Journal of Theoretical and Computational Acoustics (ISSN: 2591-7285; E-ISSN: 2591-7811), published by World Scientific Publishing Co. Pte Ltd, is a premier venue dedicated to advancing research in the interdisciplinary fields of acoustics, applied mathematics, and computer science. With its base in Singapore, this journal plays a pivotal role in disseminating significant findings and innovative theoretical frameworks that address complex acoustic phenomena through computational techniques. Recognized in the 2023 rankings where it holds a Q2 quartile in Acoustics and Ultrasonics, as well as Q3 in both Applied Mathematics and Computer Science Applications, this journal is pivotal for researchers aiming to contribute to the evolving landscape of acoustic theory and its computational applications. The open access format ensures that cutting-edge research is accessible to a global audience, reinforcing its commitment to the scholarly community. Given its convergence scope from 2018 to 2024, the journal represents a significant resource for researchers, professionals, and students who seek to deepen their understanding of theoretical and computational advancements in acoustics.

Contemporary Music Review, published by Routledge Journals, Taylor & Francis Ltd, is a leading academic journal in the field of music, renowned for its critical engagement with current practices and theories in contemporary music. Established in the United Kingdom, the journal has evolved since its inception in 1984 and is noted for its significant contributions to a rich understanding of modern musical landscapes. With an impressive Scopus rank of #45 out of 180 in the Arts and Humanities category, placing it in the 75th percentile, it showcases a diverse range of articles addressing innovative research and artistic practices, making it essential reading for researchers, professionals, and students alike. While it operates under a subscription model, the journal prioritizes wide access to vital scholarly work, aiming to broaden discourse and foster a deeper understanding of contemporary music's role in society. The impact factor of the journal adds further weight to its authority, underlining its place in the Q2 category of music journals as of 2023. Engage with the Contemporary Music Review to stay at the forefront of discussions and advancements within the vibrant field of contemporary music.

Akustika is a premier journal dedicated to the field of acoustics and ultrasonics, published by STUDIO D-AKUSTIKA SRO in the Czech Republic. With an ISSN of 1801-9064, this journal provides a platform for cutting-edge research and development in acoustics, emphasizing advancements in both theoretical and practical applications. Although currently ranked in the Q4 category for Acoustics and Ultrasonics based on 2023 Scopus Ranks, the journal aims to foster growth and innovation within the community, offering invaluable insights for researchers, professionals, and students alike. It encompasses a wide-ranging scope that reflects the dynamic nature of acoustics, making it a vital resource for those engaged in this crucial field. With contributions dating back to 2012, Akustika is committed to promoting scientific dialogue and enhancing the understanding of sound in various environments.

World of Music-New Series, an esteemed journal published by VWB-VERLAG WISSENSCHAFT & BILDUNG, serves as a pivotal platform for scholarly discourse in the field of music studies. With an ISSN of 0043-8774 and a significant presence in the academic community, this journal has demonstrated its commitment to advancing knowledge in music through rigorous peer-reviewed research. Since its inception in 2002, the journal has undergone several converged years, culminating in its current iteration which continues to publish innovative work as of 2023. Recognized for its contributions, World of Music-New Series holds a Q3 category ranking in the Music category and is positioned within the 52nd percentile among its peers, reflecting its growing impact in the arts and humanities domain. Although currently not an open access journal, it remains an essential resource for researchers, professionals, and students seeking to deepen their understanding of music theory, history, and cultural implications. Located in Germany at URBANSTRASSE 71, D-10967 BERLIN, this journal is committed to promoting diverse voices and perspectives within the music scholarship landscape.

Zeitschrift der Gesellschaft für Musiktheorie (ISSN: 1862-6750, E-ISSN: 1862-6742) is a premier open-access journal published by the Gesellschaft Musiktheorie, devoted to advancing the field of music theory. Since its inception in 2003, it has provided a crucial platform for the dissemination of innovative research, theoretical discourse, and critical discussions pertinent to music analysis, pedagogy, and aesthetics. Based in Berlin, Germany, this journal not only showcases the latest in musicological scholarship but also fosters a vibrant community of researchers, practitioners, and educators. With a commitment to accessibility, all published articles are freely available, enhancing the reach and impact of the work within the global music community. This journal is essential reading for anyone seeking to deepen their understanding of musical structures and practices, making it an invaluable resource for students, academics, and music professionals alike.

