Studia Aurea-Revista de Literatura Espanola y Teoria Literaria del Renacimiento y Siglo de Oro, published by the esteemed Universitat Autònoma de Barcelona, stands as a pivotal academic resource in the fields of Literature and History, specializing in Spanish literature from the Renaissance and the Golden Age. With its Open Access model established since 2007, this journal ensures that groundbreaking research is readily available to scholars and enthusiasts worldwide. Notably recognized for its quality, in 2023 it achieved Q1 rankings in both History and Literature and Literary Theory, reflecting its significant contribution to advancing knowledge in these domains. The journal's Scopus rankings further underscore its impact, placing it in the top 20% for literature and the top 37% for history. As it converges from 2018 to 2023, Studia Aurea continues to facilitate critical discussions, innovative research, and the exploration of literary theories, making it an essential platform for researchers, professionals, and students alike.

NEOPHILOLOGUS, published by Springer, stands as a pivotal journal in the fields of Linguistics and Language as well as Literature and Literary Theory. With an illustrious history dating back to 1916 and continuing through various phases until 2024, this journal has entrenched itself as a crucial platform for scholarly discussion and research dissemination. NEOPHILOLOGUS is recognized for its high academic standards, as evidenced by its impressive category quartiles, ranking in the Q2 tier for Linguistics and Language and Q1 for Literature and Literary Theory as of 2023. Notably, it ranks in the 81st percentile for Arts and Humanities in the Scopus database, underscoring its significant contribution to the humanities discourse. While the journal does not currently offer open access options, it remains a valuable resource for researchers, professionals, and students seeking in-depth analyses and insights within its specialized domains. Based in Dordrecht, Netherlands, NEOPHILOLOGUS invites contributions that advance our understanding of linguistic and literary phenomena, ensuring its relevance and impact in these dynamic fields.

Antichthon, published by Cambridge University Press, stands as a vital platform within the field of Classics. Established in 1986, the journal has evolved to encompass scholarly contributions that explore various dimensions of classical studies, including literature, history, and cultural studies. With its rich publication history extending from 2011 to 2023, Antichthon boasts a commendable Q2 ranking in the latest 2023 Category Quartiles for Classics, reflecting its significant impact in the academic community. Although the journal does not offer an Open Access option, it continues to engage researchers and academics with its curated selection of articles, reviews, and critical insights. Located at the Edinburgh Building, Shaftesbury Rd, Cambridge, England, this journal remains an essential resource for both established scholars and students aiming to deepen their understanding of classical antiquity and its enduring relevance.

MODERN DRAMA is a premier academic journal published by University of Toronto Press Inc, specializing in the field of literature and literary theory, with a particular focus on the dramatic arts. Established to foster scholarly dialogue, this journal offers a platform for innovative research and critical perspectives on modern theatrical practices and their cultural contexts. With an esteemed Q1 ranking in the category of Literature and Literary Theory for 2023, it places high importance on scholarly rigour and relevance, ensuring that its contributions resonate within the academic community. Though it operates under a traditional subscription model, MODERN DRAMA remains vital for researchers, professionals, and students dedicated to exploring the complexities of contemporary drama. With coverage ranging from 2002 to 2024, it continues to push the boundaries of literary discourse, making it an essential resource for anyone engaged in the dynamic field of drama studies.

TEXAS STUDIES IN LITERATURE AND LANGUAGE, published by University of Texas Press, is a distinguished scholarly journal dedicated to the exploration of the rich tapestry of literature and language from Texas and its encompassing regions. With its ISSN 0040-4691 and E-ISSN 1534-7303, this journal serves as a vital platform for researchers, educators, and students interested in the intersection of cultural studies, literary analysis, and linguistic inquiry. Despite the absence of Open Access, the journal remains an essential resource for those seeking rigorous academic discourse within the humanities. The journal, established in 1974, has published influential articles that contribute to a deeper understanding of Texas's unique literary heritage, making it a beacon of scholarship in American literature. The impact factor reflects its relevance and engagement in ongoing literary dialogues. We invite scholars and students alike to engage with the rich content provided, ensuring that Texas's literary legacy continues to be studied and celebrated.

