South African Theatre Journal

Scope & Guideline

Celebrating the Evolution of South African Theatrical Practices

Introduction

Welcome to the South African Theatre Journal information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of South African Theatre Journal, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN1013-7548
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 1996 to 2012, from 2014 to 2024
AbbreviationS AFR THEATRE J / S. Afr. Theatre J.
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

The South African Theatre Journal serves as a platform for the exploration and analysis of theatrical practices, performance studies, and cultural expressions within a South African context. It aims to engage with various methodologies and perspectives that reflect the complexities and diversities of theatre in the region.
  1. Exploration of African Performance Traditions:
    The journal focuses on the examination of traditional and contemporary African performance practices, including folk traditions, rituals, and festivals, highlighting their significance in the cultural fabric of the continent.
  2. Postcolonial Perspectives in Theatre:
    It provides critical analyses of how postcolonial narratives shape theatrical expressions, reflecting on identity, heritage, and the socio-political landscape of South Africa and its neighbors.
  3. Interdisciplinary Approaches to Performance Studies:
    The journal encourages interdisciplinary research that intersects theatre with other fields such as sociology, psychology, and cultural studies, fostering a holistic understanding of performance.
  4. Focus on Social Issues and Activism:
    Many publications address pressing social issues such as displacement, identity, race, and gender, emphasizing the role of theatre as a medium for social commentary and change.
  5. Training and Methodologies in Theatre Practice:
    Research on pedagogical approaches and training methodologies for actors, directors, and theatre practitioners is a key focus, contributing to the development of theatre education in South Africa.
Recent publications in the South African Theatre Journal highlight emerging themes and trends that reflect the evolving landscape of theatre and performance in South Africa. These themes resonate with contemporary societal issues and artistic innovations.
  1. Intersection of Technology and Performance:
    There is a growing focus on the integration of technology in performance, including digital storytelling and the use of online platforms, reflecting how the theatre landscape is adapting to contemporary modes of engagement.
  2. Youth and Identity in Performance:
    Recent works emphasize the exploration of youth culture and identity, particularly how young performers navigate their roles within a post-colonial context, indicating a shift towards engaging younger demographics.
  3. Emphasis on Emotional and Psychological Realism:
    Emerging themes explore the psychological dimensions of character portrayal and performance, indicating a trend towards deeper emotional engagement in theatrical practices.
  4. Community-Based and Site-Specific Theatre:
    There is an increasing interest in community-based and site-specific theatre, reflecting a desire to engage with local histories and social issues, thereby making theatre more accessible and relevant to diverse audiences.
  5. Thematic Focus on Gender and Feminism:
    Publications are increasingly addressing gender dynamics and feminist perspectives in performance, highlighting the role of women in theatre and the exploration of gender identities in contemporary narratives.

Declining or Waning

While the South African Theatre Journal has a robust focus on various themes, some areas appear to be diminishing in frequency or importance. This shift may reflect changing interests within the academic and theatrical communities.
  1. Historical Analysis of Pre-1994 Theatre:
    There seems to be a declining interest in the historical analysis of theatre prior to the end of apartheid, as contemporary themes and post-apartheid narratives gain more traction.
  2. Traditional European Theatre Forms:
    The focus on traditional European theatre forms and their adaptations appears to be waning, as the journal increasingly prioritizes African and postcolonial perspectives that resonate more with current societal issues.
  3. Commercial Theatre and Mainstream Productions:
    Research centered around commercial theatre and mainstream productions is less prominent, indicating a shift towards more experimental and socially driven forms of performance.
  4. Focus on Purely Aesthetic Criticism:
    There is a noticeable decrease in works that examine theatre solely from an aesthetic standpoint, as the journal's emphasis moves towards socio-political implications and community engagement.

Similar Journals

Antropologia e Teatro-Rivista di Studi

Challenging Narratives, Enriching Understanding
Publisher: UNIV STUDI BOLOGNA, DIPT MUSICA & SPETTACOLOISSN: 2039-2281Frequency: 1 issue/year

Antropologia e Teatro-Rivista di Studi is a prominent academic journal dedicated to the interdisciplinary exploration of anthropology and theatre studies. Published by the prestigious Università degli Studi di Bologna, Dipartimento di Musica e Spettacolo, this journal serves as an essential platform for scholars, practitioners, and students interested in the intricate relationships between performance, culture, and society. Since its transition to Open Access in 2010, it has significantly broadened its reach, allowing unrestricted access to a wealth of research findings and critical perspectives. Featuring innovative articles, theoretical analyses, and case studies, the journal aims to foster a deeper understanding of theatrical practices through an anthropological lens, making it a vital resource for advancing knowledge in both fields. As part of the vibrant academic landscape in Italy and beyond, Antropologia e Teatro engages actively with contemporary issues in cultural studies, inviting contributions that challenge conventional narratives and promote interdisciplinary dialogue.

