Religion and the Arts is a distinguished scholarly journal published by BRILL, based in the Netherlands, with a dedicated focus on the interdisciplinary exploration of religion and its interplay with various artistic expressions from historical and contemporary perspectives. Established in 1996, this journal serves as a vital platform for researchers, professionals, and students interested in Cultural Studies, History, Religious Studies, and the Visual and Performing Arts. Despite its current classification in the Q4 category across multiple fields, it remains committed to advancing academic discourse and fostering innovative approaches to understanding the complex relationships between spirituality and artistic creation. With its ISSN 1079-9265 and E-ISSN 1568-5292, the journal invites submissions that contribute to enriching this dynamic field, ensuring that a diverse range of voices and perspectives are represented. Although not an Open Access publication, the journal’s content continues to be pivotal for scholarly engagement and is essential reading for those dedicated to the study of art's profound connections with religious traditions.

The Rijksmuseum Bulletin, published by the Rijksmuseum Amsterdam, stands as a premier open-access journal in the realm of Visual Arts and Performing Arts, having transitioned to open access in 2012. With its ISSN 1877-8127, the journal is dedicated to exploring the rich tapestry of art history, exhibitions, and cultural discourse, supporting both scholarly research and the general appreciation of the arts. As a significant contributor within the Netherlands and beyond, the Bulletin garners a solid reputation, reflected in its current ranking in the Q3 category of Visual Arts and Performing Arts, with a Scopus rank of #510 out of 667. This engaging platform not only disseminates high-quality research but also fosters collaboration among researchers, professionals, and students, providing insights that highlight the importance of cultural heritage. With converged years spanning from 2011 to 2024, the Rijksmuseum Bulletin is poised to remain a vital source of knowledge within the arts community.

Oxford Art Journal, published by Oxford University Press, serves as a vital platform for scholarly discourse in the fields of History, Visual Arts, and Performing Arts. With an ISSN of 0142-6540 and an E-ISSN of 1741-7287, this esteemed journal has cultivated a rich academic presence since its inception, reflecting a deep commitment to exploring the intricacies of art history and contemporary visual culture. Holding a Q2 ranking in Visual Arts and Performing Arts and a Q3 ranking in History for the year 2023, the journal features rigorous peer-reviewed articles that push the boundaries of research and offer new insights into artistic practices. Although not offering open access, the journal is widely respected for its contributions to the academic community, making it invaluable for researchers, professionals, and students deeply engaged in art studies. For those seeking a comprehensive understanding of the visual arts landscape, the Oxford Art Journal remains an indispensable resource.

ART IN AMERICA is a prominent journal dedicated to the exploration and critique of contemporary visual arts and practices within the United States and beyond. Published by BRANT PUBL, INC, the journal serves as an authoritative platform for scholars, artists, and enthusiasts alike, fostering vibrant dialogue and insightful analysis in the field of art. With an ISSN of 0004-3214 and a legacy dating back to 1979, ART IN AMERICA has established itself within the Q4 category of Visual Arts and Performing Arts according to the 2023 category quartiles. Although the journal currently does not offer Open Access options, it remains accessible to a diverse readership through its distribution across libraries and institutions. The journal's significance is underscored by its ability to spotlight emerging trends, critique canonical works, and promote diverse artistic voices amidst a constantly evolving cultural landscape. Researchers, professionals, and students will find ART IN AMERICA not only a valuable resource for scholarly discourse but also an essential guide to understanding the complexities and intricacies of the American art scene.

Zivot Umjetnosti, published by the INST POVIJEST UMJETNOSTI - INST ART HISTORY, is a notable Croatian journal that serves as a platform for scholarly discourse in the fields of visual arts, performing arts, and museology. With its inception in 2008, the journal has continued to provide a voice for researchers and practitioners alike, contributing significantly to ongoing conversations in the arts. Despite its current Q4 rank in both Visual Arts and Museology categories—placing it within the 21st and 17th percentiles, respectively—Zivot Umjetnosti is recognized for its commitment to advancing knowledge and fostering critical dialogue. The journal aims to bridge theoretical frameworks with practical applications, making it an invaluable resource for academics, curators, and students engaged in artistic research. While currently operating under traditional access options, Zivot Umjetnosti remains a fundamental publication for those wishing to explore and expand their understanding of the dynamic intersection of art and culture in Croatia and beyond.

