Digital Humanities Quarterly, published by the Alliance Digital Humanities Organizations, is a leading open-access journal since 2007, dedicated to advancing research at the intersection of digital technologies and the humanities. With a noteworthy ISSN of 1938-4122, this journal serves as a vital platform for scholars engaging in innovative digital methodologies across diverse fields, including arts and humanities, communication, library sciences, and computer networks. Over its converged years from 2018 to 2024, it has earned impressive rankings, notably being placed in Q2 among peers (2023) in Arts and Humanities, Communication, and Library and Information Sciences. With an impact on critical discourse and practice in digital scholarship, Digital Humanities Quarterly is essential for researchers, professionals, and students aiming to understand and contribute to this dynamic field. The journal is based in the United States at Snell Library 213, Northeastern University, Boston, MA 02115, and strives to connect a global audience through its unrestricted access model.

Museum Anthropology, published by WILEY, is an esteemed journal dedicated to advancing the field of anthropology through the lens of museology. With an ISSN of 0892-8339 and an E-ISSN of 1548-1379, this journal not only examines ethnographic and cultural collections but also explores their implications in contemporary society. Operating from the heart of the United States, Museum Anthropology has been crucial in fostering academic discourse since 1986 and is positioned within the Q3 quartile in Anthropology and Q2 in Museology according to 2023 rankings. The journal's Scopus rankings reflect its impact, being listed at 19th out of 83 in Museology and 250th out of 502 in Social Sciences Anthropology. Although it does not currently provide open access options, it remains a vital resource for researchers, professionals, and students seeking comprehensive insights into the interconnected worlds of museums and anthropology. By bridging theoretical frameworks with practical applications, Museum Anthropology continues to play a pivotal role in shaping conversations and understanding within its field.

JOURNAL OF CULTURAL HERITAGE, published by Elsevier France - Éditions Scientifiques Médicales Elsevier, is a pivotal academic journal dedicated to the multifaceted study of cultural heritage, including its conservation, anthropology, archaeology, and related fields. With an impressive standing in the academic community, this journal has achieved a Q1 ranking in Anthropology, Archaeology, Conservation, and History, reflecting its critical influence and contribution to these disciplines. The journal serves as a vital resource for researchers, professionals, and students interested in innovative research and developments concerning cultural heritage practices and policies. Although it operates under a subscription model, it provides access to innovative research and insights from the field, making it essential for those engaged in the preservation and study of cultural artifacts and historical narratives.

Culture et Musées is a prominent journal published by ACTES SUD, dedicated to exploring the multifaceted domains of conservation, cultural studies, museology, and the visual and performing arts. With the ISSN 1766-2923 and E-ISSN 2111-4528, this scholarly platform serves as an essential resource for researchers, professionals, and students interested in the dynamic interplay between cultural heritage and contemporary practices. Although the journal does not offer Open Access, it maintains a notable presence in academic circles, evidenced by its rankings in Scopus. In 2023, it ranked in the fourth quartile across various categories, including Conservation and Cultural Studies, reflecting its commitment to enhancing discourse in these fields. By publishing rigorous research, theoretical contributions, and case studies, Culture et Musées aims to bridge academic insights with practical applications, fostering a deeper understanding of cultural institutions and their societal roles. Located in France, this journal is positioned to influence a global audience while enriching local scholarship.

Mediterranean Archaeology & Archaeometry is a premier academic journal dedicated to advancing the fields of archaeology, anthropology, conservation, and history, published by UK Zhende Publishing Ltd. With its ISSN 1108-9628 and E-ISSN 2241-8121, this journal serves as a vital platform for scholars and practitioners to disseminate innovative research and findings related to the rich archaeological heritage of the Mediterranean region. It has gained remarkable recognition, achieving a Q2 ranking in anthropology and archaeology, and a Q1 classification in several categories including arts and humanities, conservation, and history as of 2023. Its impressive Scopus rankings underscore its impact, with a significant position in history (59/1760) and conservation (11/103) disciplines. Spanning years from 2008 to 2022, the journal invites open access contributions to foster collaboration and interdisciplinary dialogue among researchers, students, and professionals alike, making it an indispensable resource for those engaged in the exploration and preservation of historical narratives within the Mediterranean context.

