Nordic Theatre Studies is a prestigious academic journal published by FORENINGEN NORDISKA TEATERFORSKARE, dedicated to the field of visual arts and performing arts, with a special emphasis on Nordic traditions and contemporary practices. With an ISSN of 0904-6380 and E-ISSN of 2002-3898, this journal serves as a vital forum for scholars, theatre practitioners, and students looking to explore the rich tapestry of Nordic theatre. Recognized for its quality, it ranks in the Q3 category in the latest 2023 rankings and boasts a significant position in the Scopus database, standing at Rank #209/667 with a 68th percentile. The journal, covering converged years from 2011 to 2012 and 2014 to 2023, provides open access to a variety of research articles, reviews, and theoretical explorations that address both historical and contemporary issues in theatre studies. By bridging academic rigor with practical insights, Nordic Theatre Studies aims to contribute to the dialogue surrounding the evolving landscape of theatre, making it an indispensable resource for researchers and practitioners alike.

THEATRE JOURNAL, published by the Johns Hopkins University Press, stands as a distinguished platform within the realms of literature and performing arts. With an ISSN of 0192-2882 and an E-ISSN of 1086-332X, this journal has made significant strides since its inception, with coverage extending from 2002 to 2024. It proudly holds a Q2 quartile ranking in both Literature and Literary Theory and Visual Arts and Performing Arts, positioning itself among the top-tier publications in its field, as indicated by its Scopus ranks at the 69th and 59th percentiles respectively. While the journal is not available as open access, it remains a crucial resource for researchers, professionals, and students committed to advancing the understanding of theatrical studies. The Theatre Journal seeks to inspire critical dialogue and innovation regarding the dynamics of theatre, making it an invaluable asset for anyone invested in theatrical scholarship and performance practices.

Antropologia e Teatro-Rivista di Studi is a prominent academic journal dedicated to the interdisciplinary exploration of anthropology and theatre studies. Published by the prestigious Università degli Studi di Bologna, Dipartimento di Musica e Spettacolo, this journal serves as an essential platform for scholars, practitioners, and students interested in the intricate relationships between performance, culture, and society. Since its transition to Open Access in 2010, it has significantly broadened its reach, allowing unrestricted access to a wealth of research findings and critical perspectives. Featuring innovative articles, theoretical analyses, and case studies, the journal aims to foster a deeper understanding of theatrical practices through an anthropological lens, making it a vital resource for advancing knowledge in both fields. As part of the vibrant academic landscape in Italy and beyond, Antropologia e Teatro engages actively with contemporary issues in cultural studies, inviting contributions that challenge conventional narratives and promote interdisciplinary dialogue.

CONTEMPORARY THEATRE REVIEW is a leading journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of theatre, performance studies, and contemporary visual arts. With a Q2 ranking in both Visual Arts and Performing Arts, this journal has established itself as a significant platform for scholarly discourse and critical analysis since its inception in 1992, particularly from 1994 through 2024. Researchers, practitioners, and students engaging with the evolving landscape of theatre will find this journal an essential resource for innovative research, reviews, and theoretical papers. The journal invites contributions that explore diverse themes in contemporary performance, ensuring it remains at the forefront of the academic and professional dialogue within the performing arts community.

THEATRE NOTEBOOK is a distinguished journal published by the Society for Theatre Research, focusing on the rich and diverse field of theatre studies. With an ISSN of 0040-5523 and an E-ISSN of 2051-8358, this journal serves as a crucial platform for scholars, practitioners, and enthusiasts to explore theatrical practices, historical contexts, and critical analyses. Although currently not operating under an open access model, it remains an invaluable resource for advancing discourse in performance studies. Often regarded as a key publication in its field, THEATRE NOTEBOOK encompasses a variety of topics, from contemporary theatre critiques to historical retrospectives, fostering a deeper understanding of the theatrical arts. Throughout its publication history, including coverage from 2002 to 2008 and 2010 to 2011, the journal has upheld a commitment to scholarly rigor and innovation, making it an essential reading for anyone dedicated to the study and appreciation of theatre.

