STORIA DELL ARTE

Scope & Guideline

Illuminating Visual Culture Through Time

Introduction

Immerse yourself in the scholarly insights of STORIA DELL ARTE with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageItalian
ISSN0392-4513
PublisherLUCA EDITORI ARTE ROMA
Support Open AccessNo
Country-
TypeJournal
Convergefrom 2012 to 2014 (coverage discontinued in Scopus)
AbbreviationSTORIA ARTE / Stor. Arte
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressVIA NOVELLA, 22, ROMA 00199 RM, ITALY

Aims and Scopes

The journal 'STORIA DELL ARTE' serves as a prominent platform for scholarly research in art history, emphasizing a variety of themes that span from the Renaissance to contemporary art. The journal focuses on critical analyses, historical contexts, and the evolution of artistic practices, making significant contributions to the understanding of art within socio-political frameworks.
  1. Art Historical Research:
    The journal publishes in-depth studies and critical analyses of artworks, artists, and movements throughout history, providing new insights into their significance and context.
  2. Interdisciplinary Approaches:
    It embraces methodologies from various disciplines, such as cultural studies, sociology, and anthropology, to explore how art interacts with societal changes and historical events.
  3. Focus on Italian Art:
    A significant emphasis is placed on Italian art, particularly during the Renaissance and Baroque periods, showcasing the works of notable artists and their influence on the art world.
  4. Exhibition and Collection Studies:
    The journal often features articles that analyze exhibitions and collections, discussing their historical importance and the narratives they present about art and culture.
  5. Iconography and Symbolism:
    Research on the iconography and symbolism within artworks is a recurring theme, exploring how visual elements convey deeper meanings and reflect cultural beliefs.
Recent publications in 'STORIA DELL ARTE' reveal emerging themes that reflect current interests in the field of art history, highlighting shifts towards more nuanced and diverse explorations of art and its contexts.
  1. Intersections of Art and Politics:
    An increasing number of articles examine the relationship between art and political contexts, exploring how historical events influence artistic production and reception.
  2. Gender Studies and Feminist Perspectives:
    There is a growing focus on gender dynamics within art history, including the representation of women artists and the exploration of female iconography in artworks.
  3. Digital Humanities in Art History:
    The integration of digital tools and methodologies into art historical research is on the rise, allowing for innovative approaches to visual analysis and historical documentation.
  4. Cultural Exchange and Cross-Influences:
    Emerging themes highlight the interactions between different cultures and artistic traditions, particularly in the context of globalization and the movement of artists across borders.
  5. Reevaluation of Canonical Artists:
    Recent publications are increasingly reassessing the works and impact of historically significant artists, such as Caravaggio and Raphael, through new critical lenses and contemporary relevance.

Declining or Waning

While 'STORIA DELL ARTE' continues to thrive in many areas, certain themes appear to be declining in prominence over recent years. This may reflect shifts in research interests or broader trends within the field of art history.
  1. Modern and Contemporary Art:
    There seems to be a waning focus on modern and contemporary art compared to historical periods, with fewer articles addressing these movements, suggesting a potential shift back to earlier artistic periods.
  2. Technical Analysis and Materiality:
    Research focusing on the technical aspects of art-making, such as material studies and craftsmanship, appears to be less frequent, indicating a possible preference for thematic and contextual analyses instead.
  3. Regional Studies Outside Italy:
    There is a noticeable decrease in articles that explore art from non-Italian regions, which may limit the journal's international scope and interdisciplinary dialogue.

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