Contemporary Music Review, published by Routledge Journals, Taylor & Francis Ltd, is a leading academic journal in the field of music, renowned for its critical engagement with current practices and theories in contemporary music. Established in the United Kingdom, the journal has evolved since its inception in 1984 and is noted for its significant contributions to a rich understanding of modern musical landscapes. With an impressive Scopus rank of #45 out of 180 in the Arts and Humanities category, placing it in the 75th percentile, it showcases a diverse range of articles addressing innovative research and artistic practices, making it essential reading for researchers, professionals, and students alike. While it operates under a subscription model, the journal prioritizes wide access to vital scholarly work, aiming to broaden discourse and foster a deeper understanding of contemporary music's role in society. The impact factor of the journal adds further weight to its authority, underlining its place in the Q2 category of music journals as of 2023. Engage with the Contemporary Music Review to stay at the forefront of discussions and advancements within the vibrant field of contemporary music.

Acoustical Science and Technology, published by the Acoustical Society of Japan, is a pivotal journal in the field of acoustics and ultrasonics, serving as a platform for innovative research and advancements from 2000 to 2024. Featuring an ISSN of 1346-3969 and E-ISSN 1347-5177, this journal comprises scholarly articles that cater to both theoretical and practical aspects of acoustical science, appealing to research professionals, academics, and students alike. Although currently not designated as an open-access publication, Acoustical Science and Technology holds a respectable Q3 ranking in the 2023 Acoustics and Ultrasonics category, indicating its significance within the academic community. With a Scopus rank of 28 out of 44 in its field, the journal continues to contribute valuable knowledge for acoustic innovation and application while fostering a deeper understanding of sound phenomena globally. For those who seek to explore cutting-edge findings and methodologies in this essential area of study, this journal is an invaluable resource.

Sound Studies is a leading journal in the interdisciplinary field of sound research, embracing diverse aspects ranging from acoustic ecology to sound art and auditory culture. Published by Taylor & Francis Ltd, this journal boasts a significant impact within its scope, particularly in the Arts and Humanities, Cultural Studies, and Communication disciplines. With a Scopus ranking that places it in the top quartiles of its categories—ranking #24 out of 173 in General Arts and Humanities and #260 out of 1304 in Cultural Studies—it offers a robust platform for scholars and practitioners alike. The journal focuses on advancing theoretical and empirical knowledge, fostering dialogue across various domains of sound studies, and encouraging innovative research practices. Although it currently does not provide Open Access options, the journal remains a vital repository of cutting-edge scholarship from 2015 to 2024, making it an essential resource for researchers, professionals, and students seeking to deepen their understanding of the complex role that sound plays in human experience and society.

World of Music-New Series, an esteemed journal published by VWB-VERLAG WISSENSCHAFT & BILDUNG, serves as a pivotal platform for scholarly discourse in the field of music studies. With an ISSN of 0043-8774 and a significant presence in the academic community, this journal has demonstrated its commitment to advancing knowledge in music through rigorous peer-reviewed research. Since its inception in 2002, the journal has undergone several converged years, culminating in its current iteration which continues to publish innovative work as of 2023. Recognized for its contributions, World of Music-New Series holds a Q3 category ranking in the Music category and is positioned within the 52nd percentile among its peers, reflecting its growing impact in the arts and humanities domain. Although currently not an open access journal, it remains an essential resource for researchers, professionals, and students seeking to deepen their understanding of music theory, history, and cultural implications. Located in Germany at URBANSTRASSE 71, D-10967 BERLIN, this journal is committed to promoting diverse voices and perspectives within the music scholarship landscape.

Music Sound and the Moving Image is an esteemed journal published by Liverpool University Press, focusing on the intricate relationships between music, sound, and the moving image. Since its inception, the journal has aimed to foster a multidisciplinary discourse, engaging scholars and practitioners across the fields of musicology, media studies, and visual arts. With an ISSN of 1753-0768 and an E-ISSN of 1753-0776, it has solidified its presence in the academic community, evidenced by its diverse impact reflected in Scopus rankings, including Rank #63/180 in Music and Percentile 65th. The journal's classification in Q3 for Music and its active coverage from 2018 to 2024 enhances its relevance, making it a pivotal resource for researchers and creators who explore the dynamic interplay of sound and imagery. Although currently not available as Open Access, the journal offers a robust platform for peer-reviewed articles, contributing to the advancement of knowledge in this rapidly evolving field.

