0141-6790 and an E-ISSN of 1467-8365, the journal has established itself as a significant resource for researchers, professionals, and students interested in exploring the complexities of art across various epochs and cultures. Currently ranked in the Q3 category within the Visual Arts and Performing Arts sector and positioned at #132 out of 667 in Scopus rankings—representing the top 80th percentile—ART HISTORY delivers insightful scholarship that contributes to the understanding and appreciation of art history. Although it does not offer open access, the journal remains committed to publishing high-quality, peer-reviewed articles that delve into critical artistic practices, theories, and aesthetics. The journal's location in the United Kingdom further enhances its international reach and influence, making it a vital platform for advancing discourse in the arts.

CRITICA D'ARTE is a distinguished academic journal published by CASA EDITRICE LE LETTERE that delves into the rich field of art criticism. With its ISSN 0011-1511, this journal serves as an essential platform for scholars, artists, and practitioners interested in contemporary discourse surrounding art practice, theory, and history. While it currently does not offer Open Access, its commitment to quality research is reflected in its selective publication process and robust editorial standards. Historically, CRITICA D'ARTE has covered critical perspectives from 2002 to 2005 and 2007 to 2014, attracting contributions from leading figures in the art community. Its role in fostering dialogue and critique makes it invaluable for researchers and students alike, seeking to deepen their understanding of artistic movements and aesthetic philosophies. Situated in Florence, Italy, a city synonymous with art and culture, the journal continues to contribute to the global conversation on art, stimulating thought and inspiring future generations of art critics and enthusiasts.

CONNAISSANCE DES ARTS, published by SFPA-CONNAISSANCE ARTS, is a prominent French journal that has been enriching the landscape of Visual Arts and Performing Arts since its inception in 1969. With an ISSN of 0293-9274, this journal offers a platform for critical exploration and scholarly discourse, making notable contributions especially in the realms of art history, criticism, and contemporary artistic practices. Although the journal currently holds a Q4 quartile ranking in its category and ranks in the lower echelon of Scopus ranks (#638 out of 667), its focus on niche topics within the arts makes it a valuable resource for researchers and professionals who seek to engage with less mainstream topics that often go overlooked. The journal publishes insightful articles, reviews, and essays, contributing to the nurturing of artistry and culture in France and beyond. While it is not an open-access publication, the journal remains a significant entity for academics and practitioners keen on advancing their understanding of visual and performing arts. For further engagement with the journal, interested parties can reach out or submit inquiries to its address at 51 RUE VIVIENNE, 75095 PARIS CEDEX 02, FRANCE.

SOURCE-NOTES IN THE HISTORY OF ART is a vital publication in the field of visual arts and performing arts, managed by the prestigious University of Chicago Press. With its ISSN 0737-4453 and E-ISSN 2328-207X, the journal serves as a scholarly platform for researchers, professionals, and students who are passionate about exploring the intricacies of art history. Although it currently holds a Q4 ranking in 2023, it provides a unique contribution by documenting and analyzing various dimensions of artistic endeavors, from historical references to contemporary practices. Despite being a newer entrant in the academic landscape, its focus on detailed source notes allows for deeper understanding and connections within art scholarship. Situated in the heart of Chicago, a city rich in artistic heritage, this journal is committed to promoting critical discourse and fostering awareness of the evolving narratives in art history. As the journal continues to cultivate rigorous academic dialogue, it stands as an essential resource for those dedicated to advancing and enriching the study of the arts.

The Journal of Curatorial Studies, published by INTELLECT LTD, is a leading scholarly journal dedicated to advancing the field of curatorial practice across the visual arts, museology, and conservation. With an ISSN of 2045-5836 and an E-ISSN of 2045-5844, this UK-based publication has been a vital resource since its establishment in 2016, covering significant developments and innovative research until 2023. As an academic platform, it seeks to foster interdisciplinary dialogue among curators, artists, and scholars, exploring contemporary challenges and methodologies within its scope. Ranking in the Q4 category for Conservation and Q3 for both Museology and Visual Arts and Performing Arts, the journal plays an essential role in elevating discourse and practice within these fields. Researchers and practitioners alike will find valuable insights that reflect the dynamic nature of curatorial studies and its profound influence on cultural heritage and contemporary art. Despite its recent establishment, it holds a commendable position in the Scopus Rankings, aiming to provide a rich repository of knowledge and practical guidance in its quest to innovate curatorial practices.

RACAR - Revue d'Art Canadienne (Canadian Art Review), published by the University Art Association of Canada, stands as a pivotal academic journal in the field of Canadian art history and cultural studies. With its ISSN 0315-9906 and E-ISSN 1918-4778, RACAR serves as a vital platform for scholarly research and discourse, aiming to illuminate the rich tapestry of Canada's artistic heritage. Although not an open-access journal, it is committed to disseminating high-quality peer-reviewed articles that contribute to the ongoing dialogue about art in Canada. The journal's focus encompasses a diverse range of topics, from contemporary visual arts to historical investigations, appealing to researchers, professionals, and students alike. Based at the Department of History in Art at University of Victoria, RACAR fosters a critical understanding of Canadian art within broader national and global contexts, making it an essential resource for anyone engaged in this vibrant field of study.