COMPARATIVE DRAMA

Scope & Guideline

Bridging Time and Space in Theatrical Narratives

Introduction

Welcome to your portal for understanding COMPARATIVE DRAMA, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0010-4078
PublisherWESTERN MICHIGAN UNIV
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2002 to 2024
AbbreviationCOMP DRAMA / Comp. Drama
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressDEPT ENGLISH, 1903 W MICHIGAN AVE, KALAMAZOO, MI 49008-5331

Aims and Scopes

The journal 'Comparative Drama' serves as a critical platform for the interdisciplinary exploration of drama, theatre, and performance across various cultures and historical contexts. Its research focus encompasses a wide range of themes, methodologies, and theoretical frameworks that contribute to the understanding of drama's role in society and its evolution over time.
  1. Interdisciplinary Approaches to Drama:
    The journal emphasizes the integration of various disciplines such as literature, cultural studies, history, and performance studies, encouraging authors to explore dramatic texts and performances from multiple perspectives.
  2. Historical and Cultural Contexts:
    Research often situates dramatic works within their specific historical and cultural frameworks, analyzing how context shapes the themes, characters, and narrative structures of plays.
  3. Adaptation and Intertextuality:
    A significant focus is placed on the adaptation of classic works into contemporary formats, examining how cultural and social changes influence interpretation and representation.
  4. Thematic Explorations of Identity:
    The journal frequently addresses themes of identity, including race, gender, and sexuality, highlighting how these factors impact performance and reception in diverse theatrical traditions.
  5. Critical Theories and Methodologies:
    It encourages the application of various critical theories, including postcolonialism, feminism, and queer theory, to deepen the analysis of drama and its societal implications.
  6. Engagement with Contemporary Issues:
    The journal often reflects on current social and political issues through the lens of drama, exploring how theatre can serve as a medium for activism and social change.
The journal 'Comparative Drama' is currently witnessing several emerging themes that reflect shifts in scholarly interest and societal relevance. These trends highlight the evolving nature of drama studies.
  1. Digital and Multimedia Theatre:
    There is a growing focus on the impact of digital technology and multimedia on contemporary theatre, exploring how these elements transform traditional narratives and audience engagement.
  2. Posthumanism and Ecocriticism:
    Emerging discussions around posthumanism and ecocriticism reflect a rising awareness of environmental issues and non-human perspectives in drama, prompting new interpretations of classic and contemporary texts.
  3. Global Perspectives on Race and Identity:
    Recent publications increasingly address race and identity through a global lens, examining how various cultural contexts influence the representation and performance of these themes.
  4. Intersectionality in Performance:
    The application of intersectionality within performance studies is gaining traction, allowing for nuanced analyses of how overlapping identities affect character and narrative dynamics.
  5. Activism and Theatre as Social Commentary:
    There is an enhanced focus on theatre as a form of activism, with scholars exploring how dramatic works respond to and critique socio-political issues, emphasizing the role of theatre in societal change.

Declining or Waning

While 'Comparative Drama' continues to thrive in many areas, some themes and methodologies appear to be losing prominence in recent publications. The following points highlight these waning scopes.
  1. Traditional Canonical Works:
    There is a noticeable decline in the frequency of articles focusing solely on traditional canonical texts, such as those by Shakespeare, as the journal shifts towards more contemporary and diverse narratives.
  2. Historical Performance Practices:
    Research centered on the minutiae of historical performance practices has diminished, as contemporary issues and innovative performance methodologies gain greater emphasis.
  3. Single-Country Focus:
    Papers concentrating exclusively on drama from a single national context are less common, reflecting a broader trend towards comparative and global perspectives in theatre studies.
  4. Theatrical Technique Analysis:
    The examination of specific theatrical techniques or styles has become less prominent, with a shift towards thematic and societal explorations rather than technical critiques.
  5. Philosophical Theories of Theatre:
    The application of abstract philosophical theories specifically to drama has receded, as more concrete issues related to identity and representation take precedence.

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