Eighteenth-Century Music

Scope & Guideline

Engaging with the Rhythms of Cultural Evolution

Introduction

Welcome to your portal for understanding Eighteenth-Century Music, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN1478-5706
PublisherCAMBRIDGE UNIV PRESS
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2004 to 2024
AbbreviationEIGHTEENTH-CENT MUSI / Eighteenth-Century Music
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressEDINBURGH BLDG, SHAFTESBURY RD, CB2 8RU CAMBRIDGE, ENGLAND

Aims and Scopes

Eighteenth-Century Music is a journal dedicated to the exploration and analysis of music from the 18th century, encompassing a wide array of cultural, historical, and theoretical perspectives. The journal aims to provide a platform for rigorous scholarship that enhances understanding of the music, musicians, and contexts of this rich period.
  1. Historical Contextualization:
    The journal emphasizes the importance of situating music within its historical context, examining how social, political, and cultural factors influenced musical practices and compositions during the 18th century.
  2. Interdisciplinary Approaches:
    Eighteenth-Century Music encourages interdisciplinary research that bridges musicology with other fields such as history, literature, and cultural studies, allowing for a more comprehensive understanding of the period's music.
  3. Analysis of Musical Forms and Styles:
    The journal regularly publishes analyses of various musical forms and styles prevalent in the 18th century, including opera, symphonies, and chamber music, focusing on compositional techniques and aesthetics.
  4. Exploration of Lesser-Known Composers and Works:
    A distinctive feature of the journal is its commitment to uncovering and showcasing the works of lesser-known composers, thus broadening the canon of 18th-century music beyond the well-trodden paths of Mozart and Haydn.
  5. Cultural Identity and Reception:
    The journal explores themes of cultural identity and the reception of music across different regions, emphasizing how local traditions and influences shaped the music of the 18th century.
The landscape of music scholarship is continuously evolving, and Eighteenth-Century Music reflects this dynamism through the emergence of new themes and topics. Recent publications indicate a clear trend towards exploring diverse aspects of music and its cultural significance in the 18th century.
  1. Cultural Exchange and Global Perspectives:
    Recent articles highlight the interactions between European music and various global traditions, particularly through colonial contexts, which are becoming increasingly important in understanding the broader musical landscape of the 18th century.
  2. Intersections of Music and Identity:
    There is a growing focus on how music relates to issues of identity, including gender, ethnicity, and class, suggesting an emerging trend of examining music as a vehicle for expressing and negotiating personal and collective identities.
  3. Digital Humanities and Archival Research:
    The incorporation of digital tools and methodologies in music research is on the rise, with an emphasis on utilizing digital archives and databases to enhance the accessibility and study of 18th-century music.
  4. Reassessment of Canonical Works:
    A trend towards re-evaluating and reinterpreting canonical works, particularly those of well-known composers like Mozart and Haydn, is evident, as scholars seek to uncover new meanings and contexts for understanding these compositions.

Declining or Waning

While Eighteenth-Century Music continues to thrive in many areas, there are certain themes and topics that appear to be losing traction within the journal's recent publications. These declining scopes indicate a shift in focus that may reflect broader trends in music scholarship.
  1. Traditional Biographical Studies:
    There has been a noticeable decrease in the publication of traditional biographical studies focused solely on prominent composers, suggesting a shift towards more thematic and contextual analyses rather than individual narratives.
  2. Performance Practice Studies:
    Research specifically centered on historical performance practices, while still relevant, appears to be less frequently featured, indicating a possible waning interest in this area compared to broader theoretical and analytical perspectives.
  3. Focus on Music Theory:
    The scope of papers dedicated to solely theoretical discussions of music from the 18th century seems to be declining, as the journal appears to favor research that integrates theory with historical context or cultural studies.

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