Studies in Theatre and Performance is a distinguished academic journal published by Routledge Journals, Taylor & Francis Ltd, dedicated to advancing scholarship in the dynamic fields of visual arts and performing arts. Since its inception in 2000, the journal has become an essential resource for researchers and professionals, exemplified by its ranking within the Q2 category of visual and performing arts, and its commendable position at the 76th percentile among its peers. With an ISSN of 1468-2761 and an E-ISSN of 2040-0616, the journal serves as a platform for insightful research, critique, and innovation across a variety of topics in theatre and performance studies. Although it operates under a traditional access model, its rigorous peer-review process ensures that every publication contributes significantly to the broader understanding of theatrical practices and performance methodologies. As we move towards 2024, Studies in Theatre and Performance continues to be a vital reference point for scholars and practitioners alike in exploring new dimensions of performance theory and practice in an ever-evolving cultural landscape.

NEW THEATRE QUARTERLY, published by Cambridge University Press, is a leading academic journal in the realm of Visual Arts and Performing Arts, demonstrating significant contributions to the study and practice of theatre since its inception in 1985. With an ISSN of 0266-464X and an E-ISSN of 1474-0613, this Journal not only features scholarly articles but also engages practitioners and academics with thought-provoking discussions and analyses relevant to contemporary theatrical practices. Its current standing in the Q2 category for the year 2023 showcases its influence, ranked at 282 out of 667 in its field, placing it in the 57th percentile according to Scopus rankings. Spanning from the field of aesthetics to performance studies, NEW THEATRE QUARTERLY aims to foster a dialogue that bridges historical perspectives with modern theoretical frameworks, enriching the academic landscape and supporting budding theatre scholars and practitioners alike. Although not an open-access journal, it provides diverse access options through various academic libraries globally, ensuring that key insights within theatre research are readily available to students and professionals striving to enhance their understanding and engagement with the performing arts.

Stanislavski Studies is a distinguished academic journal dedicated to exploring the profound impact of Konstantin Stanislavski's methodologies on the field of performing arts. Published by Routledge Journals, Taylor & Francis Ltd, this journal has quickly established itself as a leading resource since its inception in 2012, achieving a Q1 ranking in both Visual Arts and Performing Arts categories as of 2023. With a Scopus Rank of #181 out of 667, it occupies a prominent position within the 72nd percentile in Arts and Humanities, affirming its significance to scholars and practitioners alike. Although currently not an Open Access journal, it provides crucial insights and scholarly articles that delve into Stanislavski's techniques, applications, and influence on contemporary theater practices. Based in the United Kingdom, the journal aims to facilitate rigorous scholarship and stimulate discussions among researchers, professionals, and students passionate about the performing arts, thereby contributing to the ongoing evolution of theater education and practice.

Australasian Drama Studies is a renowned academic journal published by the Australasian Association for Theatre, Drama & Performance Studies that serves as a vital platform for the exploration and discourse on drama and performance studies within the Australasian context. With a commitment to fostering scholarly research in the arts, this journal plays a significant role in the visual and performing arts landscape, boasting an impressive Scopus rank, positioned at #374 among 667 journals in its category, reflecting its academic relevance and quality. Although it operates on a non-open access model, its rigorous content spanning from 2002 to 2004, 2009 to 2012, and recently from 2019 to 2023, engages a diverse audience of researchers, practitioners, and students. With a current category quartile ranking of Q3 in both Visual Arts and Performing Arts for 2023, Australasian Drama Studies continues to enrich the academic community by inviting contributions that bridge both theoretical and practical dimensions of drama, enhancing the understanding of its cultural significance in Australasia and beyond.

REVUE D HISTOIRE DU THEATRE is a distinguished academic journal published by the Société d'Histoire du Théâtre in France, focusing on the rich historical tapestry of theater studies. Since its inception, the journal has dedicated itself to the exploration and appreciation of theatrical art, its evolution, and its socio-cultural implications, particularly within the realms of Literature and Literary Theory and Visual Arts and Performing Arts. With a consistent publication history starting from 1999, the journal is indexed in Scopus, currently positioned in Q4 quartiles, providing researchers, professionals, and students a platform for both innovative scholarship and critical analysis. While it does not offer Open Access options, REVUE D HISTOIRE DU THEATRE remains an invaluable resource for those seeking in-depth knowledge and scholarly discourse in the history of theater.