JOURNAL OF THE ROYAL MUSICAL ASSOCIATION, published by Cambridge University Press, stands as a significant repository for innovative research and scholarly discourse within the field of music studies. Recognized for its contributions to the understanding of musical practices, theory, and history, this esteemed journal offers a platform for academics and researchers to disseminate their findings to a broad audience. With an ISSN of 0269-0403 and E-ISSN of 1471-6933, the journal has maintained a notable presence since its inception, merging insights from both traditional and contemporary musicology. It currently occupies a Q4 ranking in Music within the Scopus database, reflecting its inclusion within the arts and humanities landscape. While the journal traditionally operates under subscription access, its continuing commitment to advancing music scholarship ensures that it remains an essential resource for students, scholars, and practitioners alike, fostering greater understanding and appreciation of musical artistry from 1987 to the current era.

Contemporary Music Review, published by Routledge Journals, Taylor & Francis Ltd, is a leading academic journal in the field of music, renowned for its critical engagement with current practices and theories in contemporary music. Established in the United Kingdom, the journal has evolved since its inception in 1984 and is noted for its significant contributions to a rich understanding of modern musical landscapes. With an impressive Scopus rank of #45 out of 180 in the Arts and Humanities category, placing it in the 75th percentile, it showcases a diverse range of articles addressing innovative research and artistic practices, making it essential reading for researchers, professionals, and students alike. While it operates under a subscription model, the journal prioritizes wide access to vital scholarly work, aiming to broaden discourse and foster a deeper understanding of contemporary music's role in society. The impact factor of the journal adds further weight to its authority, underlining its place in the Q2 category of music journals as of 2023. Engage with the Contemporary Music Review to stay at the forefront of discussions and advancements within the vibrant field of contemporary music.

The JOURNAL OF SOUND AND VIBRATION, published by Academic Press Ltd - Elsevier Science Ltd, stands as a pivotal platform in the fields of Acoustics and Ultrasonics, Mechanical Engineering, and Mechanics of Materials. Since its inception in 1964, the journal has served as a beacon for researchers and practitioners looking to share and advance their knowledge on sound and vibration phenomena. With an impressive Q1 ranking in multiple categories and a Scopus ranking placing it in the top 10% of significant journals in related fields, it offers a high-impact venue for disseminating innovative research. The journal's well-rounded scope intersects fundamental and applied science, ensuring it remains relevant to a diverse audience, including students and professionals aiming to deepen their understanding of dynamic mechanical systems. Although primarily subscription-based, the journal's commitment to academic excellence makes it a valuable resource for all involved in the study and application of sound and vibration research, contributing significantly to advancements across engineering and physics disciplines.

Welcome to ACOUSTICAL PHYSICS, a prominent journal dedicated to advancing the understanding of acoustics and ultrasonics. Published by PLEIADES PUBLISHING INC, this journal has been a vital platform since its inception in 1996, continuing to disseminate relevant research up until 2024. With an ISSN of 1063-7710 and an E-ISSN of 1562-6865, ACOUSTICAL PHYSICS aims to publish rigorous and impactful studies that explore both theoretical and applied aspects of acoustics. The journal currently holds a Q3 ranking within its category according to the 2023 quartiles, situating it in the 30th percentile of Scopus rankings for Acoustics and Ultrasonics. This makes it an essential resource for researchers looking to contribute to or stay informed about the evolving landscape of acoustical science. While access options are not open, the journal remains committed to ensuring high-quality peer-reviewed studies that resonate within the academic community. Join fellow professionals and students in exploring the fascinating world of acoustics and ultrasonics through ACOUSTICAL PHYSICS.

Zeitschrift der Gesellschaft für Musiktheorie (ISSN: 1862-6750, E-ISSN: 1862-6742) is a premier open-access journal published by the Gesellschaft Musiktheorie, devoted to advancing the field of music theory. Since its inception in 2003, it has provided a crucial platform for the dissemination of innovative research, theoretical discourse, and critical discussions pertinent to music analysis, pedagogy, and aesthetics. Based in Berlin, Germany, this journal not only showcases the latest in musicological scholarship but also fosters a vibrant community of researchers, practitioners, and educators. With a commitment to accessibility, all published articles are freely available, enhancing the reach and impact of the work within the global music community. This journal is essential reading for anyone seeking to deepen their understanding of musical structures and practices, making it an invaluable resource for students, academics, and music professionals alike.

