OUD HOLLAND

Scope & Guideline

Unveiling Insights into Artistic Discourses

Introduction

Welcome to your portal for understanding OUD HOLLAND, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageMulti-Language
ISSN-
PublisherBRILL
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationOUD HOLLAND / Oud Holl.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressPLANTIJNSTRAAT 2, P O BOX 9000, 2300 PA LEIDEN, NETHERLANDS

Aims and Scopes

OUD HOLLAND is dedicated to the study of Dutch art and its cultural history, focusing on a wide range of periods and styles. The journal emphasizes rigorous scholarly research and aims to provide new insights into the artistic practices, socio-economic contexts, and historical significance of Dutch artworks.
  1. Dutch Art History:
    The journal primarily explores the evolution and significance of Dutch art from the medieval period to the modern era, examining notable artists, movements, and styles.
  2. Iconography and Symbolism:
    A consistent focus is placed on the iconographic analysis of artworks, unveiling the layered meanings and cultural contexts behind visual representations.
  3. Biographical Studies:
    OUD HOLLAND frequently publishes biographical research that sheds light on the lives and influences of prominent Dutch artists, contributing to a deeper understanding of their work.
  4. Material Culture and Artifacts:
    The journal addresses the broader context of Dutch art through the study of artifacts, including paintings, prints, and decorative arts, emphasizing their historical and cultural significance.
  5. Interdisciplinary Approaches:
    The journal encourages interdisciplinary methodologies, integrating art history with fields such as sociology, economics, and cultural studies to enrich the understanding of Dutch art.
The journal has shown a dynamic evolution in its thematic focus, with several emerging trends that reflect the current interests and scholarly directions in Dutch art history. This section outlines these trending themes.
  1. New Biographical Insights:
    Recent publications have increasingly focused on uncovering new biographical data about lesser-known artists, highlighting their contributions and contextualizing their work within the broader art historical narrative.
  2. Interconnections between Art and Society:
    There is a growing emphasis on exploring the relationship between art and societal factors, such as economics, politics, and cultural exchanges, reflecting a trend towards understanding art within its socio-historical context.
  3. Iconographic Reconstruction:
    The journal has seen a rise in studies dedicated to iconographic reconstruction, where scholars aim to reinterpret and analyze the symbolic meanings of artworks, particularly in relation to religious and cultural themes.
  4. Digital Humanities and Art History:
    Emerging methodologies utilizing digital humanities tools and techniques are becoming more prominent, as researchers seek to analyze large datasets of artworks and historical documents to uncover new patterns and insights.

Declining or Waning

While OUD HOLLAND continues to publish a robust array of topics related to Dutch art, certain themes appear to be diminishing in frequency or relevance in recent years. This section highlights those waning scopes.
  1. Contemporary Art:
    There has been a noticeable decline in the focus on contemporary Dutch art, with fewer publications addressing modern artists and their contributions to the art scene.
  2. General Surveys of Art Movements:
    Broad surveys of specific art movements, such as general overviews of the Dutch Golden Age, have become less common, with a shift towards more specialized studies.
  3. Technical Aspects of Art Production:
    Discussions centered on the technical aspects of art-making, such as materials and techniques, are appearing less frequently, suggesting a move towards thematic and contextual analyses.

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