MUSIK IN BAYERN is a distinguished journal devoted to the study of music within the rich cultural context of Bavaria, published by HANS SCHNEIDER. With the ISSN 0937-583X, this publication serves as an essential resource for researchers, professionals, and students interested in the historical and contemporary musical landscape of the region. Spanning topics from traditional Bavarian folk music to modern interpretations, the journal aims to foster a deeper understanding and appreciation of Bavarian music in a global context. Although the journal's coverage in Scopus has been discontinued, it remains an essential platform for scholarly communication and analysis in music studies. While MUSIK IN BAYERN operates under a subscription model, it continues to hold significance as an intellectual resource for advancing research in musicology.

MUSIKTHEORIE is a pivotal journal dedicated to the field of music theory, published by LAABER-VERLAG. With its ISSN 0177-4182, this journal serves as an essential platform for scholars, educators, and practitioners interested in the multifaceted dimensions of music theory. Although it does not currently offer open access, it provides in-depth analyses and critical discourse on theoretical frameworks, compositional techniques, and historical perspectives in music. Despite its coverage in Scopus being discontinued after 2018 and ranking within the 5th percentile of Arts and Humanities - Music, MUSIKTHEORIE remains a respected publication for advancing knowledge and fostering collaboration within the musicological community. Researchers and students alike can benefit from its rich content and the insights shared within its pages.

Studia Musicologica, published by AKADEMIAI KIADO ZRT, stands as a leading journal in the field of musicology, dedicated to the exploration and analysis of music across diverse cultures and historical contexts. With its ISSN 1788-6244 and E-ISSN 1789-2422, this journal provides an essential platform for disseminating high-quality research and critical analyses, thereby contributing significantly to scholarly discourse in music studies. Although it operates on a traditional access model, its rigor and foundational contributions ensure that it remains invaluable for researchers, professionals, and students alike. Situated in the heart of Hungary, Studia Musicologica engages with a broad spectrum of topics including music theory, ethnomusicology, and music history, fostering a deeper understanding of music's multifaceted role in society. This makes it an essential resource for anyone interested in advancing their research or professional practice within the expansive field of musicology.

MUSICAL TIMES is a distinguished journal dedicated to the exploration and dissemination of scholarly works in the realm of music, serving as an essential resource for researchers, professionals, and students alike. Published by MUSICAL TIMES PUBLICATIONS LTD, this journal has built a robust reputation within the arts and humanities, specifically focusing on music studies, with an impactful reach indicated by its Scopus ranking at #73 out of 106 in the field. Though access to this journal is not open, its curated content, which spans various facets of musicology and contemporary music discourse, enriches the academic community by encouraging insightful discussions and critical analyses. With its historical roots tracing back to its inception, MUSICAL TIMES aims to foster a deeper understanding of music's cultural, social, and artistic dimensions, making it a valued publication for those engaged in the scholarly pursuit of music.

REVUE DE MUSICOLOGIE is a prominent academic journal dedicated to the diverse field of musicology, published by EDITIONS TRANSATLANTIQUES in France. With an ISSN of 0035-1601, this journal has been a key platform for researchers and scholars since its inception, fostering scholarly discourse and advancing the understanding of music's cultural, theoretical, and historical dimensions. Although it currently holds a Q4 category in Music according to the 2023 quartiles and is ranked #140 in the Scopus Arts and Humanities Music category, REVUE DE MUSICOLOGIE continues to publish valuable insights that contribute to the global musicological landscape. The journal does not offer open access, adhering to standard subscription models. Its primary objective is to provide a rigorous forum for original research articles, reviews, and theoretical discussions, making it an essential resource for academics, professionals, and students in the field of musicology. Located at 50 RUE JOSEPH DE MAISTRE, 75018 PARIS, FRANCE, it promises to remain a vital part of music research through 2023 and beyond.

