Yale French Studies is a prominent academic journal published by Yale University Press in the United States, dedicated to advancing the discourse on Francophone literature, culture, and thought. With an ISSN of 0044-0078, this journal serves as a vital platform for interdisciplinary scholarship, encompassing areas such as cultural studies, history, and sociology. Although it operates under a traditional subscription model, its contributions are significant, particularly between the converged years spanning 2002 to 2014, 2018 to 2019, and 2021 to 2023. The journal currently holds Q4 rankings in various categories, including cultural studies and visual arts, and offers rich, scholarly insights that are crucial for researchers, professionals, and students alike. As an esteemed publication in the realm of literature and literary theory, Yale French Studies is instrumental in fostering a deeper understanding of French cultural contexts and their global implications, marking it as an essential resource for anyone engaged in Francophone studies.

Fotocinema-Revista Cientifica de Cine y Fotografia is a leading open-access journal published by FOTOCINEMA since 2014, dedicated to the academic exploration of cinema and photography. Based in Spain, this journal serves as a vital platform for researchers, professionals, and students, fostering innovative discourse in the fields of Visual Arts, Performing Arts, and History. With an impressive Q2 rank in both History and Visual Arts, as well as a Q4 rank in Communication in 2023, Fotocinema reflects a commitment to high-quality scholarship, backed by Scopus rankings that highlight its growing influence within the academic community. By offering open access to its content, the journal ensures that significant research is available to a broader audience, encouraging collaboration and knowledge sharing across disciplines. As it continues its converged publication run from 2019 to 2024, Fotocinema stands at the forefront of cinematic and photographic studies, providing an essential resource for those dedicated to understanding the intricate relationships between visual media and society.

Asian Diasporic Visual Cultures and the Americas is a pioneering journal published by BRILL, dedicated to exploring the intersections of visual culture, identity, and diaspora within the context of the Americas. With an ISSN of 2352-3077 and E-ISSN of 2352-3085, this journal has established itself as a significant resource for academics, researchers, and students interested in the visual arts and their broader social implications. Since its inception in 2015, the journal has been committed to fostering interdisciplinary dialogue, providing a platform for innovative research that examines how Asian diasporic communities express their identities through visual mediums. Despite its relatively recent establishment, it endeavors to challenge and expand the narratives related to visual arts in a diverse and globalized world. Though the journal currently does not offer open access options, it remains a vital asset for those engaged in understanding the critical dynamics of race, ethnicity, and culture in contemporary visual practices. Converging insights from both the arts and social sciences, this journal invites contributions that illuminate the complexities of diasporic experiences, making it a pertinent choice for those aiming to contribute to this evolving field.

Sztuka i Dokumentacja-Art & Documentation is a pioneering open-access journal published by ACAD FINE ARTS GDANSK, focusing on the intersections of art, documentation, and artistic practices. Since its inception in 2009, this journal has committed itself to fostering a vibrant scholarly discourse within the fields of art history, visual documentation, and cultural criticism. With an ISSN of 2080-413X, it provides a platform for researchers, practitioners, and students to contribute to and access high-quality artistic research and theoretical investigations. The journal's open-access model ensures that studies are readily available to a global audience, promoting the dissemination of innovative ideas and dialogue in the contemporary art world. With its dedication to advancing the understanding of art through rigorous documentation and research, Sztuka i Dokumentacja serves as an essential resource for anyone seeking to explore the dynamic and multifaceted relationship between art and its documentation.

Aisthema-International Journal is a leading open-access publication that serves as a valuable platform for scholars and practitioners in various interdisciplinary fields. Established in 2014, this journal publishes innovative research and critical reviews that advance knowledge and inform best practices across a diverse range of topics. With its commitment to open access, Aisthema ensures that high-quality research is freely available to a global audience, thus promoting the dissemination of important findings. Published by AISTHEMA, INT JOURNAL in Naples, Campania, Italy, the journal is dedicated to fostering academic dialogue and collaboration among researchers, professionals, and students alike. By focusing on high-impact contributions that are relevant and rigorous, Aisthema continues to establish itself as a pivotal resource in the academic community.