Journal of the History of Collections, published by Oxford University Press, serves as a vital resource for scholars and practitioners in the fields of conservation, museology, and visual arts. Established in 1989, this esteemed journal explores the intricate narratives of collections, addressing the historical, cultural, and social dynamics that influence collecting practices across various mediums. With an evolving publication span through 1994 and resuming in 1996 to the present day, the journal maintains a strong academic reputation, demonstrated by its impressive rankings in Scopus—placing it in the top quartiles for both Museology and Visual Arts and Performing Arts. Researchers and students will find engaging articles that not only contribute to academic discourse but also reflect on the conservation challenges faced by collections today. While currently not available as open access, the journal’s rigorous peer-review process ensures that only the highest quality research is published, making it an essential addition to any library dedicated to the arts and humanities.

The South African Museums Association Bulletin, ISSN 0370-8314, is a pivotal resource for researchers, professionals, and students in the fields of Arts and Humanities, Conservation, History, and Museology. Published by the SOUTH AFRICAN MUSEUMS ASSOCIATION, this journal serves as an authoritative platform for disseminating significant research, innovative ideas, and case studies crucial to the museum sector in South Africa and beyond. With an impact factor placing it in the Q3 quartile across multiple categories in 2023, it reflects a growing recognition among the academic community for addressing contemporary issues in the museum field. Though it is not an open-access journal, the Bulletin strives to enhance scholarly discourse by facilitating access to vital resources and studies. Covering converged years from 2019 to 2022, it stands as a beacon for advancing the study and practice of museology, making it an essential read for those dedicated to the preservation and promotion of cultural heritage.

Conservar Patrimonio is a leading academic journal dedicated to the fields of conservation and museology, published by the ASSOC PROFISSIONAL CONSERVADORES-RESTAURADORES PORTUGAL. Established as an open access platform since 2005, it aims to disseminate high-quality research and innovations essential for the preservation of cultural heritage. With an impressive 2023 impact factor, Conservar Patrimonio holds a Q2 ranking in Conservation and a Q1 ranking in Museology, reflecting its significant contribution to both disciplines. The journal is indexed amongst the top 30% of publications in the Museology category and offers valuable insights into the methodologies and practices that shape the conservation of cultural artifacts. Researchers, professionals, and students are encouraged to engage with the latest findings, case studies, and theoretical explorations presented in this esteemed journal based in Portugal, enhancing the global dialogue on conservation practices.

Journal of the Institute of Conservation is a leading academic journal dedicated to advancing the field of conservation, published by Routledge Journals, Taylor & Francis Ltd. With an impressive Q1 ranking in Conservation and a Scopus rank of #21 out of 103 in the Arts and Humanities category, this journal plays a pivotal role in disseminating high-quality research that shapes conservation practices and policies. Spanning the years from 2009 to 2024, it serves as a vital platform for scholars and practitioners alike, offering innovative perspectives on materials science, museology, and media technology. Accessible solely through institutional subscriptions, the journal invites contributions that engage with contemporary issues in conservation, ensuring that all articles foster interdisciplinary dialogue and enhance professional standards within the field. The Journal of the Institute of Conservation is thus essential for those committed to preserving our cultural and natural heritage.

Museum Worlds is a distinguished academic journal published by BERGHAHN JOURNALS, dedicated to advancing scholarship in the fields of Museology and Conservation. With a strong impact within the academic community, evidenced by its 2023 Scopus rankings—#16 in Museology and #32 in Conservation—this journal offers an engaging platform for innovative research and discourse surrounding museum practices and cultural heritage. Since transitioning to Open Access in 2020, Museum Worlds has broadened its reach, making valuable insights available to researchers and practitioners globally. With its publication spanning from 2019 to 2023 and positioning in the top quartiles of respective categories, this journal is integral for those invested in the evolution of museum studies, providing a space for critical reflection, debate, and the sharing of pioneering methodologies in the stewardship of cultural institutions. Located in the heart of Brooklyn, NY, it stands as a hub for the scholarly community, inviting contributions that push the boundaries of knowledge in the ever-evolving landscape of museums.