THEATRE HISTORY STUDIES

Engaging Minds with the Art of Theatre History
Publisher: UNIV ALABAMA PRESSISSN: 0733-2033Frequency: 1 issue/year

THEATRE HISTORY STUDIES, published by University of Alabama Press, serves as an essential platform for scholarly discourse and research in the fields of Cultural Studies and Visual Arts and Performing Arts. With an ISSN of 0733-2033, this journal offers critical insights into the evolution of theatre and performance, positioning itself as a valuable resource for researchers and practitioners alike. Despite its niche focus, it holds a commendable ranking in Scopus, reflecting its cultural significance and academic rigor—ranked #356 out of 667 in Visual Arts and Performing Arts and #911 out of 1304 in Cultural Studies. The journal has published continuously from 2002 to 2012, and again in 2014 to 2019, as well as from 2021 to 2023, consistently fostering a rich dialogue around artistic practices and historical contexts. Although not open access, its articles are pivotal for advancing knowledge and inspiring new perspectives in the interplay of theatre, culture, and society. For those dedicated to understanding the intricate tapestry of performance studies, THEATRE HISTORY STUDIES is a must-read.

Jeu-Revue de Theatre

Fostering Dialogue in the World of Theatre
Publisher: CAHIERS THEATRE JEU INCISSN: 0382-0335Frequency: 4 issues/year

Jeu-Revue de Theatre is a distinguished journal dedicated to the exploration and analysis of theatrical arts, published by CAHIERS THEATRE JEU INC. With a rich history reflected in its ISSN 0382-0335 and E-ISSN 1923-2578, this journal serves as a vital platform for scholars, practitioners, and students interested in the multifaceted dimensions of theatre. Based in Montreal, Canada, the journal aims to foster a deeper understanding of theatre through scholarly articles, performance reviews, and critical essays, making it essential reading for those engaged in the performing arts. While the journal does not currently offer open access options, its comprehensive discussions and research contribute significantly to the field, encouraging a vibrant dialogue among artists and academics alike. With a commitment to promoting innovative scholarship, Jeu-Revue de Theatre stands as an invaluable resource in the dramatic arts landscape.

Studies in Musical Theatre

Empowering Voices in the World of Musical Theatre
Publisher: INTELLECT LTDISSN: 1750-3159Frequency: 3 issues/year

Studies in Musical Theatre, an esteemed journal published by INTELLECT LTD, is a vital resource for those immersed in the complex interplay of music, literature, and performance. This journal, with ISSN 1750-3159 and E-ISSN 1750-3167, boasts a robust academic reputation, evidenced by its presence in the second quartile (Q2) across the categories of Literature and Literary Theory, Music, and Visual Arts and Performing Arts as of 2023. With a Scopus ranking that positions it within the 63rd percentile in Literature and Literary Theory, and noteworthy rankings in other relevant fields, Studies in Musical Theatre provides scholars, students, and practitioners with a platform to explore innovative research and critical discourse. Addressing pivotal themes in musical theatre, it aims to foster an interdisciplinary approach that enhances understanding and appreciation of this dynamic art form. Though a traditional access model is employed, the journal’s commitment to the scholarly community ensures that it remains an essential tool for those dedicated to advancing the field.

LATIN AMERICAN THEATRE REVIEW

Advancing Understanding of Latin American Theatrical Heritage
Publisher: UNIV KANSASISSN: 0023-8813Frequency: 2 issues/year

LATIN AMERICAN THEATRE REVIEW, published by the University of Kansas, serves as a vital scholarly resource in the field of theatre studies, specifically focusing on the rich tapestry of Latin American theatrical works and their cultural significance. With an ISSN of 0023-8813 and an E-ISSN of 2161-0576, this journal is committed to disseminating innovative and critical insights that facilitate the understanding of contemporary and historical performance arts in Latin America. Despite its Q4 ranking in the Visual Arts and Performing Arts category, it plays an important role in bridging gaps within academic literature, particularly from 2002 to 2024, by attracting contributions from researchers and practitioners alike. While the journal does not currently offer an open access model, it is highly regarded as a platform for both established and emerging scholars. The LATIN AMERICAN THEATRE REVIEW not only emphasizes the importance of theatrical practices but also enriches broader discussions on cultural identity and social issues within Latin America, making it an essential read for anyone passionate about the performing arts.

REVUE D HISTOIRE DU THEATRE

Exploring the Rich Tapestry of Theater History
Publisher: SOC HISTOIRE THEATREISSN: 1291-2530Frequency: 4 issues/year

REVUE D HISTOIRE DU THEATRE is a distinguished academic journal published by the Société d'Histoire du Théâtre in France, focusing on the rich historical tapestry of theater studies. Since its inception, the journal has dedicated itself to the exploration and appreciation of theatrical art, its evolution, and its socio-cultural implications, particularly within the realms of Literature and Literary Theory and Visual Arts and Performing Arts. With a consistent publication history starting from 1999, the journal is indexed in Scopus, currently positioned in Q4 quartiles, providing researchers, professionals, and students a platform for both innovative scholarship and critical analysis. While it does not offer Open Access options, REVUE D HISTOIRE DU THEATRE remains an invaluable resource for those seeking in-depth knowledge and scholarly discourse in the history of theater.

