Images, published by BRILL, serves as a significant academic platform within the realms of Cultural Studies, History, Religious Studies, and the Visual Arts and Performing Arts. With its ISSN 1871-7993 and E-ISSN 1871-8000, this journal is committed to providing a scholarly forum that engages with the complexities of visual representations and their impact on cultural narratives. Though it currently holds a Q4 category ranking across various fields, indicating room for growth, its presence in Scopus rankings showcases its contribution to the arts and humanities, positioning it as a unique voice in interdisciplinary discourse. The journal aims to publish innovative research that fosters dialogue among scholars, practitioners, and students interested in the intersections of visual culture and societal dynamics. Despite its non-open access status, Images remains a vital resource for those seeking to understand the intricate fabric of cultural expressions from historical and contemporary perspectives, offering insights that resonate across academic and artistic landscapes.

WINTERTHUR PORTFOLIO: A Journal of American Material Culture, published by University of Chicago Press, is an esteemed academic journal dedicated to the exploration and analysis of American material culture. With its ISSN 0084-0416 and E-ISSN 1545-6927, this journal provides a robust platform for interdisciplinary scholarship that examines historical artifacts, their cultural contexts, and their significance in understanding American identity. Despite facing a challenging competitive landscape, as reflected in its Q3 rankings in History, Museology, and Visual Arts and Performing Arts, WINTERTHUR PORTFOLIO remains a vital resource for researchers, professionals, and students alike, fostering engagement with material culture studies since its inception in 1979. Though it does not offer Open Access options, the journal's rich repository of research and critical theories provides invaluable insights across multiple disciplines, making it an essential tool for those committed to advancing the field.

The Journal of Contemporary Chinese Art is a prestigious academic publication dedicated to advancing the discourse surrounding contemporary artworks and artistic practices in China. Published by INTELLECT LTD, this journal features insightful articles and research that catalyze discussions among scholars, practitioners, and students within the Visual Arts and Performing Arts fields. With an ISSN of 2051-7041 and an E-ISSN of 2051-705X, the journal operates without open access, yet remains a pivotal resource as reflected in its Q2 ranking in the 2023 category of Visual Arts and Performing Arts, positioning it within the 70th percentile on the Scopus Ranks. Covering a diverse range of topics from global influences on Chinese art to the socio-political dimensions of artistic expressions, the journal aims to foster a deeper understanding of contemporary cultural dynamics. Since its inception in 2019 and continuing through 2024, it has established itself as a critical platform for emerging voices and established experts alike, making it an essential read for anyone engaged in the study and appreciation of modern Chinese art.

Umeni-Art is a prominent journal in the field of visual arts and performing arts, published by the Institute of Art History, Academy of Sciences, Czech Republic. With its ISSN 0049-5123 and E-ISSN 1804-6509, the journal has established itself as a critical platform for scholarly discourse and artistic expression since its inception in 2002. Although currently classified in Q4 within the Arts and Humanities category, it aims to elevate the understanding and appreciation of the arts through rigorous research and innovative perspectives. The journal's Scopus ranking places it at Rank #573/667, reflecting its growing contribution to the field and expanding reach within the artistic community. With a focus on fostering collaboration among researchers, practitioners, and students, Umeni-Art seeks to enrich the academic landscape with significant findings and discussions that inspire future research and creative endeavors. While it does not offer open access, the journal remains a valuable resource for those vested in exploring the dynamic interplay between art, culture, and society in the contemporary context.

Quiroga-Revista de Patrimonio Iberoamericano, published by UNIV GRANADA, is a distinguished open-access journal dedicated to the fields of conservation, museology, and the visual and performing arts. Since its inception in 2012, the journal has provided a platform for scholars and practitioners to disseminate innovative research and critical discussions pertinent to Ibero-American heritage. With a growing impact, evidenced by its category quartiles ranking—Q3 in Conservation and Q2 in both Museology and Visual Arts and Performing Arts—as well as its Scopus rankings, Quiroga serves as an essential resource for researchers, professionals, and students who engage with the complexities of cultural preservation and artistic expression. The journal’s commitment to open access ensures the widespread availability of knowledge, fostering academic dialogue and collaboration within the global community. For inquiries, the journal can be reached at their offices located in Granada, Spain.

