Art-Sanat is a distinguished open-access journal published by the Research Institute of Turkology at Istanbul University, focusing on various facets of art history, visual arts, and cultural heritage. Since its open-access launch in 2017, the journal has been dedicated to promoting scholarly communication and disseminating innovative research within the fields of Art History, Archaeology, and Conservation. With an impact factor that highlights its increasing prominence—ranking in the Q1 quartile for History and Visual Arts and Performing Arts—Art-Sanat provides a platform for researchers, professionals, and students to share high-quality studies. The journal's commitment to transparency and accessibility assures that its contributions are available to a global audience, fostering a community of inquiry in the rich and diverse artistic landscapes of Turkey and beyond. With a robust ranking in Scopus, it stands as a noteworthy resource that advances scholarly engagement and interdisciplinary dialogue in the arts and humanities.

GOYA, published by the esteemed FUNDACION LAZARO GALDIANO, is a pivotal journal in the field of Visual Arts and Performing Arts. With an ISSN of 0017-2715, this Spanish journal serves as a critical platform for scholars, artists, and practitioners to engage with contemporary issues, trends, and methodologies in the arts. Since its inception, GOYA has strived to illuminate the intersection of artistic expression and cultural discourse, with coverage spanning from 2002 to 2024. The journal proudly holds a Q3 category ranking in the 2023 Scopus assessments for its field, reflecting its respected position among peers, with a notable rank of #377 out of 667. Though it does not follow an Open Access model, GOYA continues to contribute significantly to the academic landscape, enabling a deeper understanding of artistic practices and their societal implications. Researchers and students alike will find the journal an invaluable resource for insights and inspiration within the dynamic realm of the arts.

Afterall is a distinguished peer-reviewed journal published by University of Chicago Press, focusing on the fields of visual arts and performing arts. With an ISSN of 1465-4253 and an E-ISSN of 2156-4914, the journal serves as a vital platform for scholarly discourse, showcasing a diverse range of critical writings, interviews, and artistic projects that challenge and expand contemporary understandings of art. Although categorized in the fourth quartile for 2023, it provides valuable insights within the global landscape of art scholarship, contributing significantly to emerging dialogues about practice, meaning, and the role of the artist in society. The journal operates from its base in Chicago, United States, and aims to bridge theoretical scholarship and practical artistic endeavors through its engaging content and innovative approaches. As researchers, professionals, and students delve into the pages of Afterall, they will find a rich source of inspiration and inquiry that reflects the evolving nature of artistic expression and cultural commentary.

OCTOBER is a seminal journal published by MIT PRESS that spans a diverse array of interdisciplinary themes within the humanities, specifically focusing on literature and literary theory, music, and the visual arts and performing arts. Established in 2002, this journal has become a cornerstone for scholars and practitioners seeking critical discourse and innovative research across its converged fields, maintaining a respectable impact factor that attests to its influence in academic circles. While OCTOBER currently does not offer open access, it provides valuable insights and analysis that drive contemporary thought and discussion, positioned in the Q2 and Q3 quartiles of Scopus rankings. The journal’s commitment to high-quality scholarship makes it an essential resource for those looking to deepen their understanding of cultural and artistic practices, reflecting the evolving landscape of the arts and humanities from a rigorously theoretical perspective.

Third Text is a premier academic journal dedicated to the critical engagement with cultural and artistic practices, serving as a vital platform for scholars and practitioners in the fields of Cultural Studies and Visual Arts and Performing Arts. Published by Routledge Journals, Taylor & Francis Ltd in the United Kingdom, this journal has steadily established itself as a leader in its field since its inception in 1987. With an impressive Q2 ranking in both categories as of 2023, Third Text is noted for its rigorous peer-reviewed research and thought-provoking analysis, contributing significantly to contemporary discourse in the arts. While the journal maintains a traditional publication model, it offers a rich array of scholarly articles aimed at fostering dialogue and innovation among researchers, professionals, and students alike. Researchers looking to explore intricate cultural dynamics and the intersections of art, society, and politics will find Third Text an indispensable resource in their academic journey.

