Boletin de Arte-UMA is a distinguished academic journal published by the University of Malaga, Department of History of Art, focusing on the rich interplay between history, visual arts, and performing arts. Operating under an Open Access model since 2013, this journal ensures that valuable research is freely available for scholars and practitioners worldwide. With an impact factor currently reflecting its academic rigor through its Q2 ranking in History and Q1 ranking in Visual Arts and Performing Arts, Boletin de Arte-UMA serves as a vital platform for cutting-edge research, critical analysis, and the promotion of cultural heritage studies. Based in Malaga, Spain, the journal not only provides insights into its thematic scope but also fosters a global dialogue among researchers, professionals, and students passionate about the visual and performing arts.

Zibaldone-Estudios Italianos de La Torre del Virrey, published by AJUNTAMIENTO ELIANA, is a distinguished open-access journal that has been contributing to the field of Italian studies since its inception in 2013. With its ISSN 2255-3576, this journal serves as an essential platform for researchers, scholars, and students interested in exploring the rich cultural, literary, and historical aspects of Italy. Though the journal's H-index and specific ranking metrics are yet to be established, it remains dedicated to fostering scholarly communication and advancing knowledge in Italian studies. By offering open access, Zibaldone ensures that research is readily available to a global audience, further enhancing its impact and relevance. Based in Eliana, Valencia, Spain, the journal continues to attract contributions from a diverse array of academics, underscoring its commitment to quality scholarship and accessibility in the humanities.

ARS Orientalis is a distinguished academic journal published by the Smithsonian Institution's Freer Gallery of Art, specializing in the fields of archaeology, cultural studies, and the visual and performing arts. With an ISSN of 0571-1371, this journal contributes significantly to scholarly discourse, having established a robust timeline of publication since its inception, notably from 2001 to 2006, 2010 to 2012, 2014 to 2017, and resuming again from 2022 to 2023. Though currently not open access, it maintains a respectable standing in the academic community with a categorization into Q3 quartiles across several disciplines, highlighting its relevance amid rigorous scholarly evaluation. The journal is particularly valuable for researchers, professionals, and students who seek to explore interdisciplinary connections within its scope. Situated in the United States, it aims to disseminate insightful research that bridges the gap between traditional scholarship and contemporary studies in visual culture and archaeological findings.

Espacio Tiempo y Forma Serie VII-Historia del Arte, published by the Universidad Nacional de Educación a Distancia, stands as a pivotal open-access journal in the realm of Art History. Since its inception, it has steadily contributed to scholarly discourse by providing a platform for the publication of rigorous research that explores the intricate relationship between historical contexts and artistic expressions. With an Impact Factor reflecting its relevance, this journal occupies a critical niche within the Q3 categories of both History and Visual Arts and Performing Arts. Researchers and practitioners alike can benefit from the diverse range of articles published, which delve into various artistic movements and their socio-cultural implications. Operating from its base in Madrid, Spain, the journal continues to accept submissions through 2024, fostering an inclusive academic environment that nurtures the exchange of ideas. With its open-access model established since 2005, Espacio Tiempo y Forma enhances accessibility to vital research, inviting an engaged readership from around the globe.

SOURCE-NOTES IN THE HISTORY OF ART is a vital publication in the field of visual arts and performing arts, managed by the prestigious University of Chicago Press. With its ISSN 0737-4453 and E-ISSN 2328-207X, the journal serves as a scholarly platform for researchers, professionals, and students who are passionate about exploring the intricacies of art history. Although it currently holds a Q4 ranking in 2023, it provides a unique contribution by documenting and analyzing various dimensions of artistic endeavors, from historical references to contemporary practices. Despite being a newer entrant in the academic landscape, its focus on detailed source notes allows for deeper understanding and connections within art scholarship. Situated in the heart of Chicago, a city rich in artistic heritage, this journal is committed to promoting critical discourse and fostering awareness of the evolving narratives in art history. As the journal continues to cultivate rigorous academic dialogue, it stands as an essential resource for those dedicated to advancing and enriching the study of the arts.

