MUSICAL QUARTERLY

Scope & Guideline

Championing High-Quality Music Research Since 1915

Introduction

Explore the comprehensive scope of MUSICAL QUARTERLY through our detailed guidelines, including its aims and scope. Stay updated with trending and emerging topics, and delve into declining areas to understand shifts in academic interest. Our guidelines also showcase highly cited topics, featuring influential research making a significant impact. Additionally, discover the latest published papers and those with high citation counts, offering a snapshot of current scholarly conversations. Use these guidelines to explore MUSICAL QUARTERLY in depth and align your research initiatives with current academic trends.
LanguageEnglish
ISSN0027-4631
PublisherOXFORD UNIV PRESS INC
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 1915 to 1986, from 1989 to 2002, from 2004 to 2007, from 2009 to 2023
AbbreviationMUSIC QUART / Music. Q.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressJOURNALS DEPT, 2001 EVANS RD, CARY, NC 27513

Aims and Scopes

The journal 'Musical Quarterly' serves as a forum for the interdisciplinary study of music, exploring its historical, cultural, and theoretical dimensions. It emphasizes rigorous scholarship and critical analysis, aiming to foster a deeper understanding of music's role in society and its historical evolution.
  1. Interdisciplinary Music Studies:
    The journal covers a wide array of topics that intersect with music, including history, sociology, politics, and philosophy, allowing for diverse methodologies and perspectives.
  2. Historical Contextualization:
    Papers often focus on the historical context of music, analyzing how different periods and cultural movements influence musical styles, practices, and reception.
  3. Cultural and Social Implications of Music:
    The journal examines the impact of music on cultural identity, social movements, and political discourse, exploring how music reflects and shapes societal values.
  4. Analysis of Musical Works and Practices:
    In-depth analyses of specific compositions, performances, and practices are central to the journal, contributing to a greater understanding of musical form and style.
  5. Exploration of Music and Technology:
    The journal investigates the relationship between music and technology, including the impact of recording, broadcasting, and digital media on musical creation and dissemination.
Recent trends in 'Musical Quarterly' indicate a dynamic shift towards emerging themes that reflect contemporary societal issues and innovative research methods. This section highlights these growing areas of interest.
  1. Music and Identity:
    There is an increasing focus on how music intersects with issues of identity, including race, ethnicity, and gender, reflecting broader societal conversations about representation and inclusion.
  2. Music in Political Contexts:
    Recent publications delve into the role of music in political movements and cultural diplomacy, indicating a rising interest in how music functions as a tool for social change and commentary.
  3. Digital and Technological Impacts on Music:
    The exploration of how digital technology and social media are reshaping music production, distribution, and consumption is becoming more prominent, highlighting the relevance of contemporary technological contexts.
  4. Intersections of Music and Other Disciplines:
    There is a noticeable trend towards interdisciplinary research that combines music with fields such as sociology, anthropology, and cultural studies, fostering a richer understanding of music's place in society.

Declining or Waning

While 'Musical Quarterly' continues to evolve, certain themes appear to be declining in prominence over recent years. This section highlights these waning areas of focus, indicating shifts in scholarly interest.
  1. Traditional Musicology:
    There seems to be a diminishing emphasis on traditional musicology methods, such as purely formal analysis or biographical studies of composers, as more interdisciplinary approaches gain traction.
  2. Focus on Western Classical Music Exclusively:
    The journal's scope appears to be broadening beyond Western classical music, with fewer papers dedicated solely to this genre, indicating a shift towards a more global and inclusive view of music.
  3. Performance Practice Studies:
    Although historically significant, the detailed exploration of performance practices, particularly for earlier music, seems to be less frequently addressed in recent publications.

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