Muzikoloski Zbornik

Scope & Guideline

Fostering Global Discourse in Music Research

Introduction

Delve into the academic richness of Muzikoloski Zbornik with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageSlovenian
ISSN0580-373x
PublisherUNIV LJUBLJANA
Support Open AccessYes
CountrySlovenia
TypeJournal
Convergefrom 2008 to 2023
AbbreviationMUZIKOLOSKI ZB / Muzikoloski Zb.
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressUniversity of Ljubljana Press (University of Ljubljana), Kongresni trg 12, LJUBLJANA 1000, SLOVENIA

Aims and Scopes

Muzikoloski Zbornik serves as a scholarly platform for the exploration of musicology, with a particular emphasis on the historical, cultural, and social dimensions of music in Slovenia and beyond. The journal is dedicated to advancing the understanding of music through interdisciplinary approaches and methodologies, contributing significantly to the field of music studies.
  1. Historical Musicology:
    The journal focuses on historical analyses of music, particularly within the Slovenian context, exploring the evolution of musical traditions and practices over time.
  2. Cultural Contextualization of Music:
    Articles often examine the interplay between music and cultural identity, reflecting on how music serves as a medium for expressing societal values and historical narratives.
  3. Interdisciplinary Approaches:
    Muzikoloski Zbornik encourages the integration of various methodologies, including ethnomusicology, digital humanities, and computational analysis, to enrich musicological research.
  4. Preservation and Documentation:
    The journal emphasizes the importance of documenting and preserving musical heritage, particularly through the analysis of archival materials and historical manuscripts.
  5. Contemporary Music Studies:
    It also addresses contemporary music trends, including the role of technology in music creation and dissemination, as well as the impact of social media on musical practices.
Muzikoloski Zbornik has embraced several emerging themes in musicology, reflecting contemporary issues and innovations in the field. These trends highlight the journal's responsiveness to current academic discourse and societal changes.
  1. Digital Musicology:
    There is a growing emphasis on digital musicology, with studies utilizing computational tools and digital archives to analyze music criticism and historical documents.
  2. Interdisciplinary Research:
    Recent publications increasingly adopt interdisciplinary approaches, integrating insights from sociology, anthropology, and cultural studies to examine music within broader social contexts.
  3. Contemporary Music and Technology:
    A significant trend is the exploration of contemporary music practices, particularly how technology influences composition, performance, and the consumption of music.
  4. Music and Social Issues:
    Emerging themes include the intersection of music with social issues such as identity, migration, and community, reflecting a commitment to understanding music's role in contemporary societal challenges.
  5. Global Music Studies:
    The journal is increasingly focusing on global perspectives in music, moving beyond regional confines to explore cross-cultural influences and interactions in music practices.

Declining or Waning

Over recent years, Muzikoloski Zbornik has seen a shift in focus, with certain themes becoming less prominent in its publications. This decline reflects changing interests in the field of musicology and the evolving landscape of music studies.
  1. Traditional Music Forms:
    While traditional music has been a staple of the journal, recent publications indicate a waning interest in the analysis of purely traditional forms, as contemporary styles and influences take precedence.
  2. Nationalistic Music Studies:
    The focus on nationalistic themes in music, particularly those tied to Slovenian identity, has seen a decline, possibly due to a broader, more globalized approach to musicology.
  3. Historical Music Performance Practices:
    There has been a noticeable reduction in articles dedicated to historical performance practices, suggesting a shift toward theoretical analysis and contemporary applications.
  4. Regional Music Studies:
    Research specifically centered on regional music practices within Slovenia has decreased, as the journal expands its scope to include more global and comparative perspectives.

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