Lino - Revista Anual de Historia del Arte is a distinguished journal dedicated to advancing scholarly research in the fields of History and Visual Arts. Published by UNIV OVIEDO in Spain, this annual publication has been fostering academic dialogue since its inception in 2012 and continues to enrich the scholarly landscape through 2024. With its ISSN 0211-2574 and E-ISSN 2341-1139, the journal serves as an accessible repository for critical insights and innovative perspectives. As a member of the Q3 category in both History and Visual Arts and Performing Arts, it is poised to contribute significantly to ongoing discussions in these areas, despite its current standing in Scopus rankings. Lino's mission is to promote a deeper understanding of art history through rigorous research and high-quality publications that resonate with researchers, professionals, and students alike. The journal's commitment to scholarly excellence ensures that it remains a vital source of knowledge for those invested in the dynamic intersection of visual culture and historical analysis.

Nineteenth-Century Art Worldwide is a premier open-access journal dedicated to the exploration and critical analysis of art from the nineteenth century, published by the Association of Historians of Nineteenth-Century Art. Since its inception in 2002, this journal has provided a platform for innovative research that spans various methodologies and perspectives within the field of art history. With an impact factor that reflects its growing influence, the journal has maintained a steady role in advancing scholarship related to both visual and performing arts, evidenced by its rankings within the Scopus database. It currently holds a Q3 status in Visual Arts and Performing Arts and Q4 in Arts and Humanities, underscoring its relevance among contemporary academic discourse. The journal is hosted in the United States, specifically at Seton Hall University, and aims to foster scholarly dialogue while enhancing accessibility to important research. By engaging with the cultural and artistic practices of the nineteenth century, Nineteenth-Century Art Worldwide serves as an invaluable resource for researchers, professionals, and students alike, ensuring that the legacy of this pivotal period in art history remains vibrant and well-documented.

Art Documentation is a distinguished journal published by the University of Chicago Press, dedicated to advancing the field of art documentation and its related disciplines. With a focus on interdisciplinary studies encompassing Visual Arts, Performing Arts, Archaeology, and Library and Information Sciences, this journal offers a pivotal platform for researchers and professionals aiming to enhance their understanding and practice in these areas. Despite not providing open access options, its contributions are invaluable, showcasing innovative research and discussions that reflect contemporary challenges and methodologies in the art documentation sphere. As evidenced by its Scopus ranking, placing it within the 68th percentile for Visual Arts and Performing Arts and the 49th for Archaeology, the journal demonstrates a commitment to high-quality scholarship. Published annually and spanning converged years from 2015 to 2023, Art Documentation remains vital for academics and practitioners seeking to engage with the latest trends, methodologies, and scholarly discourses enriching the art documentation field.

GOYA, published by the esteemed FUNDACION LAZARO GALDIANO, is a pivotal journal in the field of Visual Arts and Performing Arts. With an ISSN of 0017-2715, this Spanish journal serves as a critical platform for scholars, artists, and practitioners to engage with contemporary issues, trends, and methodologies in the arts. Since its inception, GOYA has strived to illuminate the intersection of artistic expression and cultural discourse, with coverage spanning from 2002 to 2024. The journal proudly holds a Q3 category ranking in the 2023 Scopus assessments for its field, reflecting its respected position among peers, with a notable rank of #377 out of 667. Though it does not follow an Open Access model, GOYA continues to contribute significantly to the academic landscape, enabling a deeper understanding of artistic practices and their societal implications. Researchers and students alike will find the journal an invaluable resource for insights and inspiration within the dynamic realm of the arts.

SOURCE-NOTES IN THE HISTORY OF ART is a vital publication in the field of visual arts and performing arts, managed by the prestigious University of Chicago Press. With its ISSN 0737-4453 and E-ISSN 2328-207X, the journal serves as a scholarly platform for researchers, professionals, and students who are passionate about exploring the intricacies of art history. Although it currently holds a Q4 ranking in 2023, it provides a unique contribution by documenting and analyzing various dimensions of artistic endeavors, from historical references to contemporary practices. Despite being a newer entrant in the academic landscape, its focus on detailed source notes allows for deeper understanding and connections within art scholarship. Situated in the heart of Chicago, a city rich in artistic heritage, this journal is committed to promoting critical discourse and fostering awareness of the evolving narratives in art history. As the journal continues to cultivate rigorous academic dialogue, it stands as an essential resource for those dedicated to advancing and enriching the study of the arts.