SOUND AND VIBRATION, published by TECH SCIENCE PRESS, is a pivotal journal in the fields of Acoustics and Ultrasonics, Mechanical Engineering, and Safety, Risk, Reliability, and Quality. With an ISSN of 1541-0161, this journal has been a reliable source of innovative research and developments from its inception in 1976 through to 2024. Although it currently ranks in the Q4 category on Scopus, it serves as a vital platform for the dissemination of studies focusing on sound and vibration phenomena, contributing to the understanding and advancement of engineering principles. Researchers and professionals are encouraged to utilize this journal to gain insights into critical acoustic applications and mechanical dynamics. While SOUND AND VIBRATION does not operate under an Open Access model, it remains a valuable asset for anyone committed to exploring the various ramifications of sound and vibration in engineering and applied sciences.

Musica Tecnologia is an emerging journal that explores the intersection of music and technology, published by FIRENZE UNIV PRESS. With its ISSN 1974-0042 and E-ISSN 1974-0050, the journal serves as a platform for innovative research on the technical aspects of music creation, distribution, and performance. Despite being relatively new, having converged its years from 2020 to 2024, it has already established itself within academic circles, as evidenced by its Q4 ranking in categories such as Computer Science Applications, Electrical and Electronic Engineering, and Music. While the journal does not currently offer Open Access, it provides a crucial avenue for both established scholars and emerging researchers in the arts and technology to disseminate their findings. The potential to influence practices in music technology is significant, making Musica Tecnologia a valuable resource for those looking to stay at the forefront of interdisciplinary research. The journal is located in Florence, Italy, and continues to build its reputation as a meaningful contributor to the fields of music and technology.

Welcome to the Romanian Journal of Acoustics and Vibration, a pivotal publication produced by the Romanian Society of Acoustics, dedicated to advancing knowledge in the realms of acoustics and vibration research. With an ISSN of 1584-7284, this journal has been a vital resource for researchers, professionals, and students alike since its inception in 2012 and will continue to publish insightful contributions until 2024. The journal's rigorous selection process and scholarly articles ensure a high standard of research, contributing significantly to the Q3 and Q4 rankings in acoustics and ultrasonics as well as mechanics of materials, respectively. Although currently not an open-access journal, it provides invaluable insights into the latest developments and techniques within the fields of acoustics and vibration. Join a vibrant community that fosters innovation and scholarly dialogue, helping to shape the future of these crucial scientific disciplines.

Acoustics Australia is a prominent journal dedicated to advancing research and knowledge in the fields of acoustics and ultrasonics. Published by Springer Singapore Pte Ltd, this esteemed journal holds a Q2 ranking in the 2023 Scopus categories, reflecting its significant impact and reputation within the academic community, particularly evidenced by its position in the 67th percentile among its peers. Since its inception, with publication converging in years from 1986 to 1991 and again from 1996 to 2024, Acoustics Australia has been a vital platform for scholars to publish innovative research, share findings, and foster collaboration among professionals dedicated to the science of sound. Although not an Open Access journal, it remains an essential resource for researchers, academics, and students alike, providing insights that drive advancements in technology, environmental science, and health-related applications linked to acoustics.

Applied Acoustics is a prestigious peer-reviewed journal published by Elsevier Science Ltd, dedicated to advancing the field of acoustics and ultrasonics. With an impressive impact factor that places it in the Q1 category for the 2023 Acoustics and Ultrasonics rankings and a strong Scopus rank of #7 out of 44 in its field, this journal serves as an essential resource for researchers, professionals, and students. Covering a broad range of topics related to practical applications of sound in various industries, Applied Acoustics offers insights into innovative technologies and methods that push the boundaries of acoustic research. The journal spans from its inception in 1968 to its continuation through 2025, promising a wealth of historical and contemporary studies. While not currently an open-access publication, it remains a pivotal platform for disseminating high-quality research findings and fostering collaboration within the global acoustics community.