JCMS-Journal of Cinema and Media Studies, published by University of Texas Press, stands as a vital platform for scholars and practitioners in the realms of cinema, media, and visual arts. With an ISSN of 2578-4900 and an E-ISSN of 2578-4919, the journal has been a part of the academic landscape since its inception in 2018 and will continue to contribute valuable research until 2024. Notably ranked in the top tiers of Scopus, securing Q1 status in Visual Arts and Performing Arts and Q3 in Communication, JCMS features articles that critically engage with both traditional and contemporary issues in media studies. Located in the United States, the journal is committed to providing open access to a wide array of interdisciplinary research, fostering dialogue among researchers, students, and media professionals. By serving as a nexus for innovative scholarship and creative discourse, JCMS enriches our understanding of cinematic and media practices and their impact on society today.

New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.

Italian Culture is a critical scholarly journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the multifaceted nature of Italian cultural expressions from the 1970s to the present day. With an ISSN of 0161-4622 and an E-ISSN of 1559-0909, this journal serves as an essential platform for researchers and scholars interested in the nuanced dynamics of Italian cultural heritage, sociopolitical contexts, literature, and the visual and performing arts. Despite its current categorization in the Q4 quartile in various fields such as Cultural Studies and Literature, it remains committed to publishing insightful interdisciplinary studies that challenge conventional narratives and contribute to ongoing scholarly discourse. Notably positioned in the United Kingdom, it offers unique perspectives on Italian identity and cultural production, making it a crucial resource for students, professionals, and academics alike. The journal's scope and its convergence of cultural studies will undoubtedly stimulate academic engagement and exploration within and beyond its established readership.

Journal of African Cinemas is a pioneering publication dedicated to exploring the dynamic field of African cinema and its cultural impacts. Published by INTELLECT LTD in the United Kingdom, this journal serves as a crucial platform for researchers, filmmakers, and students interested in understanding the complexities of film within the African context. With ISSN 1754-9221 and E-ISSN 1754-923X, the journal focuses on various aspects of cinema, including theory, production, and reception, highlighting the rich tapestry of storytelling from the African continent. Despite being classified in Q4 in Communication and Q3 in Cultural Studies and Visual Arts & Performing Arts for 2023, it stands out by capturing the multifaceted identities and experiences portrayed in African films. Engaging with a diverse array of interdisciplinary topics, the Journal of African Cinemas invites contributions that foster critical discourse and promote a deeper understanding of the unique aesthetic and social narratives present in African filmmaking. As it converges into a significant scholarly resource from 2017 to 2023, this journal is an essential read for anyone invested in the intersection of culture and cinema.

The Journal of Chinese Cinemas, published by Routledge Journals, Taylor & Francis Ltd, is a leading platform dedicated to advancing the field of film studies with a focus on cinema from China. With an ISSN of 1750-8061 and an E-ISSN of 1750-807X, this journal provides a comprehensive examination of the cultural, social, and political dynamics inherent in Chinese cinema. Ranked in the Q3 category for Communication and Q1 for Visual Arts and Performing Arts in 2023, it stands out in the academic landscape, particularly noted for its innovative research and diverse discourse. It holds a respectable position in Scopus rankings, coming in at #219 within Visual Arts and Performing Arts, indicating its growing impact among scholars and practitioners alike. With its commitment to publishing high-quality research from 2012 onwards, the journal serves as an essential resource for researchers, professionals, and students eager to deepen their understanding of the evolving landscape of Chinese cinema.

Global Media and Communication is a premier journal dedicated to advancing the fields of media and communication studies, published by SAGE Publications Ltd. With an ISSN of 1742-7665 and an E-ISSN of 1742-7673, this journal offers a platform for scholarly discourse and innovative research that explores the intricate relationships between global media practices and communication strategies. Recognized as a Q1 journal in both the Arts and Humanities (Miscellaneous) and Communication categories for 2023, it stands out in its commitment to delivering high-quality, peer-reviewed articles that contribute to the understanding of contemporary media landscapes. Located in London, United Kingdom, the journal benefits from being at the heart of cultural and digital innovation. Researchers, professionals, and students can look forward to insightful articles that not only critique existing frameworks but also propose new methodologies, ensuring that Global Media and Communication remains a vital resource for anyone interested in navigating the evolving dynamics of media and communication on a global scale.

Critical Studies in Television is a leading academic journal published by SAGE Publications Ltd, dedicated to exploring the intricate dimensions of television within the fields of Communication and Cultural Studies. Since its inception, this journal has become an essential resource for researchers, professionals, and students alike, particularly as it navigates the evolving landscape of television studies from 2014 to 2024. With an impressive impact factor, the journal achieved notable rankings in 2023: it is positioned in the Q2 quartile for Communications and the Q1 quartile for Cultural Studies. Recognized by Scopus with a rank of #160 in Cultural Studies and #193 in Communication, it reflects its growing influence and relevance in these academic arenas. While currently not available through an Open Access model, readers are encouraged to engage with its diverse and critical contributions that foster a deep understanding of television’s role in contemporary culture.

Quiroga-Revista de Patrimonio Iberoamericano, published by UNIV GRANADA, is a distinguished open-access journal dedicated to the fields of conservation, museology, and the visual and performing arts. Since its inception in 2012, the journal has provided a platform for scholars and practitioners to disseminate innovative research and critical discussions pertinent to Ibero-American heritage. With a growing impact, evidenced by its category quartiles ranking—Q3 in Conservation and Q2 in both Museology and Visual Arts and Performing Arts—as well as its Scopus rankings, Quiroga serves as an essential resource for researchers, professionals, and students who engage with the complexities of cultural preservation and artistic expression. The journal’s commitment to open access ensures the widespread availability of knowledge, fostering academic dialogue and collaboration within the global community. For inquiries, the journal can be reached at their offices located in Granada, Spain.

MILLENNIUM FILM JOURNAL, published by MILLENNIUM FILM WORKSHOP INC, stands as a pivotal platform for exploration and discourse within the realm of film studies. With its ISSN 1064-5586, the journal has been noteworthy in delineating the complexities of visual arts and performing arts, contributing significantly to academic scholarship between the years 2009 to 2016, and in 2018. Though its coverage has been discontinued in Scopus, the journal has attained a respectable position within its category, ranking #320 out of 502 in the Arts and Humanities field. Researchers, professionals, and students alike are invited to engage with interdisciplinary discussions that illuminate the cultural and theoretical dimensions of cinema. While currently not offering open access options, the journal continues to serve as a vital resource for those deeply invested in the study of film, making it a respected voice in visual arts and performance research.

Film Quarterly, published by University of California Press, stands as a leading academic journal in the field of visual arts and performing arts, boasting a prestigious Q1 ranking in the 2023 category quartiles. Since its inception in 1969, this quarterly publication has made significant contributions to the study and critique of cinema, attracting attention for its insightful articles, cutting-edge research, and comprehensive reviews that appeal to scholars, practitioners, and students alike. With an ISSN of 0015-1386 and an E-ISSN of 1533-8630, it serves as an essential resource for those seeking to enhance their understanding of film theory, history, and analysis. Although not open access, its articles are critical for researchers navigating the complex landscape of contemporary and historical film studies, underscoring its vital role in advancing scholarship within the discipline.