Laboratorio de Arte is an esteemed journal published by UNIV SEVILLA, EDITORIAL, specializing in the interdisciplinary fields of Arts and Humanities, Conservation, Museology, and Visual Arts. With an impactful presence in research since its inception, the journal has been open access since 2006, promoting the free dissemination of knowledge and fostering academic dialogue among scholars, professionals, and students. The journal adheres to rigorous academic standards, reflected in its categorization within the Q2 and Q3 quartiles across various disciplines, and its commendable rankings in Scopus make it an essential resource for those engaged in the arts. The h-index for this journal showcases its contribution to the field, further solidifying its importance in contemporary research. As it continues to evolve through 2023 and beyond, Laboratorio de Arte serves as a vital platform for innovative thoughts and practices within the vibrant landscape of artistic and cultural studies.

South African Journal of Art History is a premier academic publication dedicated to the exploration and critical analysis of art history within the South African context. Published by the Art Historical Work Group South Africa (AHWG), this journal serves as a vital platform for researchers, professionals, and students alike to disseminate innovative research and engage with diverse perspectives on visual culture. With an ISSN of 0258-3542, the journal aims to elevate the study of art history, contributing significantly to the scholarly community's understanding of both local and international art narratives. Although currently not an open access journal, it is committed to high academic standards and in-depth scholarship, ensuring that each article published meets rigorous criteria. As South Africa continues to position itself at the forefront of global art discourse, the South African Journal of Art History stands out as a critical resource for anyone interested in the intersections of art, culture, and history within this dynamic region.

CONNAISSANCE DES ARTS, published by SFPA-CONNAISSANCE ARTS, is a prominent French journal that has been enriching the landscape of Visual Arts and Performing Arts since its inception in 1969. With an ISSN of 0293-9274, this journal offers a platform for critical exploration and scholarly discourse, making notable contributions especially in the realms of art history, criticism, and contemporary artistic practices. Although the journal currently holds a Q4 quartile ranking in its category and ranks in the lower echelon of Scopus ranks (#638 out of 667), its focus on niche topics within the arts makes it a valuable resource for researchers and professionals who seek to engage with less mainstream topics that often go overlooked. The journal publishes insightful articles, reviews, and essays, contributing to the nurturing of artistry and culture in France and beyond. While it is not an open-access publication, the journal remains a significant entity for academics and practitioners keen on advancing their understanding of visual and performing arts. For further engagement with the journal, interested parties can reach out or submit inquiries to its address at 51 RUE VIVIENNE, 75095 PARIS CEDEX 02, FRANCE.

Boletin de Arte-UMA is a distinguished academic journal published by the University of Malaga, Department of History of Art, focusing on the rich interplay between history, visual arts, and performing arts. Operating under an Open Access model since 2013, this journal ensures that valuable research is freely available for scholars and practitioners worldwide. With an impact factor currently reflecting its academic rigor through its Q2 ranking in History and Q1 ranking in Visual Arts and Performing Arts, Boletin de Arte-UMA serves as a vital platform for cutting-edge research, critical analysis, and the promotion of cultural heritage studies. Based in Malaga, Spain, the journal not only provides insights into its thematic scope but also fosters a global dialogue among researchers, professionals, and students passionate about the visual and performing arts.

Nka-Journal of Contemporary African Art is a premier academic publication dedicated to exploring the rich tapestry of contemporary African art and its intersections with culture, society, and identity. Published by DUKE UNIVERSITY PRESS, this journal offers a platform for critical discourse and innovative research within the fields of Visual Arts and Anthropology, earning a commendable ranking in both categories, with a Q2 designation in Visual Arts and Performing Arts. Established in 2019, Nka serves to illuminate the dynamic and evolving narratives of African artists, providing a vital connection for scholars and practitioners engaged with African cultural production. Although currently not open access, the journal aims to foster intellectual engagement and promote inclusivity in the arts, making it an essential resource for those seeking to deepen their understanding of contemporary African artistic practices. With an address based in the heart of Durham, North Carolina, Nka invites contributions from a diverse range of voices to enrich the discourse surrounding contemporary African art.