Organised Sound

Scope & Guideline

Advancing Sound Innovation through Interdisciplinary Research

Introduction

Immerse yourself in the scholarly insights of Organised Sound with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageEnglish
ISSN1355-7718
PublisherCAMBRIDGE UNIV PRESS
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Converge1996, from 1998 to 2024
AbbreviationORGAN SOUND / Organ. Sound
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressEDINBURGH BLDG, SHAFTESBURY RD, CB2 8RU CAMBRIDGE, ENGLAND

Aims and Scopes

The journal 'Organised Sound' serves as a platform for interdisciplinary research that explores the intersections of sound, music, and technology within diverse artistic and academic contexts. Its aims and scopes reflect a commitment to innovative sound practices, critical engagement with auditory culture, and the exploration of sound as a medium for artistic expression and social commentary.
  1. Interdisciplinary Sound Research:
    The journal focuses on the convergence of various disciplines within sound studies, including musicology, acoustic ecology, media studies, and technology. It encourages contributions that examine sound from multiple perspectives, fostering a rich dialogue between art, science, and society.
  2. Innovative Sound Practices:
    'Organised Sound' emphasizes contemporary practices in sound art, including electroacoustic music, live coding, and participatory sound art. The journal highlights the role of technology in shaping new forms of sonic expression and creativity.
  3. Socially Engaged Sound Art:
    The journal promotes research that addresses social issues through sound, emphasizing participatory practices and community engagement. It showcases how sound can amplify marginalized voices and contribute to social justice initiatives.
  4. Historical and Theoretical Perspectives:
    In addition to contemporary practices, the journal also delves into historical analyses and theoretical frameworks that inform current sound practices. This includes explorations of past movements, technologies, and cultural contexts that have shaped the sound arts.
  5. Exploration of Acoustic Environments:
    The journal is dedicated to the study of soundscapes and acoustic environments. Contributions often explore the relationship between sound and place, highlighting how auditory experiences can inform and transform our understanding of environments.
The journal 'Organised Sound' has been evolving to reflect contemporary trends and emerging themes in the field of sound studies. This section highlights the areas of increasing focus, showcasing the journal's responsiveness to new developments in sound art and research.
  1. Live Coding and Algorithmic Music:
    There is a significant increase in research related to live coding practices and algorithmic music, reflecting a growing interest in the intersection of coding, performance, and sound creation. This trend highlights the role of technology in shaping new musical languages and practices.
  2. Participatory and Community-Based Sound Art:
    The journal has seen a rise in publications that emphasize participatory sound art and community engagement. This reflects a broader trend towards inclusive practices that involve diverse communities in the creation and interpretation of sound art.
  3. Ecological and Environmental Sound Practices:
    Recent publications indicate a heightened focus on ecological themes within sound studies, exploring how sound can address environmental issues and promote awareness of ecological concerns. This trend aligns with global movements towards sustainability and ecological consciousness.
  4. Interdisciplinary Collaborations:
    A growing number of papers highlight interdisciplinary collaborations that merge sound with fields such as visual arts, performance studies, and social sciences. This trend underscores the importance of cross-disciplinary dialogue in advancing sound research and practice.
  5. Technological Innovations in Sound Art:
    The journal is increasingly focusing on the impact of emerging technologies, such as machine learning and artificial intelligence, on sound art. Research in this area explores how these technologies can enhance creative practices and redefine the boundaries of sound.

Declining or Waning

While 'Organised Sound' continues to expand its focus on emerging themes in sound studies, certain areas of inquiry have shown a decline in prominence over recent years. This section outlines the waning themes that are becoming less frequent in the journal's publications, reflecting shifts in research priorities.
  1. Traditional Musicology:
    There has been a noticeable decrease in traditional musicological studies that focus solely on historical or compositional analysis without integrating contemporary practices or interdisciplinary approaches. This shift indicates a move towards more innovative and applied sound research.
  2. Purely Technical Discussions of Sound Technology:
    Papers that focus solely on the technical aspects of sound technology, such as equipment reviews or engineering without a broader artistic or social context, are appearing less frequently. This suggests a trend towards integrating technology with creative practice and critical discourse.
  3. Solo Artistic Practices:
    Research centered on individual artistic practices, particularly those that do not engage with collaborative or participatory methodologies, seems to be declining. The journal is increasingly favoring contributions that explore collective sound-making and community engagement.
  4. Traditional Acoustic Ecology:
    While the journal has a strong focus on soundscapes, traditional acoustic ecology studies that do not incorporate contemporary social issues or technological advancements are becoming less prevalent. There is a growing emphasis on the socio-political dimensions of sound ecology.

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