OCTOBER is a seminal journal published by MIT PRESS that spans a diverse array of interdisciplinary themes within the humanities, specifically focusing on literature and literary theory, music, and the visual arts and performing arts. Established in 2002, this journal has become a cornerstone for scholars and practitioners seeking critical discourse and innovative research across its converged fields, maintaining a respectable impact factor that attests to its influence in academic circles. While OCTOBER currently does not offer open access, it provides valuable insights and analysis that drive contemporary thought and discussion, positioned in the Q2 and Q3 quartiles of Scopus rankings. The journal’s commitment to high-quality scholarship makes it an essential resource for those looking to deepen their understanding of cultural and artistic practices, reflecting the evolving landscape of the arts and humanities from a rigorously theoretical perspective.

AusArt, an esteemed academic journal published by UPV-EHU PRESS, SERV EDITORIAL, serves as a vital platform for the exploration and dissemination of innovative research within the Arts and Humanities fields. Operating since its launch in 2013 as an Open Access journal, AusArt is committed to enhancing accessibility and visibility for researchers and practitioners alike. As of 2023, it holds notable rankings in Scopus, including Q4 in Arts and Humanities (miscellaneous) and Q3 in Visual Arts and Performing Arts, recognizing its contributions to diverse artistic discourses. With a committed voice within the academic community, AusArt encourages submissions that challenge conventional ideas and foster interdisciplinary dialogue. Based in Spain at CAMPUS BIZKAIA, LEIOA E-48940, AusArt promotes a rich exchange of scholarly perspectives, ensuring its relevance in contemporary artistic research.

Arte Individuo y Sociedad, published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, is a leading Open Access journal dedicated to advancing understanding in the realms of Visual Arts and Performing Arts. With an impressive impact factor that places it in the Q1 category of its field and a remarkable Scopus rank of #92 out of 667, this journal stands as a vital resource for scholars, practitioners, and students alike. Since its inception in 1988, the journal has championed the dissemination of innovative research and critical discourse, fostering a platform where creativity and academia intersect. The converged years from 2010 to 2024 signify a dynamic evolution of the journal, reflecting contemporary issues and developments in visual and performing arts. For those interested in exploring the complex interplay between art and society, Arte Individuo y Sociedad offers essential insights and diverse perspectives in an increasingly interconnected global landscape.

Technoetic Arts, an influential journal published by INTELLECT LTD, serves as a vital platform for interdisciplinary research at the intersection of the arts, philosophy, and technology. Established in 2003, this journal has evolved to encompass a diverse range of innovative topics, while focusing on the critical examination of art's future amid rapid technological advances. With an ISSN of 1477-965X and E-ISSN 1758-9533, it appeals to researchers, professionals, and students interested in explorations within the fields of Computer Science Applications, Human-Computer Interaction, Philosophy, and Visual Arts and Performing Arts. Although currently not open access, Technoetic Arts is recognized for its rigorous scholarship, as evidenced by its Scopus rankings—achieving the 75th percentile in Visual Arts and Performing Arts. The journal operates from its base in the United Kingdom, offering a unique lens through which contemporary techno-artistic dialogues are examined and promoted. As it aims for continuous improvement in academic merit and relevance, Technoetic Arts remains an essential resource for anyone looking to engage with the transformative power of technology in art.

The Journal of Science and Technology of the Arts, published by UNIV CATOLICA PORTUGUESA, is a pioneering open access journal dedicated to the interrelation of the arts and scientific advancements. Since its inception in 2009, it has served as a critical platform for disseminating innovative research across various disciplines, including Visual Arts, Performing Arts, Music, and Conservation. With its ISSN 1646-9798 and E-ISSN 2183-0088, the journal operates from Portugal, attracting a diverse international audience. Although it is currently ranked in Q4 for Arts and Humanities (miscellaneous) and Computer Science Applications, it has achieved notable Q3 rankings in Conservation, Music, and Visual Arts and Performing Arts as of 2023. The journal's impact is reflected in its Scopus rankings, which place it in the midst of its peers, showcasing its growing influence. Through its commitment to fostering interdisciplinary dialogue, the Journal of Science and Technology of the Arts is essential for researchers, professionals, and students interested in the innovative integration of arts and technology.