RACAR - Revue d'Art Canadienne (Canadian Art Review), published by the University Art Association of Canada, stands as a pivotal academic journal in the field of Canadian art history and cultural studies. With its ISSN 0315-9906 and E-ISSN 1918-4778, RACAR serves as a vital platform for scholarly research and discourse, aiming to illuminate the rich tapestry of Canada's artistic heritage. Although not an open-access journal, it is committed to disseminating high-quality peer-reviewed articles that contribute to the ongoing dialogue about art in Canada. The journal's focus encompasses a diverse range of topics, from contemporary visual arts to historical investigations, appealing to researchers, professionals, and students alike. Based at the Department of History in Art at University of Victoria, RACAR fosters a critical understanding of Canadian art within broader national and global contexts, making it an essential resource for anyone engaged in this vibrant field of study.

The Journal of Aesthetics and Art Criticism, published by Oxford University Press, stands as a premier platform for scholarly discourse in the realms of music, philosophy, and the visual and performing arts. Established in 1996 and continuing through 2024, this journal has achieved remarkable recognition, being ranked in the Q1 category across several disciplines, and securing prestigious positions in various Scopus rankings: 29th in Music, 50th in Visual Arts and Performing Arts, and 151st in Philosophy, showcasing its essential contribution to arts and humanities scholarship. While not an open-access journal, its rich repository of articles offers invaluable insights for researchers, professionals, and students alike, fostering a deeper understanding of aesthetics and critical theory. The journal's commitment to interdisciplinary approaches opens pathways for innovative dialogue, making it an indispensable resource for anyone engaged in the study and appreciation of the arts.

ART HISTORY is a prestigious journal published by Wiley, focusing on the dynamic and diverse field of visual arts and performing arts since its inception in 1978. With an ISSN of 0141-6790 and an E-ISSN of 1467-8365, the journal has established itself as a significant resource for researchers, professionals, and students interested in exploring the complexities of art across various epochs and cultures. Currently ranked in the Q3 category within the Visual Arts and Performing Arts sector and positioned at #132 out of 667 in Scopus rankings—representing the top 80th percentile—ART HISTORY delivers insightful scholarship that contributes to the understanding and appreciation of art history. Although it does not offer open access, the journal remains committed to publishing high-quality, peer-reviewed articles that delve into critical artistic practices, theories, and aesthetics. The journal's location in the United Kingdom further enhances its international reach and influence, making it a vital platform for advancing discourse in the arts.

Burlington Magazine is a prestigious scholarly journal dedicated to the study and appreciation of visual arts and performing arts. Established in 1980 and published by Burlington Mag Publ Ltd, this UK-based journal offers a platform for innovative research and critical discussion, attracting a diverse audience of researchers, professionals, and students. Although it currently holds a Q4 ranking in Visual Arts and Performing Arts according to the 2023 Category Quartiles, it provides valuable insights into emerging trends and classical themes within the arts. The journal, with its ISSN 0007-6287 and E-ISSN 2044-9925, features a range of articles, reviews, and in-depth analyses, fostering scholarly discourse and enhancing the understanding of visual and performing arts. While there is no Open Access option available, readers can access its rich repository of knowledge through institutional subscriptions, making it an essential resource for anyone passionate about the arts. Whether you are a scholar seeking the latest research or an enthusiast eager to explore artistic developments, Burlington Magazine stands as an invaluable asset in the field.

Nka-Journal of Contemporary African Art is a premier academic publication dedicated to exploring the rich tapestry of contemporary African art and its intersections with culture, society, and identity. Published by DUKE UNIVERSITY PRESS, this journal offers a platform for critical discourse and innovative research within the fields of Visual Arts and Anthropology, earning a commendable ranking in both categories, with a Q2 designation in Visual Arts and Performing Arts. Established in 2019, Nka serves to illuminate the dynamic and evolving narratives of African artists, providing a vital connection for scholars and practitioners engaged with African cultural production. Although currently not open access, the journal aims to foster intellectual engagement and promote inclusivity in the arts, making it an essential resource for those seeking to deepen their understanding of contemporary African artistic practices. With an address based in the heart of Durham, North Carolina, Nka invites contributions from a diverse range of voices to enrich the discourse surrounding contemporary African art.