Revista de Musicologia

Scope & Guideline

Fostering Scholarly Exchange in Music Research

Introduction

Delve into the academic richness of Revista de Musicologia with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageMulti-Language
ISSN0210-1459
PublisherSOC ESPANOLA MUSICOLOGIA
Support Open AccessNo
CountrySpain
TypeJournal
Convergefrom 2016 to 2024
AbbreviationREV MUSICOL-MADRID / Rev. Musicol.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressCARRETAS 14, 70 DESP B-3, MADRID 28012, SPAIN

Aims and Scopes

The journal 'Revista de Musicologia' is dedicated to advancing the understanding of musicology through a diverse range of research topics that span historical, cultural, and analytical perspectives. Its contributions enhance the appreciation of music's role in society, emphasizing both traditional and contemporary contexts.
  1. Historical Musicology:
    The journal extensively covers historical musicology, focusing on the evolution of music from various periods, including the medieval, renaissance, and modern eras, with an emphasis on regional studies, such as Spanish and Ibero-American music.
  2. Cultural Contexts of Music:
    Research often explores the intersection of music with cultural, social, and political contexts, analyzing how music reflects and influences societal norms and movements across different historical periods.
  3. Music Analysis and Theory:
    The journal includes articles that delve into music theory and analysis, providing insights on compositional techniques, stylistic developments, and the theoretical framework surrounding various musical forms.
  4. Ethnomusicology and Global Perspectives:
    There is a strong emphasis on ethnomusicology, examining music within its cultural settings, including studies on folk traditions, contemporary practices, and the impact of globalization on musical expressions.
  5. Interdisciplinary Approaches:
    The journal encourages interdisciplinary research, integrating perspectives from history, sociology, anthropology, and digital humanities to enrich the understanding of musicology.
Recent publications in 'Revista de Musicologia' indicate a clear trend towards emerging themes that reflect contemporary issues and innovative research methodologies in musicology. These trends highlight the journal's responsiveness to the evolving landscape of music studies.
  1. Music and Identity:
    There is an increasing focus on how music shapes and expresses identity, particularly in relation to gender, nationalism, and cultural heritage, reflecting broader societal conversations about identity politics.
  2. Digital Humanities in Musicology:
    The integration of digital humanities tools and methodologies is becoming prominent, as researchers utilize digital archives, sound mapping, and data analysis to explore musical practices and distributions.
  3. Music in Political Contexts:
    Emerging themes include the study of music as a form of political expression or resistance, particularly in relation to historical events such as the Spanish Civil War, reflecting a growing interest in the socio-political dimensions of music.
  4. Interdisciplinary Studies:
    Collaborative research that crosses disciplinary boundaries is on the rise, with studies incorporating perspectives from anthropology, sociology, and cultural studies, enriching the discourse within musicology.
  5. Globalization and Transnational Music Studies:
    The journal is increasingly exploring themes of globalization and transnational influences in music, investigating how cultural exchanges shape musical identities and practices across borders.

Declining or Waning

While 'Revista de Musicologia' continues to evolve, certain themes have seen a decline in frequency and prominence in recent publications. This reflects a shifting focus within the field and the journal's adaptation to contemporary research interests.
  1. Traditional Music Forms:
    There has been a noticeable decrease in studies dedicated to traditional music forms, such as regional folk music and historical performance practices, as newer methodologies and contemporary music studies gain traction.
  2. Focus on Classical Composers:
    Research centered specifically on classical composers, such as Haydn or Beethoven, has become less prevalent, possibly overshadowed by broader thematic explorations that include more diverse musical genres and contexts.
  3. Static Historical Narratives:
    There seems to be a waning interest in static historical narratives that do not incorporate modern interpretations or interdisciplinary insights, as the journal increasingly favors dynamic analyses that connect past and present.

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