ASIAN MUSIC

Scope & Guideline

Fostering Interdisciplinary Insights into Asian Music.

Introduction

Welcome to the ASIAN MUSIC information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of ASIAN MUSIC, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN0044-9202
PublisherUNIV TEXAS PRESS
Support Open AccessNo
Country-
TypeJournal
Convergefrom 2002 to 2010 (coverage discontinued in Scopus)
AbbreviationASIAN MUSIC / Asian Music
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressJOURNAL DIV, 2100 COMAL, AUSTIN, TX 78722

Aims and Scopes

The journal 'Asian Music' focuses on the diverse musical traditions and practices across Asia, emphasizing cultural contexts, historical developments, and contemporary transformations. It serves as a platform for interdisciplinary dialogue, showcasing both scholarly research and practical insights into Asian music.
  1. Cultural Contextualization of Music:
    The journal aims to explore how music functions within various cultural frameworks across Asia, analyzing its role in social rituals, identity formation, and community cohesion.
  2. Interdisciplinary Research Approaches:
    A significant focus is placed on employing interdisciplinary methodologies such as ethnomusicology, anthropology, and cultural studies to deepen the understanding of Asian musical practices.
  3. Historical and Contemporary Perspectives:
    'Asian Music' bridges historical analysis with contemporary issues, examining how traditional music evolves and interacts with modern influences and global trends.
  4. Focus on Indigenous and Local Traditions:
    The journal emphasizes indigenous music practices, highlighting the significance of local traditions and their revitalization in the face of globalization.
  5. Gender and Music:
    Exploring the intersections of gender and music is a core area, investigating how musical practices reflect and shape gender roles within different Asian societies.
Recent publications in 'Asian Music' reflect emerging trends and themes that are gaining traction within the field, highlighting the journal's responsiveness to contemporary issues and scholarly discourse.
  1. Integration of Technology and Music:
    There is an increasing interest in how technology impacts music production, distribution, and consumption, particularly in relation to digital media and sound recording practices.
  2. Hybridity and Fusion Genres:
    The exploration of hybrid musical forms and fusion genres is on the rise, as scholars examine how cross-cultural interactions shape new musical expressions across Asia.
  3. Music and Social Movements:
    Recent themes emphasize the role of music in social and political movements, particularly in contexts of resistance, identity politics, and cultural revitalization.
  4. Gender Studies in Music:
    The focus on gender dynamics within musical practices is expanding, with a growing body of research addressing the complexities of gender roles in contemporary Asian music scenes.
  5. Ethnographic Approaches to Music:
    There is a notable trend towards ethnographic methodologies that prioritize lived experiences and community engagement, enriching the understanding of music as a social practice.

Declining or Waning

While 'Asian Music' continues to thrive in many areas, certain themes appear to be declining in prominence, reflecting shifts in scholarly focus and the evolving landscape of music studies.
  1. Western Classical Music in Asian Contexts:
    There has been a noticeable decrease in the exploration of Western classical music's influence on Asian musical traditions, suggesting a shift towards more indigenous and local perspectives.
  2. Traditional Music Preservation:
    The emphasis on preserving traditional music forms seems to be waning, with fewer studies focusing exclusively on preservation efforts, indicating a growing interest in adaptation and transformation instead.
  3. Nationalist Frameworks in Music Studies:
    Research framed within nationalist narratives is becoming less common, as scholars increasingly seek to challenge and move beyond these frameworks to embrace more transnational and global perspectives.

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