South African Journal of Art History is a premier academic publication dedicated to the exploration and critical analysis of art history within the South African context. Published by the Art Historical Work Group South Africa (AHWG), this journal serves as a vital platform for researchers, professionals, and students alike to disseminate innovative research and engage with diverse perspectives on visual culture. With an ISSN of 0258-3542, the journal aims to elevate the study of art history, contributing significantly to the scholarly community's understanding of both local and international art narratives. Although currently not an open access journal, it is committed to high academic standards and in-depth scholarship, ensuring that each article published meets rigorous criteria. As South Africa continues to position itself at the forefront of global art discourse, the South African Journal of Art History stands out as a critical resource for anyone interested in the intersections of art, culture, and history within this dynamic region.

ARTMargins, published by MIT Press, stands at the intersection of cultural studies, history, and the visual and performing arts. Since its inception in 2012, this journal has provided a platform for critical dialogue and scholarly inquiry into contemporary art and its socio-political contexts, exploring the margins of artistic practice and representation. With a current Q3 ranking in Cultural Studies and History, and a Q2 ranking in Visual Arts and Performing Arts, ARTMargins is recognized for its impactful contributions to its fields, despite facing significant competition. The journal caters to academics, professionals, and students eager to delve into nuanced analyses and interdisciplinary approaches that challenge traditional narratives. As an essential resource for those studying art's role in society, ARTMargins fosters a deeper understanding of how culture shapes and is shaped by ephemeral artistic expressions. While the journal operates under a subscription model, it remains committed to accessibility and wide-reaching discourse within the academic community.

Art Documentation is a distinguished journal published by the University of Chicago Press, dedicated to advancing the field of art documentation and its related disciplines. With a focus on interdisciplinary studies encompassing Visual Arts, Performing Arts, Archaeology, and Library and Information Sciences, this journal offers a pivotal platform for researchers and professionals aiming to enhance their understanding and practice in these areas. Despite not providing open access options, its contributions are invaluable, showcasing innovative research and discussions that reflect contemporary challenges and methodologies in the art documentation sphere. As evidenced by its Scopus ranking, placing it within the 68th percentile for Visual Arts and Performing Arts and the 49th for Archaeology, the journal demonstrates a commitment to high-quality scholarship. Published annually and spanning converged years from 2015 to 2023, Art Documentation remains vital for academics and practitioners seeking to engage with the latest trends, methodologies, and scholarly discourses enriching the art documentation field.

CONNAISSANCE DES ARTS, published by SFPA-CONNAISSANCE ARTS, is a prominent French journal that has been enriching the landscape of Visual Arts and Performing Arts since its inception in 1969. With an ISSN of 0293-9274, this journal offers a platform for critical exploration and scholarly discourse, making notable contributions especially in the realms of art history, criticism, and contemporary artistic practices. Although the journal currently holds a Q4 quartile ranking in its category and ranks in the lower echelon of Scopus ranks (#638 out of 667), its focus on niche topics within the arts makes it a valuable resource for researchers and professionals who seek to engage with less mainstream topics that often go overlooked. The journal publishes insightful articles, reviews, and essays, contributing to the nurturing of artistry and culture in France and beyond. While it is not an open-access publication, the journal remains a significant entity for academics and practitioners keen on advancing their understanding of visual and performing arts. For further engagement with the journal, interested parties can reach out or submit inquiries to its address at 51 RUE VIVIENNE, 75095 PARIS CEDEX 02, FRANCE.

CRITICA D'ARTE is a distinguished academic journal published by CASA EDITRICE LE LETTERE that delves into the rich field of art criticism. With its ISSN 0011-1511, this journal serves as an essential platform for scholars, artists, and practitioners interested in contemporary discourse surrounding art practice, theory, and history. While it currently does not offer Open Access, its commitment to quality research is reflected in its selective publication process and robust editorial standards. Historically, CRITICA D'ARTE has covered critical perspectives from 2002 to 2005 and 2007 to 2014, attracting contributions from leading figures in the art community. Its role in fostering dialogue and critique makes it invaluable for researchers and students alike, seeking to deepen their understanding of artistic movements and aesthetic philosophies. Situated in Florence, Italy, a city synonymous with art and culture, the journal continues to contribute to the global conversation on art, stimulating thought and inspiring future generations of art critics and enthusiasts.