Music Sound and the Moving Image is an esteemed journal published by Liverpool University Press, focusing on the intricate relationships between music, sound, and the moving image. Since its inception, the journal has aimed to foster a multidisciplinary discourse, engaging scholars and practitioners across the fields of musicology, media studies, and visual arts. With an ISSN of 1753-0768 and an E-ISSN of 1753-0776, it has solidified its presence in the academic community, evidenced by its diverse impact reflected in Scopus rankings, including Rank #63/180 in Music and Percentile 65th. The journal's classification in Q3 for Music and its active coverage from 2018 to 2024 enhances its relevance, making it a pivotal resource for researchers and creators who explore the dynamic interplay of sound and imagery. Although currently not available as Open Access, the journal offers a robust platform for peer-reviewed articles, contributing to the advancement of knowledge in this rapidly evolving field.

ACTA ACUSTICA, published by EDP SCIENCES S A, is an esteemed open access journal dedicated to advancing the fields of Acoustics and Ultrasonics, Computer Science Applications, Electrical and Electronic Engineering, as well as Speech and Hearing. Since its transition to open access in 2020, this journal has provided a platform for high-quality research that is freely accessible to scholars, practitioners, and students alike. With a respectable categorization in Q3 across multiple disciplines as of 2023, it reflects the ongoing commitment to disseminating relevant findings and innovations within these fields. Researchers interested in meaninful contributions to acoustic science will find ACTA ACUSTICA to be an invaluable resource that encourages collaboration and knowledge sharing, thereby fostering advancements that resonate across academia and industry. The journal aims to publish results that enhance understanding of sound phenomena and their applications, positioning itself as a pivotal channel for academic discourse.

Exemplaria: Medieval Early Modern Theory is a distinguished journal within the fields of Cultural Studies, Linguistics and Language, and Literature and Literary Theory, published by Routledge Journals, Taylor & Francis Ltd. With an impressive Q1 ranking in Literature and Literary Theory and notable placements in associated disciplines, this journal serves as an essential platform for scholars dedicated to exploring the complexities of medieval and early modern texts and contexts. Established with a vision to stimulate interdisciplinary dialogue, Exemplaria has evolved from its initial years (1989-1995) to a renewed focus (2002-2024), consistently fostering significant contributions that shape contemporary literary discourse. Although currently not open access, the journal ensures broad reach and engagement through its meticulously curated articles, reviews, and critical essays that challenge traditional narratives and advocate for innovative methodologies. With the journal's ISSN 1041-2573 and E-ISSN 1753-3074, researchers, professionals, and students interested in advancing their understanding of literary traditions are encouraged to explore its rich repository of knowledge, which reflects the dynamic interplay between historical texts and modern interpretations.

Computer Music Journal, published by MIT Press, stands as a prominent platform for scholarly discourse in the intersection of music and technology. With its origins dating back to 1982, the journal spans an extensive range of topics, from computer-generated music and sound synthesis to interactive musical systems and multimedia art. Despite not being an open-access journal, it has garnered significant recognition, reflected in its rankings across various fields—placing 22nd in Music within Arts and Humanities and achieving a Q2 category status in Music for 2023. This publication is invaluable for researchers, practitioners, and enthusiasts alike, offering critical insights that expand the boundaries of musical composition and technological innovation. With its robust history and commitment to advancing the understanding of computer music, the Computer Music Journal continues to be a critical resource in both the academic and artistic communities.

SOUND AND VIBRATION, published by TECH SCIENCE PRESS, is a pivotal journal in the fields of Acoustics and Ultrasonics, Mechanical Engineering, and Safety, Risk, Reliability, and Quality. With an ISSN of 1541-0161, this journal has been a reliable source of innovative research and developments from its inception in 1976 through to 2024. Although it currently ranks in the Q4 category on Scopus, it serves as a vital platform for the dissemination of studies focusing on sound and vibration phenomena, contributing to the understanding and advancement of engineering principles. Researchers and professionals are encouraged to utilize this journal to gain insights into critical acoustic applications and mechanical dynamics. While SOUND AND VIBRATION does not operate under an Open Access model, it remains a valuable asset for anyone committed to exploring the various ramifications of sound and vibration in engineering and applied sciences.