Quintana-Revista do Departamento de Historia da Arte, published by the Universidade de Santiago de Compostela, is a distinguished academic journal that focuses on the critical analysis and exploration of visual arts and performing arts. With its ISSN 1579-7414 and E-ISSN 2340-0005, this journal serves as a vital platform for researchers, professionals, and students interested in the depth of art history and cultural discourse. Operating under a Q4 category in the realm of Visual Arts and Performing Arts, the journal is committed to fostering scholarly dialogue and advancing knowledge in the field. Though it currently does not offer open access options, it remains an invaluable resource for those aiming to contribute to and understand the evolving landscape of art history. The journal covers converged years from 2011 to 2012 and 2014 to 2024, highlighting its ongoing relevance and adaptability to contemporary discussions. As it continues to enhance its visibility and impact within the 20th percentile of its category according to Scopus rankings, Quintana invites contributions that deepen our understanding of artistic expression and cultural heritage.

Law and Humanities, published by Routledge Journals, Taylor & Francis Ltd, serves as a pivotal platform at the intersection of legal studies and humanities, exploring the intricate relationships between law, culture, philosophy, and history. With an ISSN of 1752-1483 and an E-ISSN of 1752-1491, this esteemed journal has established its reputation within the academic community, achieving a Q2 ranking in the Arts and Humanities (miscellaneous) and a Q3 ranking in Law by 2023 metrics. It provides valuable insights and fosters critical dialogue among researchers, practitioners, and students, creating a comprehensive understanding of legal frameworks through a humanities lens. Although not currently open access, the journal's rigorous selection process ensures that published papers contribute significantly to the field, making it an essential resource for anyone interested in the dynamic interplay of law and human experience. Located in the United Kingdom, it continues to shape scholarly discourse from 2007 through its converged years, from 2014 to 2024, as it addresses the evolving challenges and inquiries that define contemporary legal thought.

Religion and the Arts is a distinguished scholarly journal published by BRILL, based in the Netherlands, with a dedicated focus on the interdisciplinary exploration of religion and its interplay with various artistic expressions from historical and contemporary perspectives. Established in 1996, this journal serves as a vital platform for researchers, professionals, and students interested in Cultural Studies, History, Religious Studies, and the Visual and Performing Arts. Despite its current classification in the Q4 category across multiple fields, it remains committed to advancing academic discourse and fostering innovative approaches to understanding the complex relationships between spirituality and artistic creation. With its ISSN 1079-9265 and E-ISSN 1568-5292, the journal invites submissions that contribute to enriching this dynamic field, ensuring that a diverse range of voices and perspectives are represented. Although not an Open Access publication, the journal’s content continues to be pivotal for scholarly engagement and is essential reading for those dedicated to the study of art's profound connections with religious traditions.

Iconographica is an esteemed journal published by SISMEL EDIZIONI GALLUZZO, dedicated to the exploration of cultural narratives through visual arts and performing arts. Based in Italy, this journal has been providing a platform for scholarly discourse from 2015 to 2023, and it serves as an important resource for researchers, professionals, and students interested in these interdisciplinary fields. Although indexed in the Q4 quartile for both Cultural Studies and Visual Arts, this journal offers valuable insights that encourage the examination and understanding of visual culture. While currently operating without an open access model, its rigorous peer-review process ensures high-quality academic contributions that reflect the evolving dynamics within these areas of study. Set against the backdrop of a rapidly transforming cultural landscape, Iconographica aims to foster engagement, inspire innovative perspectives, and cultivate a deeper appreciation for the interplay between culture and visual representation.

Nka-Journal of Contemporary African Art is a premier academic publication dedicated to exploring the rich tapestry of contemporary African art and its intersections with culture, society, and identity. Published by DUKE UNIVERSITY PRESS, this journal offers a platform for critical discourse and innovative research within the fields of Visual Arts and Anthropology, earning a commendable ranking in both categories, with a Q2 designation in Visual Arts and Performing Arts. Established in 2019, Nka serves to illuminate the dynamic and evolving narratives of African artists, providing a vital connection for scholars and practitioners engaged with African cultural production. Although currently not open access, the journal aims to foster intellectual engagement and promote inclusivity in the arts, making it an essential resource for those seeking to deepen their understanding of contemporary African artistic practices. With an address based in the heart of Durham, North Carolina, Nka invites contributions from a diverse range of voices to enrich the discourse surrounding contemporary African art.