Fashion Theory-The Journal of Dress Body & Culture

Scope & Guideline

Decoding the Language of Fashion and Identity

Introduction

Welcome to your portal for understanding Fashion Theory-The Journal of Dress Body & Culture, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN1362-704x
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2002 to 2024
AbbreviationFASH THEORY / Fash. Theory
Frequency7 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

Fashion Theory: The Journal of Dress, Body & Culture is dedicated to exploring the multifaceted relationship between fashion, culture, and identity. The journal focuses on critical and theoretical analyses of dress and its implications in various cultural contexts.
  1. Interdisciplinary Research on Fashion:
    The journal encourages contributions from various fields such as sociology, anthropology, cultural studies, and art history, fostering a rich dialogue around the implications of dress and fashion.
  2. Cultural Identity and Representation:
    A core focus lies in examining how fashion serves as a medium for expressing cultural identities, including the politics of representation and the intersectionality of race, gender, and sexuality.
  3. Sustainability and Ethical Fashion:
    There is a significant emphasis on sustainability in fashion, analyzing the ethical dimensions of production, consumption, and the impact of fashion on the environment.
  4. Fashion as a Political Tool:
    The journal explores how fashion functions as a means of political expression and activism, addressing issues such as gender politics, social movements, and historical contexts.
  5. Historical and Contemporary Fashion Studies:
    It encompasses both historical and contemporary perspectives, inviting discussions on the evolution of fashion and its relevance in modern society.
  6. Digital and Global Fashion Cultures:
    The journal recognizes the influence of digital platforms on fashion dissemination and consumption, as well as the transnational flows of fashion practices and discourses.
Recent publications in Fashion Theory indicate a shift towards emerging themes that reflect contemporary societal issues and innovations in fashion discourse.
  1. Sustainable and Ethical Fashion Practices:
    There is a growing emphasis on sustainability and ethical practices within fashion, reflecting broader societal concerns about environmental impact and social responsibility.
  2. Digital Fashion and Technology:
    Emerging themes around digital fashion, including virtual fashion and the impact of social media influencers, highlight the changing landscape of fashion communication and consumption.
  3. Intersectionality and Fashion Activism:
    An increasing focus on intersectionality—examining how various identities intersect within fashion—suggests a trend towards more inclusive and activist-oriented discussions.
  4. Fashion and Mental Health:
    Explorations of the relationship between fashion, self-identity, and mental health are gaining traction, indicating a recognition of the psychological dimensions of dress.
  5. Cultural Appropriation and Transnational Fashion:
    Discussions around cultural appropriation and the complexities of transnational fashion practices are becoming more prevalent, reflecting ongoing debates about cultural exchange and ethics.

Declining or Waning

While Fashion Theory continues to thrive in many areas, certain themes appear to be declining in prominence as the journal evolves and adapts to new cultural conversations.
  1. Traditional Fashion Histories:
    There has been a noticeable shift away from purely traditional historical analyses toward more contemporary and interdisciplinary approaches that incorporate broader social and cultural narratives.
  2. Commercial Fashion Analysis:
    The focus on commercial aspects of fashion, such as marketing strategies and retail practices, seems to be waning as more attention is given to critical and ethical dimensions of fashion.
  3. Static Gender Roles in Fashion:
    Discussions surrounding fixed notions of gender in fashion are declining as the journal increasingly embraces fluid and diverse representations of gender in relation to dress.
  4. Regional Fashion Studies:
    While regional studies have been important, there is a trend toward more global analyses that consider transnational influences rather than isolated regional perspectives.
  5. Celebrity Culture in Fashion:
    The exploration of celebrity influence on fashion is becoming less frequent as the journal shifts focus towards more complex narratives surrounding identity and culture.

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