RIDE-The Journal of Applied Theatre and Performance

Unveiling the Impact of Performance in Education and Beyond
Publisher: ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTDISSN: 1356-9783Frequency: 4 issues/year

RIDE - The Journal of Applied Theatre and Performance is an esteemed academic publication dedicated to exploring the multifaceted relationships between theatre, performance, and applied practices. Published by Routledge Journals, Taylor & Francis Ltd, this journal serves as a vital resource for scholars, practitioners, and students in the fields of education, literature, and the visual and performing arts. With a commendable 2023 Impact Factor indicating its significance in the arts and humanities, RIDE ranks in the top quartiles (Q1 and Q3) across various categories, including Literature and Literary Theory, and Visual Arts and Performing Arts. This rigorous journal encompasses a broad range of topics such as transformative learning through performance, the role of theatre in social change, and innovative pedagogical strategies. While not open access, RIDE provides valuable insights and research that are crucial for advancing the understanding and practice of applied theatre and performance. With its extensive scope and compelling content, RIDE stands as a cornerstone for those interested in the dynamic intersections of art, education, and society, continuing to publish impactful research from 2010 to 2024 and beyond.

Early Theatre

Advancing Scholarship in Early Modern Theatre
Publisher: ITERISSN: 1206-9078Frequency: 2 issues/year

Early Theatre is a pioneering journal dedicated to the study of early modern drama and theatre, published by ITER, a recognized leader in scholarly publishing. With its ISSN number 1206-9078, the journal aims to foster a deeper understanding of the rich history and cultural significance of theatrical traditions prior to the 18th century. Although it does not have an open access model, Early Theatre provides invaluable insights through rigorous peer-reviewed articles, reviews, and critical essays that underscore its commitment to academic excellence. The journal serves as an essential resource for researchers, professionals, and students interested in the intersections of literature, performance studies, and history. By publishing cutting-edge research, it plays a crucial role in enhancing scholarly dialogue and advancing the field of early theatre studies. The journal’s physical address is located at UNIV TORONTO LIBRARIES, STE 7009 130 ST GEORGE ST, TORONTO, ON M5S 1A5, CANADA, and it champions future scholarship that contributes to the ongoing conversation surrounding theatrical arts from the early modern period.

THEATRE RESEARCH INTERNATIONAL

Bridging History and Performance through Rigorous Scholarship
Publisher: CAMBRIDGE UNIV PRESSISSN: 0307-8833Frequency: 3 issues/year

THEATRE RESEARCH INTERNATIONAL, published by Cambridge University Press, stands as a vital academic journal dedicated to the dynamic and multifaceted field of theatre studies. With its ISSN 0307-8833 and E-ISSN 1474-0672, this journal has been a cornerstone of scholarly discourse since its inception in 1970, continuing to provide valuable insights through 2024. Ranked in the Q2 quartile for both Literature and Literary Theory and Visual Arts and Performing Arts, it boasts impressive performance metrics reflected in its Scopus rankings at the 72nd and 62nd percentiles, respectively. The journal aims to illuminate the interplay between theatre and its cultural, social, and historical contexts, fostering a platform for both established and emerging voices in the field. While the journal is not Open Access, it ensures rigorous peer-reviewed content that engages researchers, professionals, and students alike, making it indispensable for anyone seeking to broaden their understanding and contribute to theatre research.

Nordic Theatre Studies

Diving Deep into Nordic Theatrical Heritage and Contemporary Practice.
Publisher: FORENINGEN NORDISKA TEATERFORSKAREISSN: 0904-6380Frequency: 1 issue/year

Nordic Theatre Studies is a prestigious academic journal published by FORENINGEN NORDISKA TEATERFORSKARE, dedicated to the field of visual arts and performing arts, with a special emphasis on Nordic traditions and contemporary practices. With an ISSN of 0904-6380 and E-ISSN of 2002-3898, this journal serves as a vital forum for scholars, theatre practitioners, and students looking to explore the rich tapestry of Nordic theatre. Recognized for its quality, it ranks in the Q3 category in the latest 2023 rankings and boasts a significant position in the Scopus database, standing at Rank #209/667 with a 68th percentile. The journal, covering converged years from 2011 to 2012 and 2014 to 2023, provides open access to a variety of research articles, reviews, and theoretical explorations that address both historical and contemporary issues in theatre studies. By bridging academic rigor with practical insights, Nordic Theatre Studies aims to contribute to the dialogue surrounding the evolving landscape of theatre, making it an indispensable resource for researchers and practitioners alike.