Computer Music Journal, published by MIT Press, stands as a prominent platform for scholarly discourse in the intersection of music and technology. With its origins dating back to 1982, the journal spans an extensive range of topics, from computer-generated music and sound synthesis to interactive musical systems and multimedia art. Despite not being an open-access journal, it has garnered significant recognition, reflected in its rankings across various fields—placing 22nd in Music within Arts and Humanities and achieving a Q2 category status in Music for 2023. This publication is invaluable for researchers, practitioners, and enthusiasts alike, offering critical insights that expand the boundaries of musical composition and technological innovation. With its robust history and commitment to advancing the understanding of computer music, the Computer Music Journal continues to be a critical resource in both the academic and artistic communities.

Journal of Theoretical and Computational Acoustics (ISSN: 2591-7285; E-ISSN: 2591-7811), published by World Scientific Publishing Co. Pte Ltd, is a premier venue dedicated to advancing research in the interdisciplinary fields of acoustics, applied mathematics, and computer science. With its base in Singapore, this journal plays a pivotal role in disseminating significant findings and innovative theoretical frameworks that address complex acoustic phenomena through computational techniques. Recognized in the 2023 rankings where it holds a Q2 quartile in Acoustics and Ultrasonics, as well as Q3 in both Applied Mathematics and Computer Science Applications, this journal is pivotal for researchers aiming to contribute to the evolving landscape of acoustic theory and its computational applications. The open access format ensures that cutting-edge research is accessible to a global audience, reinforcing its commitment to the scholarly community. Given its convergence scope from 2018 to 2024, the journal represents a significant resource for researchers, professionals, and students who seek to deepen their understanding of theoretical and computational advancements in acoustics.

Acoustics Australia is a prominent journal dedicated to advancing research and knowledge in the fields of acoustics and ultrasonics. Published by Springer Singapore Pte Ltd, this esteemed journal holds a Q2 ranking in the 2023 Scopus categories, reflecting its significant impact and reputation within the academic community, particularly evidenced by its position in the 67th percentile among its peers. Since its inception, with publication converging in years from 1986 to 1991 and again from 1996 to 2024, Acoustics Australia has been a vital platform for scholars to publish innovative research, share findings, and foster collaboration among professionals dedicated to the science of sound. Although not an Open Access journal, it remains an essential resource for researchers, academics, and students alike, providing insights that drive advancements in technology, environmental science, and health-related applications linked to acoustics.

ACTA ACUSTICA, published by EDP SCIENCES S A, is an esteemed open access journal dedicated to advancing the fields of Acoustics and Ultrasonics, Computer Science Applications, Electrical and Electronic Engineering, as well as Speech and Hearing. Since its transition to open access in 2020, this journal has provided a platform for high-quality research that is freely accessible to scholars, practitioners, and students alike. With a respectable categorization in Q3 across multiple disciplines as of 2023, it reflects the ongoing commitment to disseminating relevant findings and innovations within these fields. Researchers interested in meaninful contributions to acoustic science will find ACTA ACUSTICA to be an invaluable resource that encourages collaboration and knowledge sharing, thereby fostering advancements that resonate across academia and industry. The journal aims to publish results that enhance understanding of sound phenomena and their applications, positioning itself as a pivotal channel for academic discourse.

Musica Tecnologia is an emerging journal that explores the intersection of music and technology, published by FIRENZE UNIV PRESS. With its ISSN 1974-0042 and E-ISSN 1974-0050, the journal serves as a platform for innovative research on the technical aspects of music creation, distribution, and performance. Despite being relatively new, having converged its years from 2020 to 2024, it has already established itself within academic circles, as evidenced by its Q4 ranking in categories such as Computer Science Applications, Electrical and Electronic Engineering, and Music. While the journal does not currently offer Open Access, it provides a crucial avenue for both established scholars and emerging researchers in the arts and technology to disseminate their findings. The potential to influence practices in music technology is significant, making Musica Tecnologia a valuable resource for those looking to stay at the forefront of interdisciplinary research. The journal is located in Florence, Italy, and continues to build its reputation as a meaningful contributor to the fields of music and technology.