Emily Dickinson Journal, published by Johns Hopkins University Press, is a distinguished scholarly periodical that explores the depths of literature and literary theory, with a particular focus on the life and works of the iconic American poet, Emily Dickinson. Since its inception in 2009, the journal has steadily gained recognition within the academic community, achieving a notable Q3 ranking in the 2023 literature and literary theory category, as well as placing in the 72nd percentile among its peers according to Scopus rankings. With an ISSN of 1059-6879 and an E-ISSN of 1096-858X, it serves as an essential resource for researchers, professionals, and students seeking to deepen their understanding of Dickinson's influence on contemporary literature, theory, and the broader cultural context. Although it does not currently offer open access, the journal remains committed to advancing critical discourse around Dickinson's work through peer-reviewed articles, in-depth reviews, and thoughtful essays that illuminate her lasting impact on literary studies.

Comedia Performance is a prestigious journal dedicated to the dynamic field of performance studies, published by Penn State University Press. With its ISSN 1553-6505 and E-ISSN 2572-4428, this journal serves as a critical platform for scholars, artists, and practitioners alike to explore the intricate relationship between performance and its cultural contexts. While it currently operates under a traditional access model, its content is invaluable for researchers interested in the rich tapestry of theatrical, musical, and experimental performance practices. The journal aims to foster interdisciplinary dialogue and promote innovative research methodologies, making it an essential resource for those looking to deepen their understanding of performance as an academic discipline. Situated in University Park, Pennsylvania, Comedia Performance continues to contribute significantly to the evolving narratives within the arts and cultural studies, encouraging scholarly conversations that resonate with both historical and contemporary performance trends.

Early Theatre is a pioneering journal dedicated to the study of early modern drama and theatre, published by ITER, a recognized leader in scholarly publishing. With its ISSN number 1206-9078, the journal aims to foster a deeper understanding of the rich history and cultural significance of theatrical traditions prior to the 18th century. Although it does not have an open access model, Early Theatre provides invaluable insights through rigorous peer-reviewed articles, reviews, and critical essays that underscore its commitment to academic excellence. The journal serves as an essential resource for researchers, professionals, and students interested in the intersections of literature, performance studies, and history. By publishing cutting-edge research, it plays a crucial role in enhancing scholarly dialogue and advancing the field of early theatre studies. The journal’s physical address is located at UNIV TORONTO LIBRARIES, STE 7009 130 ST GEORGE ST, TORONTO, ON M5S 1A5, CANADA, and it champions future scholarship that contributes to the ongoing conversation surrounding theatrical arts from the early modern period.

CONTEMPORARY THEATRE REVIEW is a leading journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of theatre, performance studies, and contemporary visual arts. With a Q2 ranking in both Visual Arts and Performing Arts, this journal has established itself as a significant platform for scholarly discourse and critical analysis since its inception in 1992, particularly from 1994 through 2024. Researchers, practitioners, and students engaging with the evolving landscape of theatre will find this journal an essential resource for innovative research, reviews, and theoretical papers. The journal invites contributions that explore diverse themes in contemporary performance, ensuring it remains at the forefront of the academic and professional dialogue within the performing arts community.

Criticon is a distinguished open-access journal published by PRESSES UNIV MIDI-PUM in France, dedicated to advancing scholarship in the fields of History and Literature and Literary Theory. Since its transition to open access in 2014, Criticon has fostered a vibrant academic community, enabling the dissemination of high-quality research that contributes significantly to contemporary discourse. Positioned within the Q4 categories for both History and Literature, the journal boasts impressive rankings, including #152 out of 1106 in Literature and Literary Theory, reflecting its growing influence with a remarkable 86th percentile standing. With a dedication to interdisciplinary scholarship, Criticon invites researchers, practitioners, and students to submit original articles that explore the intersections of literary and historical narratives, thereby enriching the understanding of cultural and intellectual history. Located at 5 ALLEES ANTONIO MACHADO, F-31058 TOULOUSE, FRANCE, this journal not only serves as a platform for new voices but also as a beacon for established scholarship in the humanities.