Visual Studies, published by Taylor & Francis Ltd, is a leading international journal that serves as a vital platform for interdisciplinary scholarship in the fields of visual arts, cultural studies, and anthropology. Established in 2002 and continuing strong through 2024, it holds impressive rankings including Q1 in Cultural Studies and Visual Arts and Performing Arts, as well as Q2 in Anthropology, reflecting its significant impact and prestige within these disciplines. With a robust Scopus ranking placing it in the 89th percentile for Visual Arts and Performing Arts, this journal does not only publish original research but also fosters rich dialogues on visual culture, representation, and critical theory. Although it is not open access, researchers, practitioners, and students alike can benefit from its rigorous peer-reviewed content, which contributes to advancing knowledge and understanding of visual phenomena. Located in the United Kingdom, Visual Studies continues to shape the conversations surrounding visual practices and their societal implications.

Grey Room is a distinguished peer-reviewed academic journal published by MIT Press, focusing on interdisciplinary discussions at the intersection of architecture, communication, sociology, political science, and the visual and performing arts. Established in 2002, the journal has carved out a critical space for exploring the links between built environments and cultural narratives, engaging a diverse readership of researchers, professionals, and students. With an impact factor reflecting its contribution to these fields, it is recognized for fostering innovative dialogue and scholarship. Although it operates without an open access model, Grey Room continues to thrive in the academic community, particularly as it moves towards converged years spanning from 2002 to 2024. The journal's categorization into various quartiles highlights its relevance and ongoing commitment to contemporary issues. Readers can expect thought-provoking articles that challenge conventional boundaries of practice and scholarship, making Grey Room an essential resource for those interested in the dynamic interplay of architecture and culture.

Antiteses is a distinguished academic journal published by UNIV ESTADUAL LONDRINA, serving as an indispensable platform for scholarly discourse in the humanities and social sciences. With an ISSN of 1984-3356 and an E-ISSN matching the same number, this peer-reviewed journal has embraced the Open Access model since 2008, ensuring that cutting-edge research is readily available to researchers, professionals, and students globally, thereby fostering an inclusive academic community. Antiteses aims to explore critical discourses across various domains, encouraging innovative thoughts and discussions that challenge conventional paradigms. Located in Londrina, Paraná, Brazil, the journal maintains its commitment to high academic standards, although specific metrics such as H-Index or impact factor remain to be established. Its open-access nature aligns with contemporary trends towards equitable access to knowledge, making it a vital resource for those invested in the evolution of academic thought.

The JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES, published by DUKE UNIVERSITY PRESS, is a distinguished platform dedicated to exploring the intricacies of medieval and early modern cultures through an interdisciplinary lens. With an ISSN of 1082-9636, this journal has been pivotal in advancing scholarship from 2002 to 2024, providing researchers, professionals, and students with insightful contributions that enhance understanding within the fields of Arts and Humanities and Cultural Studies. With its current standing as Q3 in both category quartiles for 2023 and respectable ranking in Scopus, this publication attracts a diverse readership and stimulates critical conversations about historical narratives and cultural phenomena. Although not an open-access journal, its rich content serves as an invaluable resource for those seeking to delve deeper into the complexities of past societies. The journal’s commitment to excellence in scholarship underscores its vital role in the academic community.

South African Journal of Cultural History is a leading forum dedicated to the exploration and analysis of cultural history within the diverse context of South Africa. Published by the SOUTH AFRICAN SOCIETY FOR CULTURAL HISTORY, this journal serves as an essential resource for researchers, professionals, and students interested in understanding the intricate past that shapes contemporary societies. With an emphasis on interdisciplinary studies, it encourages contributions that delve into various aspects of cultural heritage, identity, and social dynamics. While currently not an open-access publication, the journal aims to provide insightful articles that foster academic discourse and promote the preservation and appreciation of South Africa's rich cultural history. By engaging with this journal, scholars can connect with a vibrant community committed to advancing knowledge in cultural history and enhancing the visibility of South African cultural narratives on a global scale.

