Comedia Performance is a prestigious journal dedicated to the dynamic field of performance studies, published by Penn State University Press. With its ISSN 1553-6505 and E-ISSN 2572-4428, this journal serves as a critical platform for scholars, artists, and practitioners alike to explore the intricate relationship between performance and its cultural contexts. While it currently operates under a traditional access model, its content is invaluable for researchers interested in the rich tapestry of theatrical, musical, and experimental performance practices. The journal aims to foster interdisciplinary dialogue and promote innovative research methodologies, making it an essential resource for those looking to deepen their understanding of performance as an academic discipline. Situated in University Park, Pennsylvania, Comedia Performance continues to contribute significantly to the evolving narratives within the arts and cultural studies, encouraging scholarly conversations that resonate with both historical and contemporary performance trends.

REVISTA DE LITERATURA, published by the Consejo Superior de Investigaciones Científicas (CSIC) in Spain, stands as a beacon of scholarly excellence in the field of Literature and Literary Theory. With an impressive Q1 ranking in its category for 2023, the journal has established a reputable position within the academic community, reflected in its Scopus rank of #427 out of 1106, placing it in the top 61st percentile. Operating under an Open Access model since 2001, it ensures that cutting-edge research on literary texts, theories, and critical practices is freely accessible to all, fostering scholarly dialogue and enhancing the global discourse on literature. The journal’s continuous commitment to advancing literary scholarship from 1996 to 2024 highlights its role in addressing contemporary literary challenges while celebrating diverse voices and ideas. Researchers, professionals, and students alike are encouraged to engage with this vital resource, which not only showcases innovative research but also contributes significantly to the richness of literary studies.

CHASQUI-REVISTA DE LITERATURA LATINOAMERICANA is an esteemed academic journal published by Arizona State University, dedicated to the exploration and dissemination of research in the fields of Literature and Literary Theory and Cultural Studies. With an ISSN of 0145-8973 and an E-ISSN of 2327-4247, the journal serves as a critical platform for scholars examining the complexities of Latin American literature from diverse perspectives. Notably ranked in the second quartile in its field as of 2023, CHASQUI reflects its commitment to quality and impactful scholarship. The journal operates within a two-year converged publication cycle, ensuring it remains at the forefront of contemporary discussions and innovations in its disciplines. Although there are no open access options, researchers and students alike will find valuable insights within its pages, bolstered by a robust academic community. Through its dedication to fostering literary scholarship, CHASQUI plays an integral role in advancing the understanding of Latin American narratives and cultural expressions.

Studies in Theatre and Performance is a distinguished academic journal published by Routledge Journals, Taylor & Francis Ltd, dedicated to advancing scholarship in the dynamic fields of visual arts and performing arts. Since its inception in 2000, the journal has become an essential resource for researchers and professionals, exemplified by its ranking within the Q2 category of visual and performing arts, and its commendable position at the 76th percentile among its peers. With an ISSN of 1468-2761 and an E-ISSN of 2040-0616, the journal serves as a platform for insightful research, critique, and innovation across a variety of topics in theatre and performance studies. Although it operates under a traditional access model, its rigorous peer-review process ensures that every publication contributes significantly to the broader understanding of theatrical practices and performance methodologies. As we move towards 2024, Studies in Theatre and Performance continues to be a vital reference point for scholars and practitioners alike in exploring new dimensions of performance theory and practice in an ever-evolving cultural landscape.

NEOPHILOLOGUS, published by Springer, stands as a pivotal journal in the fields of Linguistics and Language as well as Literature and Literary Theory. With an illustrious history dating back to 1916 and continuing through various phases until 2024, this journal has entrenched itself as a crucial platform for scholarly discussion and research dissemination. NEOPHILOLOGUS is recognized for its high academic standards, as evidenced by its impressive category quartiles, ranking in the Q2 tier for Linguistics and Language and Q1 for Literature and Literary Theory as of 2023. Notably, it ranks in the 81st percentile for Arts and Humanities in the Scopus database, underscoring its significant contribution to the humanities discourse. While the journal does not currently offer open access options, it remains a valuable resource for researchers, professionals, and students seeking in-depth analyses and insights within its specialized domains. Based in Dordrecht, Netherlands, NEOPHILOLOGUS invites contributions that advance our understanding of linguistic and literary phenomena, ensuring its relevance and impact in these dynamic fields.

