ARS Orientalis

Scope & Guideline

Advancing Understanding in Archaeology and Cultural Studies

Introduction

Immerse yourself in the scholarly insights of ARS Orientalis with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageEnglish
ISSN0571-1371
PublisherSMITHSONIAN INST, FREER GALLERY ART
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2001 to 2006, from 2010 to 2012, from 2014 to 2017, from 2022 to 2023
AbbreviationARS ORIENTALIS / Ars Orient.
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressPO BOX 37012, MRC 707, WASHINGTON, DC 20013-7012

Aims and Scopes

ARS Orientalis is dedicated to exploring the rich tapestry of Asian art, culture, and history through interdisciplinary approaches. The journal seeks to foster a deeper understanding of the artistic expressions and cultural narratives across various Asian regions, while also addressing the complexities of historical contexts and their contemporary implications.
  1. Interdisciplinary Approaches to Asian Art:
    The journal emphasizes a multidisciplinary perspective, integrating art history, cultural studies, anthropology, and digital humanities to analyze and interpret artworks and artifacts.
  2. Focus on Historical Contexts:
    It critically examines the historical, social, and political contexts that shape artistic practices and cultural production across Asia.
  3. Engagement with Contemporary Issues:
    The journal highlights the relevance of historical art forms in contemporary discussions, including issues like identity, globalization, and environmental concerns.
  4. Exploration of Material Culture:
    A significant focus on material culture, including the reuse, recycling, and repurposing of artifacts, is prevalent, reflecting broader themes in sustainability and cultural memory.
  5. Digital Art History and Technology:
    There is a growing interest in the incorporation of digital tools and methodologies in art historical research, facilitating new ways to engage with and present Asian art.
Recent publications in ARS Orientalis reveal a dynamic shift towards several trending and emerging themes that reflect contemporary scholarly interests and societal issues. These themes indicate a vibrant engagement with current challenges and the evolving landscape of Asian art and culture.
  1. Environmental and Sustainability Perspectives:
    A notable trend is the exploration of environmental themes, particularly in relation to material culture, as seen in discussions around the reuse and recycling of artifacts, which resonates with global sustainability efforts.
  2. Digital Humanities and Art History:
    The integration of digital tools and methodologies is gaining momentum, with increasing research on how digital platforms can enhance the accessibility and understanding of Asian art.
  3. Cross-Cultural Interactions and Globalization:
    Emerging themes focus on cross-cultural exchanges and the impact of globalization on artistic practices, reflecting a more interconnected view of art history.
  4. Cultural Memory and Historical Recontextualization:
    There is a rising interest in how historical artifacts and narratives are reinterpreted in contemporary contexts, addressing themes of memory, identity, and the afterlives of objects.
  5. Emphasis on Social Issues and Activism:
    Recent publications increasingly engage with social issues, including xenophobia and the effects of war, showcasing how art serves as a medium for activism and social commentary.

Declining or Waning

While ARS Orientalis continues to evolve, certain themes and areas of research have become less prominent in recent publications. This section highlights these waning scopes, which may indicate shifts in scholarly focus or changes in the interests of the journal's audience.
  1. Traditional Art Historical Narratives:
    There appears to be a decline in papers focusing solely on traditional narratives of art history without contextualizing them within broader cultural or contemporary frameworks.
  2. Focus on Isolated Regional Studies:
    Research that concentrates exclusively on isolated regional studies without connecting to wider Asian or global contexts is becoming less common, suggesting a shift towards more integrated approaches.
  3. Studies Lacking Interdisciplinary Engagement:
    Papers that do not incorporate interdisciplinary methodologies or insights are appearing less frequently, indicating a preference for research that bridges multiple fields.
  4. Reduction in Emphasis on Historical Art Techniques:
    There seems to be a waning interest in detailed studies centered solely on historical techniques of art-making without addressing their relevance to modern practices or cultural discourse.
  5. Minimized Discussion of Colonial Art Histories:
    Research specifically focused on colonial art histories, while still relevant, is being overshadowed by more contemporary themes that address post-colonial perspectives and global interactions.

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