WORD & IMAGE is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the dynamic interplay between visual and verbal communication. Established in 1985, this esteemed journal covers a wide array of topics within linguistics, literature, and visual arts, contributing significantly to these interdisciplinary fields. With a commitment to fostering scholarly dialogue and innovation, WORD & IMAGE presents qualitative research, critical analyses, and theoretical explorations that illuminate the complex relationships between text and image. The journal's current impact factor reflects its role in nurturing academic discourse, making it a vital resource for researchers, professionals, and students alike. Although currently not open access, the journal maintains a rigorous peer-review process to ensure the highest academic standards. As it continues to engage a global audience, WORD & IMAGE serves as a key platform for advancing knowledge at the intersection of language and visual culture.

Boletin Americanista is a distinguished open access journal published by Universitat de Barcelona, Servei Publicacions, providing a vital platform for scholarly discourse in the field of history since its inception in 1959. With its ISSN 0520-4100 and E-ISSN 2014-993X, this journal has consistently catered to researchers, professionals, and students interested in American studies, offering rich analyses and critiques that span various historical contexts. As of 2023, it has achieved an admirable Q2 ranking in the category of History and holds a respectable rank of #997 out of 1760 arts and humanities journals, situating it within the 43rd percentile of Scopus rankings. Located in Barcelona, Spain, the journal serves a global audience, promoting the dissemination of knowledge through free access, thereby fostering an inclusive academic community. The convergence of diverse perspectives from 2011 to 2024 makes it a crucial resource for anyone engaged in the historical analysis of the Americas.

Anclajes is a prominent academic journal dedicated to the fields of Cultural Studies, Linguistics, and Literature, published by the UNIV NACIONAL LA PAMPA, FAC CIENCIAS HUMANAS. With both print (ISSN 0329-3807) and electronic (E-ISSN 1851-4669) formats, the journal has embraced an Open Access model since 2010, greatly enhancing its accessibility and reach to a global audience. Based in Argentina, Anclajes provides a platform for innovative research and critical discourse, contributing significantly to the understanding of cultural phenomena and literary theories. In recent years, the journal has established itself with a Scopus rank placing it in the top 30% of Literature and Literary Theory and the top 57% of Cultural Studies, as indicated by its quartile rankings for 2023. With issues converging from 2012 to 2024, Anclajes continues to foster scholarly communication and serves as an essential resource for researchers, students, and professionals seeking to explore the dynamism of human culture and expression.

Imafronte-Revista de Historia del Arte is a premier scholarly journal published by the University of Murcia, dedicated to advancing the field of art history. With an ISSN of 0213-392X and an E-ISSN of 1989-4562, this open-access journal has been serving the academic community since 1985, ensuring that research is widely available and accessible. Nestled in the heart of Spain at the Campus de Espinardo in Murcia, Imafronte invites contributions that span a myriad of topics within art history, providing a rich platform for critical analysis and interdisciplinary dialogue. Its commitment to fostering scholarly communication and innovation makes it an essential resource for researchers, professionals, and students alike, eager to explore the nuances of artistic heritage and contemporary discourse in the arts.

Film History, published by Indiana University Press, is a premier academic journal that delves into the evolving landscape of cinema, illuminating the intricate interplay between historical narratives and film culture. With ISSN 0892-2160, and E-ISSN 1553-3905, this journal has established itself as a crucial resource for researchers, professionals, and students in the fields of history and visual arts. Recognized in the Q2 category for both History and Visual Arts and Performing Arts as of 2023, it boasts impressive Scopus rankings, securing #152 out of 667 in Visual Arts and Performing Arts, and #524 out of 1760 in History, placing it in the top 30th percentile. Although it does not currently offer open access options, the journal provides a wealth of scholarly articles that critically engage with film as a historical text, fostering a deeper understanding of its role in shaping societal narratives. Since its inception in 1987, Film History has been at the forefront of academic discourse, making it an invaluable resource for those seeking to explore the rich tapestry of cinematic history.