CRITIQUE: STUDIES IN CONTEMPORARY FICTION is a premier scholarly journal published by Routledge Journals, Taylor & Francis Ltd, dedicated to advancing our understanding of contemporary fiction within the broader spectrum of literature and literary theory. With an esteemed reputation in the academic community, this journal has achieved a remarkable impact factor and ranks in the Q1 category in Literature and Literary Theory, showcasing its influence and credibility, as reflected in its Scopus Rank of #142 out of 1,106 and a notable 87th percentile. The journal invites researchers, scholars, and students to engage with innovative perspectives, critical analysis, and interdisciplinary exploration of contemporary narratives. Published continuously since 1956, CRITIQUE serves as a vital resource for those seeking to understand the complexities of modern literature, and it remains committed to fostering dialogue around diverse textual and cultural contexts.

NEOPHILOLOGUS, published by Springer, stands as a pivotal journal in the fields of Linguistics and Language as well as Literature and Literary Theory. With an illustrious history dating back to 1916 and continuing through various phases until 2024, this journal has entrenched itself as a crucial platform for scholarly discussion and research dissemination. NEOPHILOLOGUS is recognized for its high academic standards, as evidenced by its impressive category quartiles, ranking in the Q2 tier for Linguistics and Language and Q1 for Literature and Literary Theory as of 2023. Notably, it ranks in the 81st percentile for Arts and Humanities in the Scopus database, underscoring its significant contribution to the humanities discourse. While the journal does not currently offer open access options, it remains a valuable resource for researchers, professionals, and students seeking in-depth analyses and insights within its specialized domains. Based in Dordrecht, Netherlands, NEOPHILOLOGUS invites contributions that advance our understanding of linguistic and literary phenomena, ensuring its relevance and impact in these dynamic fields.

Journal of British Cinema and Television, published by Edinburgh University Press, is a leading academic journal that explores the dynamic interplay between British cinema and television within the context of cultural studies. With an ISSN of 1743-4521 and E-ISSN of 1755-1714, this journal provides a platform for scholarly discourse, enabling researchers, professionals, and students to engage with critical analyses of screen media and its socio-political impact. As a Q3 journal in Communication and a Q1 journal in Visual Arts and Performing Arts for 2023, it occupies an influential position, particularly in the Arts and Humanities, where it ranks in the 90th percentile. The journal's scope encompasses a wide range of topics, from historical perspectives to contemporary practices in British visual culture, making it essential reading for anyone interested in the evolution and significance of screen studies in the UK. While it is not an open-access publication, the rigorous peer-review process ensures high academic standards and contributes to its esteemed reputation in the field. As it continues to converge from 2004 to 2024, the Journal of British Cinema and Television remains a vital resource for those seeking to deepen their understanding of British media and its global resonance.

MFS-Modern Fiction Studies is a premier journal in the field of literature and literary theory, published by Johns Hopkins University Press. With an impressive impact factor and a 2023 classification in Q1, this journal stands out as a vital resource for scholars, researchers, and practitioners interested in contemporary fiction analysis and criticism. The journal aims to foster innovative scholarship, enhance discussions around literary trends, and explore the intricacies of modern narrative forms. Notably, it ranks #119 among 1,106 in the Scopus Arts and Humanities category, placing it within the top 89th percentile. Published four times a year, MFS is committed to making significant contributions to the understanding of modern fiction, making it a must-read for anyone vested in the evolution of literature. Access options are available through institutional subscriptions, ensuring that readers can engage with cutting-edge research and discourse in the literary community.

REVISTA DE LITERATURA, published by the Consejo Superior de Investigaciones Científicas (CSIC) in Spain, stands as a beacon of scholarly excellence in the field of Literature and Literary Theory. With an impressive Q1 ranking in its category for 2023, the journal has established a reputable position within the academic community, reflected in its Scopus rank of #427 out of 1106, placing it in the top 61st percentile. Operating under an Open Access model since 2001, it ensures that cutting-edge research on literary texts, theories, and critical practices is freely accessible to all, fostering scholarly dialogue and enhancing the global discourse on literature. The journal’s continuous commitment to advancing literary scholarship from 1996 to 2024 highlights its role in addressing contemporary literary challenges while celebrating diverse voices and ideas. Researchers, professionals, and students alike are encouraged to engage with this vital resource, which not only showcases innovative research but also contributes significantly to the richness of literary studies.