The Journal of Palestine Studies, published by Taylor & Francis Ltd, serves as a pivotal platform for scholars in the fields of Sociology, Political Science, and Geography. With an ISSN of 0377-919X and an E-ISSN of 1533-8614, this esteemed journal has been converging critical research and discourse since 1971. It aims to foster a deeper understanding of Palestinian issues and their broader implications within the global context, making it an essential resource for researchers, policymakers, and educators alike. According to the latest metrics, it holds a Q3 ranking in both Geography, Planning and Development and Sociology and Political Science, reflecting its respectable impact within these disciplines. While the journal does not currently offer Open Access options, its rigorous peer-reviewed content remains indispensable for anyone engaged in the critical study of Palestine and related socio-political dynamics. As it continues to evolve through 2024, the Journal of Palestine Studies remains committed to being at the forefront of scholarly conversation about this vital region.

Revista de Humanidades, published by UNIV NACIONAL EDUCACION DISTANCIA in Spain, is a distinguished open-access journal that has proudly embraced the principles of accessibility and scholarly dissemination since 2010. With an ISSN of 1130-5029 and an E-ISSN of 2340-8995, this journal caters to a broad spectrum of topics within the arts and humanities, fostering academic dialogue and knowledge sharing. It achieved a Q3 ranking in the Arts and Humanities (Miscellaneous) category for 2023, placing it in the 52nd percentile among its peers, highlighting its commitment to quality research and scholarly excellence. Researchers, professionals, and students can access its rich repository of articles and studies that span various disciplines within the humanities. With a clear focus on promoting interdisciplinary approaches and critical thought, Revista de Humanidades serves as an essential platform for emerging and established scholars alike, contributing to the ongoing evolution of the humanities field.

Tercio Creciente is a distinguished academic journal published by UNIV JAEN, SERV PUBLICACIONES, focusing on innovative research and discourse in the fields of humanities and social sciences. Since its inception as an Open Access publication in 2012, Tercio Creciente has aimed to democratize knowledge and foster greater accessibility to scholarly works, thereby enhancing the academic community’s engagement with contemporary issues. With a commitment to rigorous peer review and high-quality contributions, the journal serves as a critical platform for researchers, professionals, and students keen on exploring multidisciplinary perspectives. Located at CAMPUS LAGUNILLAS S-N, EDIFICIO BIBLIOTECA, 2A PLANTA, JAEN 23071, SPAIN, Tercio Creciente aspires to advance scholarly communication and contribute meaningfully to the evolving landscape of its respective fields.

Convivium - Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean, published by Masarykova University, is a dedicated platform for scholarly discourse in the fields of Classics, History, and the Visual Arts and Performing Arts. Since its inception in 2017, this journal has aimed to enrich our understanding of the intricate cultural interconnections between medieval Europe, Byzantium, and the Mediterranean region, standing as an important resource for researchers, professionals, and students alike. While the journal is published in an open-access format, enabling wider dissemination of knowledge, it currently holds a respectable Q3 quartile ranking across its categories in 2023, reflecting its increasing reputation in the academic community. Although the journal is based in Belgium, its scholarly reach is truly international, as evidenced by its varied contributions. Engage with Convivium to explore the rich tapestry of medieval art and thought, and contribute to the ongoing dialogue about our shared cultural heritage.

South African Theatre Journal, published by Routledge Journals, Taylor & Francis Ltd, is an essential platform for researchers and practitioners in the fields of Visual Arts and Performing Arts. With an ISSN of 1013-7548 and an E-ISSN of 2163-7660, this journal has been contributing to the discourse on diverse theatrical practices and performance studies since its inception in 1996. The journal's focus encompasses a variety of topics, including but not limited to, South African theatre, intercultural performance, and the impact of socio-political contexts on artistic expression. Although it does not currently offer open access, its significance is reflected in its Q3 category in Visual Arts and Performing Arts and a ranking of #449/667 in the Scopus Arts and Humanities sector, positioning it as a noteworthy resource for scholars striving to explore and analyze the rich tapestry of theatrical work in South Africa. The South African Theatre Journal serves as a vital conduit for critical engagement and scholarly dialogue, making it indispensable for students, researchers, and professionals dedicated to the advancement of performing arts research.