Critical Studies in Fashion & Beauty

Scope & Guideline

Innovating Perspectives on Fashion and Beauty Studies

Introduction

Welcome to your portal for understanding Critical Studies in Fashion & Beauty, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN2040-4417
PublisherINTELLECT LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2019 to 2024
AbbreviationCRIT STUD FASH BEAUT / Crit. Stud. Fash. Beauty
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressTHE MILL, PARNALL RD, BRISTOL BS16 3JG, ENGLAND

Aims and Scopes

Critical Studies in Fashion & Beauty emphasizes the exploration of fashion and beauty through critical lenses, focusing on intersectionality, cultural expressions, and the socio-political implications of style and aesthetics. The journal aims to provide a platform for diverse voices and methodologies that challenge traditional narratives in the fashion and beauty industries.
  1. Interdisciplinary Approaches to Fashion and Beauty:
    The journal embraces methodologies from various disciplines, including cultural studies, gender studies, and art history, to analyze the complexities of fashion and beauty.
  2. Focus on Marginalized Voices:
    There is a consistent emphasis on including perspectives from marginalized groups, particularly in relation to gender identity, race, and cultural heritage.
  3. Critical Examination of Aesthetics:
    The journal critiques the societal standards of beauty and fashion, exploring how these standards shape identities and experiences.
  4. Global and Local Contexts:
    Research published in the journal spans both global and localized contexts, examining how fashion and beauty are informed by cultural, social, and political factors.
  5. Historical and Contemporary Analysis:
    The journal frequently juxtaposes historical narratives with contemporary practices to illustrate the evolution of fashion and beauty across different eras.
Recent publications in Critical Studies in Fashion & Beauty reveal emerging themes that reflect contemporary societal dynamics and academic interests. These trends highlight the journal's responsiveness to current cultural dialogues and the evolving landscape of fashion and beauty studies.
  1. Trans and Non-Binary Representations:
    Research focusing on trans and non-binary identities in fashion has surged, reflecting broader societal recognition of gender diversity and the importance of inclusive representation.
  2. Fashion as a Tool for Activism:
    An increasing number of papers explore how fashion serves as a medium for activism, particularly in addressing social justice issues and fostering community solidarity.
  3. Digital and Self-Representational Aesthetics:
    The rise of social media and digital platforms has led to a focus on self-representation in fashion, particularly among marginalized communities, emphasizing the role of technology in shaping identities.
  4. Cultural Heritage and Identity in Fashion:
    Emerging themes include the exploration of cultural heritage and identity through fashion, particularly in Indigenous and postcolonial contexts, highlighting the significance of traditional dress in contemporary society.
  5. Intersectionality in Fashion Studies:
    There is a growing trend towards intersectional analyses that consider how various social identities (e.g., race, gender, class) interact to influence experiences within the fashion and beauty industries.

Declining or Waning

While Critical Studies in Fashion & Beauty has seen substantial growth in certain areas, other themes have shown a decline in frequency or relevance, reflecting shifts in both societal interests and the academic landscape.
  1. Traditional Gender Norms in Fashion:
    There appears to be a decreasing focus on conventional gender norms within fashion, as more recent publications emphasize fluidity and non-binary identities.
  2. Western-Centric Fashion Narratives:
    Research that centers exclusively on Western fashion practices has become less prominent, giving way to a more global perspective that highlights diverse cultural expressions.
  3. Static Representations of Beauty:
    The journal is moving away from static representations of beauty, focusing instead on dynamic and evolving interpretations that reflect contemporary societal changes.
  4. Historical Fashion Analysis without Contemporary Relevance:
    There is a noticeable decline in papers solely focused on historical fashion analysis that lack connections to current trends or issues, as the journal encourages linking past and present.
  5. Commercial Fashion Critiques:
    Critiques of commercial fashion practices that do not engage with broader social implications are appearing less frequently, indicating a shift towards more critical and socially aware analyses.

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