THEATRE RESEARCH INTERNATIONAL, published by Cambridge University Press, stands as a vital academic journal dedicated to the dynamic and multifaceted field of theatre studies. With its ISSN 0307-8833 and E-ISSN 1474-0672, this journal has been a cornerstone of scholarly discourse since its inception in 1970, continuing to provide valuable insights through 2024. Ranked in the Q2 quartile for both Literature and Literary Theory and Visual Arts and Performing Arts, it boasts impressive performance metrics reflected in its Scopus rankings at the 72nd and 62nd percentiles, respectively. The journal aims to illuminate the interplay between theatre and its cultural, social, and historical contexts, fostering a platform for both established and emerging voices in the field. While the journal is not Open Access, it ensures rigorous peer-reviewed content that engages researchers, professionals, and students alike, making it indispensable for anyone seeking to broaden their understanding and contribute to theatre research.

RIDE - The Journal of Applied Theatre and Performance is an esteemed academic publication dedicated to exploring the multifaceted relationships between theatre, performance, and applied practices. Published by Routledge Journals, Taylor & Francis Ltd, this journal serves as a vital resource for scholars, practitioners, and students in the fields of education, literature, and the visual and performing arts. With a commendable 2023 Impact Factor indicating its significance in the arts and humanities, RIDE ranks in the top quartiles (Q1 and Q3) across various categories, including Literature and Literary Theory, and Visual Arts and Performing Arts. This rigorous journal encompasses a broad range of topics such as transformative learning through performance, the role of theatre in social change, and innovative pedagogical strategies. While not open access, RIDE provides valuable insights and research that are crucial for advancing the understanding and practice of applied theatre and performance. With its extensive scope and compelling content, RIDE stands as a cornerstone for those interested in the dynamic intersections of art, education, and society, continuing to publish impactful research from 2010 to 2024 and beyond.

The Harold Pinter Review-Essays on Contemporary Drama, published by Penn State University Press, is an esteemed academic journal dedicated to the exploration of contemporary drama through the lens of Harold Pinter's significant contributions to the field. With an ISSN of 2473-8433 and an E-ISSN of 2473-8441, the journal aims to synthesize critical essays and reviews that enhance the understanding of Pinter's work and its impact on modern theatrical practices. Engaging with a diverse range of topics related to drama, performance, and literature, this journal targets scholars, theater professionals, and students alike, providing them with a platform to share rigorous analysis and innovative perspectives. Although it does not currently operate under an Open Access model, the Harold Pinter Review remains a vital resource for anyone devoted to the study of contemporary theatre and the lasting influence of Pinter's narratives on global drama.

Journal of Contemporary Drama in English is a prestigious academic publication dedicated to the exploration of contemporary drama written in English. Published by WALTER DE GRUYTER GMBH in Germany, this journal serves as a vital resource for researchers, professionals, and students engaged in the fields of literature, literary theory, visual arts, and performing arts. With an impressive impact factor reflected in its Q2 ranking in both Literature and Literary Theory and Visual Arts and Performing Arts categories for 2023, the journal demonstrates its relevance and influence in academic discourse. It provides a platform for critical examination and innovative scholarship, covering a broad range of topics related to contemporary dramatic texts and performances. The journal is committed to fostering interdisciplinary dialogue and exploring the socio-cultural contexts of drama, making it an essential reference for anyone invested in the contemporary landscape of theatre and performance studies.

Criticon is a distinguished open-access journal published by PRESSES UNIV MIDI-PUM in France, dedicated to advancing scholarship in the fields of History and Literature and Literary Theory. Since its transition to open access in 2014, Criticon has fostered a vibrant academic community, enabling the dissemination of high-quality research that contributes significantly to contemporary discourse. Positioned within the Q4 categories for both History and Literature, the journal boasts impressive rankings, including #152 out of 1106 in Literature and Literary Theory, reflecting its growing influence with a remarkable 86th percentile standing. With a dedication to interdisciplinary scholarship, Criticon invites researchers, practitioners, and students to submit original articles that explore the intersections of literary and historical narratives, thereby enriching the understanding of cultural and intellectual history. Located at 5 ALLEES ANTONIO MACHADO, F-31058 TOULOUSE, FRANCE, this journal not only serves as a platform for new voices but also as a beacon for established scholarship in the humanities.