Eidola-International Journal of Classical Art History

Scope & Guideline

Bridging the Past and Present Through Art History.

Introduction

Welcome to the Eidola-International Journal of Classical Art History information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Eidola-International Journal of Classical Art History, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageMulti-Language
ISSN1824-6192
PublisherFABRIZIO SERRA EDITORE
Support Open AccessNo
CountryItaly
TypeJournal
Converge2019, from 2022 to 2023
AbbreviationEIDOLA / Eidola
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressVIA SANTA BIBBIANA 28, PISA I-56127, ITALY

Aims and Scopes

The 'Eidola-International Journal of Classical Art History' is dedicated to the exploration and dissemination of knowledge related to classical art and its historical context. It focuses on various aspects of ancient art, including iconography, archaeological findings, and art theory, providing a platform for scholars to share their research and insights.
  1. Classical Art Analysis:
    The journal emphasizes the analysis of classical art forms, including painting, sculpture, and decorative arts, often through the lens of archaeological discoveries.
  2. Iconographic Studies:
    A core area of focus is iconography, where contributors examine the symbolism and meaning behind artistic representations in classical works.
  3. Interdisciplinary Approaches:
    The journal encourages interdisciplinary methodologies, integrating history, archaeology, linguistics, and cultural studies to enrich the understanding of classical art.
  4. Regional Studies:
    There is a consistent focus on the art and artifacts of specific regions, such as Pompeii, Sicily, and the Hellenistic Mediterranean, allowing for in-depth regional analysis.
  5. Historical Contextualization:
    The journal aims to contextualize classical art within its historical setting, discussing its social, political, and cultural implications.
The journal has shown a dynamic evolution in its thematic focus, with certain topics gaining traction over recent years. These emerging themes reflect current scholarly interests and the ongoing relevance of classical art studies.
  1. Archaeological Discoveries and Interpretations:
    Recent publications highlight the significance of new archaeological findings, such as artifacts from Pompeii and other ancient sites, suggesting a growing interest in the implications of these discoveries for understanding classical art.
  2. Interdisciplinary Connections:
    There is an increasing trend towards interdisciplinary research that connects classical art with other fields, such as literature, history, and science, exemplified by studies on iconography and its broader cultural implications.
  3. Specific Case Studies:
    The journal is increasingly publishing detailed case studies that delve into specific artworks or artifacts, reflecting a shift towards in-depth exploration rather than broader surveys.
  4. Cultural and Historical Contextualization:
    Papers are increasingly focusing on the socio-political and cultural contexts of classical works, emphasizing how these elements influence artistic expression in ancient societies.

Declining or Waning

While the journal continues to thrive in many areas, certain themes are becoming less prominent in recent publications. This decline might reflect shifting interests within the field or broader trends in classical studies.
  1. 19th-Century Reception Studies:
    There has been a noticeable decrease in studies focusing on the 19th-century reception of classical art, as contemporary research trends favor direct analysis of ancient sources.
  2. Modern Interpretations of Classical Art:
    Themes that interpret classical art through a purely modern lens seem to be waning, with fewer papers discussing contemporary relevance without strong historical ties.
  3. Generalized Iconography:
    Generalized discussions of iconography without specific case studies appear to be declining, as the journal increasingly favors detailed analyses of particular artifacts or artworks.

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