Circuit

Scope & Guideline

Empowering Innovations in Circuit Design

Introduction

Welcome to your portal for understanding Circuit, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageFrench
ISSN1183-1693
PublisherPRESSES UNIV MONTREAL
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationCIRCUIT / Circuit
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressPO BOX 6128, SUCCURSALE A, 3744 RUE JEAN-BRILLANT, MONTREAL, QUEBEC H3T 1P1, CANADA

Aims and Scopes

The journal 'Circuit' is dedicated to the exploration and documentation of contemporary music and its cultural contexts. It emphasizes interdisciplinary approaches and aims to foster a deeper understanding of music through various lenses including history, philosophy, and socio-political frameworks.
  1. Interdisciplinary Exploration of Music:
    The journal publishes works that bridge music with other fields such as sociology, anthropology, and environmental studies, highlighting the interconnectedness of music with broader cultural and societal themes.
  2. Focus on Contemporary Composers and Artists:
    'Circuit' frequently features profiles and interviews with contemporary composers and artists, providing insight into their creative processes and contributions to the music landscape.
  3. Cultural and Geographical Perspectives:
    The journal explores musical practices across diverse geographical contexts, particularly focusing on the interactions between Latin American and Canadian musical traditions, thereby enriching the discourse on global music.
  4. Ecological and Societal Concerns in Music:
    A significant aim of the journal is to address the role of music in ecological contexts and social movements, exploring how music can serve as a form of activism and a response to contemporary global challenges.
  5. Historical Contextualization of Music:
    The journal also delves into the historical aspects of music, presenting analyses of past compositions and their relevance to contemporary practices, thus creating a dialogue between different eras of music.
Recent issues of 'Circuit' have highlighted several emerging themes that reflect current trends in contemporary music and its intersection with societal issues. These themes suggest a dynamic evolution within the journal's focus.
  1. Music and Activism:
    There is a growing emphasis on the role of music as a tool for social change and activism, particularly in the context of ecological issues and cultural representation, showcasing how artists engage with pressing global challenges.
  2. Intercultural Musical Dialogues:
    The journal increasingly features works that explore intercultural exchanges in music, highlighting how different musical traditions influence and enrich each other in a globalized world.
  3. Ecological Sound Art:
    Themes surrounding ecological concerns and the Anthropocene are becoming more prominent, with discussions on how music can respond to environmental crises and reflect ecological awareness in artistic practices.
  4. Queer Perspectives in Music:
    Emerging discussions around queer identities and narratives in contemporary music are gaining traction, indicating a shift towards inclusivity and diverse representations within the field.
  5. Technological Innovations in Music Composition:
    There is a notable trend towards exploring the impact of technology on music creation and performance, including the use of digital tools and platforms that reshape the ways music is produced and experienced.

Declining or Waning

While 'Circuit' has maintained a diverse range of topics, certain themes appear to be losing prominence in the journal's recent publications. This shift may reflect broader changes in the field of music studies and the evolving interests of researchers.
  1. Traditional Music Forms:
    There seems to be a decline in the focus on traditional or classical music forms, as the journal increasingly emphasizes contemporary practices and innovative compositions that challenge conventional boundaries.
  2. Exclusively Academic Perspectives:
    The journal appears to be moving away from strictly academic analyses of music theory and history, favoring more accessible and interdisciplinary approaches that engage with the public and artistic communities.
  3. Solo Artist Focus:
    There is a noticeable reduction in papers concentrating solely on individual artist profiles without a broader context, as the journal shifts towards collective and collaborative artistic endeavors.
  4. Conventional Music Reviews:
    The traditional format of music reviews, particularly those that do not engage critically with broader themes or societal implications, seems to be declining in favor of more analytical and thematic explorations.

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