Visual Anthropology is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd in the United Kingdom. With an ISSN of 0894-9468 and E-ISSN 1545-5920, this journal focuses on the intersection of visual media and anthropological research, exploring the ways in which visual representations influence cultural practices and perceptions. Since its inception in 1987, Visual Anthropology has contributed significantly to the fields of Anthropology and Cultural Studies, earning a Q2 rank in both categories as of 2023. With a solid impact factor and strategic indexing, the journal maintains a vital place for scholars seeking to understand the visual dimensions of human behavior and societal structures. Although it operates under a traditional subscription model, its rigorous peer-review process ensures the dissemination of high-quality research. The journal invites researchers, professionals, and students alike to engage with cutting-edge studies that bridge visual culture and anthropological inquiry.

RACAR - Revue d'Art Canadienne (Canadian Art Review), published by the University Art Association of Canada, stands as a pivotal academic journal in the field of Canadian art history and cultural studies. With its ISSN 0315-9906 and E-ISSN 1918-4778, RACAR serves as a vital platform for scholarly research and discourse, aiming to illuminate the rich tapestry of Canada's artistic heritage. Although not an open-access journal, it is committed to disseminating high-quality peer-reviewed articles that contribute to the ongoing dialogue about art in Canada. The journal's focus encompasses a diverse range of topics, from contemporary visual arts to historical investigations, appealing to researchers, professionals, and students alike. Based at the Department of History in Art at University of Victoria, RACAR fosters a critical understanding of Canadian art within broader national and global contexts, making it an essential resource for anyone engaged in this vibrant field of study.

Experiment-A Journal of Russian Culture is a distinctive publication dedicated to exploring the multifaceted dimensions of Russian culture, encompassing literature, art, and social history. Published by BRILL, a respected name in academic publishing, this journal provides a platform for original research and insightful discourse, fostering a deeper understanding of Russia's rich cultural heritage. With an ISSN of 1084-4945 and an E-ISSN of 2211-730X, the journal is organized in a quarterly format, although it has seen varied publication years from 1996 through 2023. While it currently holds a Q4 ranking in both Cultural Studies and Visual Arts and Performing Arts, its commitment to interdisciplinary inquiry makes it a vital resource for researchers, professionals, and students interested in contemporary and historical Russian cultural phenomena. Despite its modest impact factors, the journal remains an essential platform for the dissemination of critical perspectives and theoretical frameworks, contributing to the ongoing dialogue about Russian identity and its artistic representations. The journal is available in print and may have limited digital access options, making it all the more precious for collectors and libraries committed to cultural studies.

Zivot Umjetnosti, published by the INST POVIJEST UMJETNOSTI - INST ART HISTORY, is a notable Croatian journal that serves as a platform for scholarly discourse in the fields of visual arts, performing arts, and museology. With its inception in 2008, the journal has continued to provide a voice for researchers and practitioners alike, contributing significantly to ongoing conversations in the arts. Despite its current Q4 rank in both Visual Arts and Museology categories—placing it within the 21st and 17th percentiles, respectively—Zivot Umjetnosti is recognized for its commitment to advancing knowledge and fostering critical dialogue. The journal aims to bridge theoretical frameworks with practical applications, making it an invaluable resource for academics, curators, and students engaged in artistic research. While currently operating under traditional access options, Zivot Umjetnosti remains a fundamental publication for those wishing to explore and expand their understanding of the dynamic intersection of art and culture in Croatia and beyond.

ZEITSCHRIFT FUR KUNSTGESCHICHTE is a prestigious journal dedicated to the study of art history, offering insightful analyses and discussions that enrich the understanding of visual arts and performing arts. Published by DEUTSCHER KUNSTVERLAG GMBH in Germany, this journal has established itself as a significant platform for researchers and professionals alike since its inception. With a print ISSN of 0044-2992 and an e-ISSN of 2569-1619, it spans a comprehensive range of topics in art history, reflecting both traditional and contemporary perspectives. Although categorized in the Q4 quartile for Visual Arts and Performing Arts, the journal contributes to a rich dialogue within its field, aiming to foster academic discourse and promote scholarly research. Its scope has evolved notably from converged years starting in 1975 and gathering strength from 2001 to 2024, and it is committed to serving as an essential resource for students, academics, and practitioners in the arts. While not offering open access, the journal maintains a rigorous peer-review process to ensure high-quality submissions that advance knowledge and stimulate critical thought.