REVUE DE L ART

Scope & Guideline

Bridging Theory and Practice in the Arts

Introduction

Explore the comprehensive scope of REVUE DE L ART through our detailed guidelines, including its aims and scope. Stay updated with trending and emerging topics, and delve into declining areas to understand shifts in academic interest. Our guidelines also showcase highly cited topics, featuring influential research making a significant impact. Additionally, discover the latest published papers and those with high citation counts, offering a snapshot of current scholarly conversations. Use these guidelines to explore REVUE DE L ART in depth and align your research initiatives with current academic trends.
LanguageFrench
ISSN0035-1326
PublisherEDITIONS C N R S
Support Open AccessNo
CountryFrance
TypeJournal
Convergefrom 2002 to 2024
AbbreviationREV ART / Rev. Art
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address20/22 RUE ST. AMAND, 75015 PARIS, FRANCE

Aims and Scopes

The journal 'REVUE DE L ART' serves as a critical platform for scholarly discourse in the field of art history, encompassing a wide range of topics that highlight the interplay between art, culture, and society across different historical periods and geographical contexts. The journal is particularly known for its in-depth analyses and innovative perspectives on traditional and contemporary art movements.
  1. Exploration of Art Movements:
    The journal frequently examines significant art movements, particularly Impressionism and its impact on modern art, as seen in discussions surrounding key figures and works from this period.
  2. Interdisciplinary Approaches:
    'REVUE DE L ART' integrates various methodologies from history, sociology, and cultural studies to provide a comprehensive understanding of art's role in society.
  3. Focus on Historical Context:
    The journal prioritizes the examination of art within its historical context, emphasizing how political, social, and cultural factors influence artistic expression.
  4. Preservation and Restoration Studies:
    There is a notable interest in topics related to art preservation and restoration, reflecting the journal's commitment to maintaining the integrity of historical artworks.
  5. Critical Art Theory and Criticism:
    The journal engages with contemporary debates in art criticism and theory, offering critical perspectives on both historical and modern artworks.
The journal has also witnessed the emergence of new themes that are gaining traction in recent years. These trending scopes reflect current scholarly interests and the evolving landscape of art history.
  1. Impressionism and Modernity:
    Recent publications have increasingly focused on the relationship between Impressionism and modernity, exploring how this movement redefined artistic practices in the context of industrialization and urban life.
  2. Art and Politics:
    There is a growing trend in examining the intersection of art and political discourse, particularly in historical contexts, as seen in discussions about exhibitions and colonial culture.
  3. Interdisciplinary Art Studies:
    Emerging themes emphasize interdisciplinary approaches that incorporate perspectives from sociology, anthropology, and cultural studies, reflecting a broader understanding of art's societal implications.
  4. Digital Art and Contemporary Practices:
    As digital art continues to expand, the journal is starting to address contemporary practices and their implications for art theory and criticism, marking a significant shift towards modern artistic expressions.

Declining or Waning

While 'REVUE DE L ART' continues to thrive in various areas, certain themes have shown signs of decline in recent publications. These waning scopes may reflect shifts in academic interest or broader trends in the field of art history.
  1. Orientalism Studies:
    Papers focusing on Orientalism appear to be less frequent, suggesting a possible decline in interest as scholars shift towards more contemporary and relevant discussions related to globalization and post-colonial critiques.
  2. Medieval Art Focus:
    There has been a noticeable decrease in publications centered on medieval art, indicating a possible waning interest in this period as scholars explore other historical contexts.
  3. 19th Century Art Criticism:
    The emphasis on 19th-century art criticism, particularly surrounding figures like Delacroix and Courbet, has diminished, potentially overshadowed by more modern art movements and their critiques.

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