Architecture and Culture is an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the intersection of architecture, cultural studies, urbanism, and the visual and performing arts. Since its inception, this journal has become a vital platform for researchers, professionals, and students to explore the multifaceted relationship between architecture and cultural identity within contemporary contexts. With an ISSN of 2050-7828 and an E-ISSN of 2050-7836, the journal reaches a global audience from its base in the United Kingdom. Featuring a commendable Q2 ranking in Visual Arts and Performing Arts and a consistent presence in multiple relevant quartiles, including Q3 in both Architecture and Cultural Studies, it is well-regarded for its scholarly impact. The journal offers a unique opportunity for interdisciplinary dialogue, fostering innovative research that examines how built environments shape and are shaped by cultural narratives. This commitment to advancing knowledge in these fields is reflected in its ongoing publication from 2014 to 2024, making it a pivotal resource for those at the forefront of the discourse on architecture and culture.

The European Journal of Media Art and Photography (ISSN: 1339-4940), published by UNIV SS CYRIL & METHODIUS TRNAVA, serves as a vital platform for innovative scholarship in the intersection of media, art, and photography. With a focus on contemporary practices and theoretical explorations, this journal aims to advance discourse within these dynamic fields, attracting researchers, practitioners, and students alike. By providing a forum for original research papers, critical essays, and groundbreaking projects, it promotes the exchange of ideas that can influence future trends in art and visual culture. Although specific metrics such as impact factor and H-index are not available, the journal is committed to upholding rigorous academic standards and fostering accessibility in research while encouraging submissions that push the boundaries of traditional media and artistic expression. Located in Slovakia, the journal invites engaging contributions that critically examine the role of media in shaping visual narratives today.

PUBLIC CULTURE is a distinguished journal published by DUKE UNIVERSITY PRESS, known for its critical engagement with contemporary cultural studies and interdisciplinary scholarship. As a leading platform since its inception in 1996, PUBLIC CULTURE examines the intersections of culture, politics, and various social paradigms, fostering dialogue that challenges conventional wisdom and encourages innovative perspectives. With an impact factor that reflects its robust academic contribution, the journal is indexed in Scopus and spans multiple disciplines, ranking within the top quartiles in Arts and Humanities as well as Communication. Although it operates under a traditional subscription model, its scholarly output significantly influences fields within social psychology and related areas, making it an essential resource for researchers, professionals, and students seeking to engage with the dynamic landscape of public culture. With its commitment to publishing high-quality articles that explore the complexities of cultural phenomena, PUBLIC CULTURE remains a vital conduit for scholarly exchange and discovery.

ART HISTORY is a prestigious journal published by Wiley, focusing on the dynamic and diverse field of visual arts and performing arts since its inception in 1978. With an ISSN of 0141-6790 and an E-ISSN of 1467-8365, the journal has established itself as a significant resource for researchers, professionals, and students interested in exploring the complexities of art across various epochs and cultures. Currently ranked in the Q3 category within the Visual Arts and Performing Arts sector and positioned at #132 out of 667 in Scopus rankings—representing the top 80th percentile—ART HISTORY delivers insightful scholarship that contributes to the understanding and appreciation of art history. Although it does not offer open access, the journal remains committed to publishing high-quality, peer-reviewed articles that delve into critical artistic practices, theories, and aesthetics. The journal's location in the United Kingdom further enhances its international reach and influence, making it a vital platform for advancing discourse in the arts.

Asian Diasporic Visual Cultures and the Americas is a pioneering journal published by BRILL, dedicated to exploring the intersections of visual culture, identity, and diaspora within the context of the Americas. With an ISSN of 2352-3077 and E-ISSN of 2352-3085, this journal has established itself as a significant resource for academics, researchers, and students interested in the visual arts and their broader social implications. Since its inception in 2015, the journal has been committed to fostering interdisciplinary dialogue, providing a platform for innovative research that examines how Asian diasporic communities express their identities through visual mediums. Despite its relatively recent establishment, it endeavors to challenge and expand the narratives related to visual arts in a diverse and globalized world. Though the journal currently does not offer open access options, it remains a vital asset for those engaged in understanding the critical dynamics of race, ethnicity, and culture in contemporary visual practices. Converging insights from both the arts and social sciences, this journal invites contributions that illuminate the complexities of diasporic experiences, making it a pertinent choice for those aiming to contribute to this evolving field.