Australasian Drama Studies is a renowned academic journal published by the Australasian Association for Theatre, Drama & Performance Studies that serves as a vital platform for the exploration and discourse on drama and performance studies within the Australasian context. With a commitment to fostering scholarly research in the arts, this journal plays a significant role in the visual and performing arts landscape, boasting an impressive Scopus rank, positioned at #374 among 667 journals in its category, reflecting its academic relevance and quality. Although it operates on a non-open access model, its rigorous content spanning from 2002 to 2004, 2009 to 2012, and recently from 2019 to 2023, engages a diverse audience of researchers, practitioners, and students. With a current category quartile ranking of Q3 in both Visual Arts and Performing Arts for 2023, Australasian Drama Studies continues to enrich the academic community by inviting contributions that bridge both theoretical and practical dimensions of drama, enhancing the understanding of its cultural significance in Australasia and beyond.

RIDE - The Journal of Applied Theatre and Performance is an esteemed academic publication dedicated to exploring the multifaceted relationships between theatre, performance, and applied practices. Published by Routledge Journals, Taylor & Francis Ltd, this journal serves as a vital resource for scholars, practitioners, and students in the fields of education, literature, and the visual and performing arts. With a commendable 2023 Impact Factor indicating its significance in the arts and humanities, RIDE ranks in the top quartiles (Q1 and Q3) across various categories, including Literature and Literary Theory, and Visual Arts and Performing Arts. This rigorous journal encompasses a broad range of topics such as transformative learning through performance, the role of theatre in social change, and innovative pedagogical strategies. While not open access, RIDE provides valuable insights and research that are crucial for advancing the understanding and practice of applied theatre and performance. With its extensive scope and compelling content, RIDE stands as a cornerstone for those interested in the dynamic intersections of art, education, and society, continuing to publish impactful research from 2010 to 2024 and beyond.

CONTEMPORARY THEATRE REVIEW is a leading journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of theatre, performance studies, and contemporary visual arts. With a Q2 ranking in both Visual Arts and Performing Arts, this journal has established itself as a significant platform for scholarly discourse and critical analysis since its inception in 1992, particularly from 1994 through 2024. Researchers, practitioners, and students engaging with the evolving landscape of theatre will find this journal an essential resource for innovative research, reviews, and theoretical papers. The journal invites contributions that explore diverse themes in contemporary performance, ensuring it remains at the forefront of the academic and professional dialogue within the performing arts community.

The Harold Pinter Review-Essays on Contemporary Drama, published by Penn State University Press, is an esteemed academic journal dedicated to the exploration of contemporary drama through the lens of Harold Pinter's significant contributions to the field. With an ISSN of 2473-8433 and an E-ISSN of 2473-8441, the journal aims to synthesize critical essays and reviews that enhance the understanding of Pinter's work and its impact on modern theatrical practices. Engaging with a diverse range of topics related to drama, performance, and literature, this journal targets scholars, theater professionals, and students alike, providing them with a platform to share rigorous analysis and innovative perspectives. Although it does not currently operate under an Open Access model, the Harold Pinter Review remains a vital resource for anyone devoted to the study of contemporary theatre and the lasting influence of Pinter's narratives on global drama.

THEATRE RESEARCH INTERNATIONAL, published by Cambridge University Press, stands as a vital academic journal dedicated to the dynamic and multifaceted field of theatre studies. With its ISSN 0307-8833 and E-ISSN 1474-0672, this journal has been a cornerstone of scholarly discourse since its inception in 1970, continuing to provide valuable insights through 2024. Ranked in the Q2 quartile for both Literature and Literary Theory and Visual Arts and Performing Arts, it boasts impressive performance metrics reflected in its Scopus rankings at the 72nd and 62nd percentiles, respectively. The journal aims to illuminate the interplay between theatre and its cultural, social, and historical contexts, fostering a platform for both established and emerging voices in the field. While the journal is not Open Access, it ensures rigorous peer-reviewed content that engages researchers, professionals, and students alike, making it indispensable for anyone seeking to broaden their understanding and contribute to theatre research.