Cinema-Journal of Philosophy and the Moving Image

Scope & Guideline

Engaging with Cinema: A Philosophical Journey.

Introduction

Welcome to the Cinema-Journal of Philosophy and the Moving Image information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Cinema-Journal of Philosophy and the Moving Image, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageMulti-Language
ISSN1647-8991
PublisherNEW UNIV LISBON, IFILNOVA-NOVA PHILOSOPHY INST
Support Open AccessNo
CountryPortugal
TypeJournal
Convergefrom 2019 to 2023
AbbreviationCINEMA / Cinema
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressFAC SOCIAL & HUMAN SCIENCES, EDIFICIO I&D, 4O PISO, AV BERNA 26, LISBOA 1069-061, PORTUGAL

Aims and Scopes

The journal 'Cinema-Journal of Philosophy and the Moving Image' serves as a critical platform for examining the intersection of cinema and philosophical inquiry, exploring how film reflects, influences, and interrogates cultural and existential themes. The journal's scope encompasses a variety of methodologies, including textual analysis, historical contextualization, and philosophical discourse, with a significant emphasis on cultural resilience and identity.
  1. Cinematic Representation of Cultural Trauma:
    The journal focuses on how cinema portrays cultural trauma, especially in the context of contemporary socio-political issues, with a strong emphasis on Ukrainian cinema and its narratives of resistance and resilience.
  2. Philosophical Engagement with Film:
    Papers often explore philosophical themes through the lens of cinema, analyzing films in relation to existential questions, ethics, and the human condition.
  3. National Identity and Cultural Mobilization:
    The journal emphasizes the role of cinema in shaping and reflecting national identity, particularly in times of crisis, showcasing how film can mobilize cultural narratives.
  4. Ecocritical and Decolonial Perspectives:
    There is a growing interest in ecocritical approaches and decolonial perspectives within cinema studies, analyzing how films engage with ecological issues and challenge dominant narratives.
  5. Gender and Representation:
    The journal addresses gender dynamics within cinema, particularly through the exploration of women's roles and representations in film narratives, especially in wartime contexts.
Recent publications within the journal indicate a shift toward new and emerging themes, reflecting contemporary societal issues, cultural resilience, and innovative cinematic practices.
  1. Cinematic Responses to War and Trauma:
    There is a notable increase in studies addressing how cinema responds to war, particularly in the context of the Ukrainian conflict, highlighting themes of resistance and cultural memory.
  2. Interdisciplinary Approaches to Film:
    Emerging works are increasingly drawing from various disciplines, such as ecocriticism and philosophy, to provide multifaceted analyses of films, indicating a trend towards interdisciplinary scholarship.
  3. Exploration of Identity and Belonging:
    Recent papers emphasize the construction of identity within cinema, particularly how films negotiate themes of national identity, cultural resilience, and personal belonging in times of upheaval.
  4. Philosophical Inquiry into Emotion and Experience:
    There is a growing trend in exploring emotional engagement and the philosophical implications of cinematic experiences, suggesting a deeper investigation into how films evoke empathy and reflect human conditions.
  5. Sustainable and Ecological Cinema:
    The rise of ecocritical perspectives indicates an emerging interest in how cinema can address ecological issues and offer critiques of modernity, reflecting broader societal concerns about sustainability.

Declining or Waning

While the journal maintains a robust focus on certain themes, there are areas that appear to be declining in prominence over recent years, reflecting shifts in both academic interests and the broader cultural landscape.
  1. Classical Film Studies:
    There seems to be a waning interest in traditional analyses of classic cinema, such as silent films or conventional narrative structures, as the focus shifts toward contemporary and culturally relevant cinema.
  2. Humor and Comedy in Film:
    The exploration of humor and sketch comedy in cinema has seen a decrease, indicating a potential shift away from light-hearted analyses towards more serious philosophical and cultural critiques.
  3. Post-Cinematic Theory:
    While once a prominent theme, discussions specifically focused on post-cinematic theory have become less frequent, suggesting a move toward more integrated analyses that combine various cinematic forms.

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