JOURNAL OF POPULAR FILM AND TELEVISION, published by Routledge Journals, Taylor & Francis Ltd, stands as a significant platform for academic discourse in the realms of cultural studies, visual arts, and performing arts. With its ISSN: 0195-6051 and an evolving digital presence indicated by its E-ISSN: 1930-6458, the journal has carved out a respected niche since its inception in 1978, continuing to contribute to scholarly discussions through 2024. Its impact within the academic community is underscored by a Q3 ranking in Cultural Studies and a Q2 ranking in Visual Arts and Performing Arts for 2023, highlighting its relevance across diverse fields. Notably, with a Scopus ranking placing it in the 74th percentile among visual arts and performing arts journals, it serves as an essential reference point for researchers, professionals, and students committed to the critical examination of film and television. Although not an open-access journal, it provides valuable insights and analysis that enrich understanding of popular media's impact on society. The journal's location in the United States, with a headquarters in Abingdon, England, further affirms its international scope and influence.

ZEITSCHRIFT FUR KUNSTGESCHICHTE is a prestigious journal dedicated to the study of art history, offering insightful analyses and discussions that enrich the understanding of visual arts and performing arts. Published by DEUTSCHER KUNSTVERLAG GMBH in Germany, this journal has established itself as a significant platform for researchers and professionals alike since its inception. With a print ISSN of 0044-2992 and an e-ISSN of 2569-1619, it spans a comprehensive range of topics in art history, reflecting both traditional and contemporary perspectives. Although categorized in the Q4 quartile for Visual Arts and Performing Arts, the journal contributes to a rich dialogue within its field, aiming to foster academic discourse and promote scholarly research. Its scope has evolved notably from converged years starting in 1975 and gathering strength from 2001 to 2024, and it is committed to serving as an essential resource for students, academics, and practitioners in the arts. While not offering open access, the journal maintains a rigorous peer-review process to ensure high-quality submissions that advance knowledge and stimulate critical thought.

The Rijksmuseum Bulletin, published by the Rijksmuseum Amsterdam, stands as a premier open-access journal in the realm of Visual Arts and Performing Arts, having transitioned to open access in 2012. With its ISSN 1877-8127, the journal is dedicated to exploring the rich tapestry of art history, exhibitions, and cultural discourse, supporting both scholarly research and the general appreciation of the arts. As a significant contributor within the Netherlands and beyond, the Bulletin garners a solid reputation, reflected in its current ranking in the Q3 category of Visual Arts and Performing Arts, with a Scopus rank of #510 out of 667. This engaging platform not only disseminates high-quality research but also fosters collaboration among researchers, professionals, and students, providing insights that highlight the importance of cultural heritage. With converged years spanning from 2011 to 2024, the Rijksmuseum Bulletin is poised to remain a vital source of knowledge within the arts community.

Revista 180 is a distinguished academic journal published by UNIV DIEGO PORTALES in Chile, focusing on the critical intersections of architecture, urban studies, and visual and performing arts. With its ISSN of 0718-2309, this journal has consistently contributed to advancing knowledge in its respective fields since its inception in 2005, and will continue to do so until 2024. Highlighting its prestige, Revista 180 holds notable rankings in the Scopus database—placing in the 77th percentile in Visual Arts and Performing Arts and Q1 category, along with respectable Q2 and Q3 rankings in Architecture and Urban Studies, respectively. The journal serves as a vital platform for researchers, professionals, and students, fostering scholarly dialogue and innovation. As it operates under a traditional subscription model, it continues to emphasize the importance of accessible, high-quality research. By publishing rigorous and impactful research, Revista 180 plays a crucial role in shaping academic discourse in the arts and humanities.

French Screen Studies is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the dynamic interactions between film, media, and cultural studies within the context of French cinema. Since its inception in 2020, the journal has contributed significantly to the academic landscape, providing a platform for innovative research and critical discussion on visual arts and performance as reflected in its prestigious Q1 ranking in Visual Arts and Performing Arts for 2023. Despite being a burgeoning journal, it holds an impressive position within Scopus rankings, particularly in the Arts and Humanities sphere. Researchers and scholars will find the journal a vital resource, as it endeavors to explore the intersections of screen studies with broader social and cultural implications. Although currently not open access, French Screen Studies continues to foster an inclusive dialogue among academics, paving the way for future exploration of France’s influential cinematic heritage.