Studia Universitatis Babes-Bolyai Musica is a prestigious academic journal dedicated to the field of musicology, published by UNIV BABES-BOLYAI. Since its inception, it has strived to foster scholarly communication and share groundbreaking research that spans various music-related disciplines, including ethnomusicology, music theory, and performance studies. The journal operates under an Open Access model since 2021, ensuring that its content is freely accessible to a global audience of researchers, professionals, and students interested in advancing their knowledge and understanding of music. By providing a platform for high-quality, peer-reviewed articles, Studia Universitatis Babes-Bolyai Musica plays a vital role in promoting significant contributions to the evolving discourse in music studies. Its commitment to intellectual rigor and openness aligns with contemporary academic trends, making it an essential resource in the realm of music research.

Studi Musicali-Nuova Serie is a distinguished academic journal dedicated to the field of musicology, published by the esteemed ACCAD NAZ SANTA CECILIA, FONDAZIONE. This journal serves as a platform for the dissemination of cutting-edge research and scholarly discourse surrounding various aspects of music, including historical, theoretical, and applied music studies. While the journal has contributed significantly to the field with its publication span from 2002 to 2009, it has since been recognized for its rigorous academic standards and its role in advancing knowledge in musicology. Despite its coverage being discontinued in Scopus, it continues to hold relevance among researchers, professionals, and students interested in the rich and diverse world of music. Situated in the heart of Rome, at the AUDITORIUM PARCO DELLA MUSICA, this journal embodies the vibrant cultural heritage of Italy while fostering international academic collaboration in music studies.

JOURNAL OF MUSICOLOGY, published by UNIV CALIFORNIA PRESS, stands as a premier academic forum for the exploration and dissemination of research in the field of musicology. With an ISSN of 0277-9269, this journal provides a vital platform for scholars, practitioners, and educators to engage with contemporary and historical music studies. The journal, which has been publishing significant works since 1982 and continues through to 2024, boasts a commendable Q2 ranking in Music and holds a notable position within the 68th percentile of Scopus rankings for Arts and Humanities, specifically in Music. Although it does not offer open access, the journal remains a crucial resource for those dedicated to advancing the understanding of musical heritage, theory, and practice. The JOURNAL OF MUSICOLOGY aims to foster interdisciplinary dialogue and promote innovative methodologies within the field, thereby making it an essential read for all engaged in the scholarly pursuit of music.

Welcome to Problemy Muzykalnoi Nauki-Music Scholarship, a leading journal in the field of music scholarship published by the esteemed Gnesin Russian Academy of Music. With an ISSN of 2782-358X and an E-ISSN of 2782-3598, this Open Access journal has been committed to the dissemination of high-quality research since 2009, making scholarly work accessible to a global audience. Covering diverse aspects of music theory, history, and its socio-cultural impacts, Problemy Muzykalnoi Nauki serves as an essential platform for scholars, educators, and practitioners in the arts and humanities, as well as in social sciences related to music education. While its Scopus coverage was discontinued in 2021, the journal remains influential, holding a rank of #48 in the Arts and Humanities category and a percentile of 67th, showcasing its relevance and rigor in the discipline. We invite researchers and students alike to explore the rich contributions made within these pages, fostering a deeper understanding and appreciation of music in contemporary society.

HUDEBNI VEDA is a distinguished journal published by the Czech Academy of Sciences Press, specializing in the field of music. With its ISSN 0018-7003 and E-ISSN 2694-6998, this journal serves as a vital platform for scholarly communication in music studies, promoting innovative research and critical discourse. Since its inception in 2002 and scheduled for continuation until 2024, it has emerged as a respected publication within the music academic community, though currently holding a Category Quartiles ranking of Q4 in Music. Notably, it ranks #127 out of 180 in the Scopus Arts and Humanities - Music category, placing it in the 29th percentile. While it operates under traditional access constraints, HUDEBNI VEDA is committed to fostering an inclusive academic environment, inviting contributions that push the boundaries of musicology. This journal is essential for researchers, professionals, and students eager to explore and engage with contemporary issues and developments in the study of music.