COMPARATIVE DRAMA
Scope & Guideline
Innovating Perspectives on Drama Across Cultures
Introduction
Aims and Scopes
- Interdisciplinary Approaches to Drama:
The journal emphasizes the integration of various disciplines such as literature, cultural studies, history, and performance studies, encouraging authors to explore dramatic texts and performances from multiple perspectives. - Historical and Cultural Contexts:
Research often situates dramatic works within their specific historical and cultural frameworks, analyzing how context shapes the themes, characters, and narrative structures of plays. - Adaptation and Intertextuality:
A significant focus is placed on the adaptation of classic works into contemporary formats, examining how cultural and social changes influence interpretation and representation. - Thematic Explorations of Identity:
The journal frequently addresses themes of identity, including race, gender, and sexuality, highlighting how these factors impact performance and reception in diverse theatrical traditions. - Critical Theories and Methodologies:
It encourages the application of various critical theories, including postcolonialism, feminism, and queer theory, to deepen the analysis of drama and its societal implications. - Engagement with Contemporary Issues:
The journal often reflects on current social and political issues through the lens of drama, exploring how theatre can serve as a medium for activism and social change.
Trending and Emerging
- Digital and Multimedia Theatre:
There is a growing focus on the impact of digital technology and multimedia on contemporary theatre, exploring how these elements transform traditional narratives and audience engagement. - Posthumanism and Ecocriticism:
Emerging discussions around posthumanism and ecocriticism reflect a rising awareness of environmental issues and non-human perspectives in drama, prompting new interpretations of classic and contemporary texts. - Global Perspectives on Race and Identity:
Recent publications increasingly address race and identity through a global lens, examining how various cultural contexts influence the representation and performance of these themes. - Intersectionality in Performance:
The application of intersectionality within performance studies is gaining traction, allowing for nuanced analyses of how overlapping identities affect character and narrative dynamics. - Activism and Theatre as Social Commentary:
There is an enhanced focus on theatre as a form of activism, with scholars exploring how dramatic works respond to and critique socio-political issues, emphasizing the role of theatre in societal change.
Declining or Waning
- Traditional Canonical Works:
There is a noticeable decline in the frequency of articles focusing solely on traditional canonical texts, such as those by Shakespeare, as the journal shifts towards more contemporary and diverse narratives. - Historical Performance Practices:
Research centered on the minutiae of historical performance practices has diminished, as contemporary issues and innovative performance methodologies gain greater emphasis. - Single-Country Focus:
Papers concentrating exclusively on drama from a single national context are less common, reflecting a broader trend towards comparative and global perspectives in theatre studies. - Theatrical Technique Analysis:
The examination of specific theatrical techniques or styles has become less prominent, with a shift towards thematic and societal explorations rather than technical critiques. - Philosophical Theories of Theatre:
The application of abstract philosophical theories specifically to drama has receded, as more concrete issues related to identity and representation take precedence.
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