JOURNAL OF CREATIVE BEHAVIOR, published by WILEY, stands as a leading academic platform dedicated to the exploration and dissemination of research within the realms of creativity, education, and the visual and performing arts. With its inception in 1967, this journal has continuously evolved, boasting an impressive scope that invites interdisciplinary approaches to understanding creative processes across various domains. As evidenced by its Q1 ranking in both Education and Visual Arts and Performing Arts, as well as a Q2 ranking in Developmental and Educational Psychology, the journal holds a significant position in its field, publishing high-impact research that often influences educational practices and artistic methodologies alike. Researchers and professionals will benefit from its selective content, which is well-regarded in academic circles, as reflected by its impressive Scopus rankings: it ranks in the 99th percentile in Visual Arts and Performing Arts, and remains a vital resource for students and scholars seeking to delve into the complexities of creative behavior. While the journal is not open access, it continues to serve as an essential repository of knowledge that fosters the development of innovative thinking and pedagogical advancement.

Danza e Ricerca-Laboratorio di Studi Scritture Visioni is a premier academic journal published by UNIV STUDI BOLOGNA, DIPT MUSICA & SPETTACOLO, focusing on the dynamic fields of Visual Arts and Performing Arts. Established in 2002, this Open Access journal has garnered a reputation for fostering scholarly discourse and innovation in the arts. With an ISSN of 2036-1599, it offers a platform for researchers, practitioners, and students to engage with critical analyses, historical explorations, and contemporary practices in dance and visual performance. As of 2023, the journal proudly ranks in the Q3 category for its contributions to the field, with a Scopus rank of #525/667 in Arts and Humanities, indicating its unique position in the academic landscape. Based in Bologna, Italy, the journal not only aims to publish high-quality research but also to enrich the understanding and appreciation of the performing arts in an international context.

RARITAN-A QUARTERLY REVIEW is a distinguished academic journal published by RARITAN-A QUARTERLY REVIEW and based in the United States, focusing on the diverse intersections of literature, philosophy, and the visual and performing arts. Operating since 2002, this publication aims to foster critical discourse and enrich the intellectual landscape by showcasing innovative scholarship from a variety of perspectives. Although currently ranked in the fourth quartile in its respective categories—literature and literary theory, philosophy, and visual arts and performing arts—RARITAN remains committed to elevating robust dialogues within the humanities. The journal appeals to a spectrum of scholars, professionals, and students who seek to explore the complexities of cultural and artistic expression. Submissions are encouraged to contribute to the journal’s evolving narrative while adhering to rigorous academic standards. With no open access option currently available, the journal maintains a traditional subscription model, ensuring quality and integrity in the dissemination of knowledge.

Journal of Dance & Somatic Practices, published by INTELLECT LTD, stands as a vital platform for exploring the intersection of dance and somatic practices within the field of Visual Arts and Performing Arts. Based in the United Kingdom, this journal serves an international community of researchers, practitioners, and educators by publishing high-quality, peer-reviewed articles that critically engage with relevant theories, methodologies, and practices in the field. Since its inception in 2014, the journal has rapidly gained recognition, currently ranking in the Q3 category, attesting to its growing influence among scholars and artists. With an ISSN of 1757-1871, the journal represents a crucial resource for advancing knowledge and fostering dialogue in somatic approaches to dance, movement research, and their broader implications within artistic and therapeutic contexts. Researchers and professionals interested in the embodied experience and its artistic representation will find this journal an invaluable asset in contributing to their studies and practices.

DANCE CHRONICLE, an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, serves as a vital platform for the exploration and examination of dance in its multifaceted forms. Established in 1977 and continuing its commitment to the field, this journal engages researchers, professionals, and students alike, providing critical insights into dance history, theory, and contemporary practice. With an impressive track record spanning over four decades, it garners a significant standing within the Visual Arts and Performing Arts categories, evidenced by its Scopus ranking at 282 out of 667, placing it in the 57th percentile. While currently not operating under an open-access model, DANCE CHRONICLE remains an essential resource for those involved in the scholarly analysis and appreciation of dance, making contributions that enrich the cultural and academic dialogues surrounding this dynamic art form.