ROMANTISME is a distinguished academic journal published by EDITIONS SEDES, focusing on the rich interdisciplinary exploration of Romanticism in its various manifestations through history, literature, and the arts. Serving as a significant conduit for scholarly discourse, ROMANTISME invites researchers and practitioners to delve into comparative studies that bridge cultural, historical, and artistic insights. Though it holds a Q4 category ranking across multiple fields, including Cultural Studies, History, and Literature and Literary Theory, its commitment to advancing the understanding of the Romantic era remains strong. The journal, with an ISSN of 0048-8593 and an E-ISSN of 1957-7958, does not currently offer Open Access, but is accessible through various academic institutions, ensuring its content reaches a broad audience keen on enhancing their knowledge in this niche yet impactful scholarly domain. With its headquarters in Paris, France, ROMANTISME is poised to contribute significantly to the academic landscape from 1981 to 2024, making it a vital resource for students and researchers alike keen to interrogate the lasting legacy of Romantic thought and its relevance today.

MILLENNIUM FILM JOURNAL, published by MILLENNIUM FILM WORKSHOP INC, stands as a pivotal platform for exploration and discourse within the realm of film studies. With its ISSN 1064-5586, the journal has been noteworthy in delineating the complexities of visual arts and performing arts, contributing significantly to academic scholarship between the years 2009 to 2016, and in 2018. Though its coverage has been discontinued in Scopus, the journal has attained a respectable position within its category, ranking #320 out of 502 in the Arts and Humanities field. Researchers, professionals, and students alike are invited to engage with interdisciplinary discussions that illuminate the cultural and theoretical dimensions of cinema. While currently not offering open access options, the journal continues to serve as a vital resource for those deeply invested in the study of film, making it a respected voice in visual arts and performance research.

Framework: The Journal of Cinema and Media is a prominent academic journal published by Wayne State University Press, focusing on the dynamic fields of cinema studies and media theory. With an ISSN of 0306-7661 and an E-ISSN of 1559-7989, it serves as a key platform for researchers, professionals, and students to explore critical issues in media culture, film theory, and the intersection of digital technologies and narrative. Although it does not currently offer open access, the journal maintains a reputation for rigorous scholarship and thought-provoking content, providing insights that challenge conventional understandings of media and its impact on society. Published in Detroit, MI, Framework continues to engage with contemporary debates and innovative practices in cinema and media, making it an essential resource for those dedicated to advancing research in these vibrant disciplines.

FILM CRITICISM is a prestigious open-access journal dedicated to the study and review of cinema, offering a platform for scholars, critics, and students to engage deeply with the evolving landscape of film. Published by Film Criticism and based in the United States at Allegheny College, this journal has been contributing to film studies since 2002, with recent issues spanning from 2023 to 2024. Registered under ISSN 0163-5069, it is recognized in the Visual Arts and Performing Arts categories, achieving a commendable rank of #372 out of 667 in Scopus, placing it in the 44th percentile of its field. With an open-access policy implemented since 2016, FILM CRITICISM not only broadens accessibility to scholarly work but also enhances the dialogue around cinematic narratives, theories, and critiques. The journal's relevance is underscored by its current Q3 ranking, making it an essential resource for researchers and professionals alike who are invested in the critical examination of film.

The F Scott Fitzgerald Review is a distinguished journal published by Penn State University Press, dedicated to the critical examination and appreciation of the works of F. Scott Fitzgerald and their lasting impact on literature and culture. With an ISSN of 1543-3951 and an E-ISSN of 1755-6333, this journal publishes an array of scholarly articles, essays, and reviews that explore themes, styles, and the historical context of Fitzgerald's writings. Since its inception in 2017, it has established itself as a vital resource in the field of Literature and Literary Theory, achieving a Scopus ranking of #336 out of 1106, placing it in the 69th percentile of its category. While currently not an open access journal, it remains an essential medium for researchers, professionals, and students interested in enriching their understanding of Fitzgerald's literary contributions. The journal's commitment to rigorous scholarship and insightful analysis makes it a significant platform for ongoing discussions about one of America's literary giants.

The HENRY JAMES REVIEW, published by Johns Hopkins University Press, is a prominent academic journal dedicated to the exploration and critique of the literary works and legacy of renowned American author Henry James. Established to foster scholarly discourse, the journal aims to encourage innovative research, analysis, and interpretation within the fields of Literature and Literary Theory. Though it holds a Q4 category ranking in its domain as of 2023, the review plays a crucial role in providing a platform for dialogues about James's impact on modern literature and critical thought, especially as it converges from 2002 to 2024. With an ISSN of 0273-0340 and an E-ISSN of 1080-6555, the journal is accessible for academics, students, and professionals seeking to deepen their understanding of Jamesian themes, creative processes, and narrative structures. While currently not Open Access, the journal remains an essential resource for anyone engaged in literary studies, reflecting ongoing scholarly engagement with one of America's most esteemed authors.

Cine Documental is a prominent academic journal dedicated to the exploration of documentary cinema, encompassing a wide range of topics from historical analyses to contemporary critiques and theoretical frameworks. Published by CINE DOCUMENTAL, this journal provides an essential platform for researchers, filmmakers, and enthusiasts in the field of film studies, particularly focusing on the vital role that documentary plays in reflecting and shaping societal narratives. With an ISSN of 1852-4699, Cine Documental invites contributions that engage with both traditional and avant-garde documentary forms, fostering dialogue and innovation within the discipline. Although currently not operating under an open-access model, this journal is committed to maintaining a rigorous peer-review process, ensuring the quality and relevance of published works. Located in Buenos Aires, Argentina, and catering to a global audience, Cine Documental stands as a significant contributor to the advancement of film scholarship, making it an invaluable resource for students, academics, and professionals alike.

CINEASTE is a distinguished journal dedicated to the critical exploration of cinema, providing a platform for scholars, filmmakers, and enthusiasts to engage with the complexities of film studies. Established and published by CINEASTE, this periodical serves as a vital resource for those interested in the intersection of visual arts and performing arts. Although it is not currently offered as Open Access, CINEASTE remains a respected publication within the academic community, having been indexed in Scopus until 2016. With an ISSN of 0009-7004, it has established itself despite its lower ranking in the arts and humanities category, reflecting the competitive nature of this field. Researchers, students, and professionals alike will find ample opportunities for insightful discussion and scholarly contributions to the evolving landscape of cinematic discourse. CINEASTE continues to uphold its mission of enhancing film scholarship, making it a crucial reference point for anyone eager to deepen their understanding of cinema's artistic and cultural significance.

Studies in Documentary Film is a prominent academic journal published by Routledge Journals, Taylor & Francis Ltd that delves into the rich intersection of documentary filmmaking and critical academic discourse. With an ISSN of 1750-3280 and an E-ISSN of 1750-3299, this journal has emerged as a key resource for researchers, professionals, and students interested in the impact and evolution of documentary forms in contemporary culture. Recognized within the top tier of journals in Visual Arts and Performing Arts, achieving a Q1 ranking, it also holds a respectable Q3 classification in Communication, making it a vital platform for interdisciplinary dialogue. The journal boasts an impressive Scopus ranking of Rank #87/667 in Visual Arts and Performing Arts and an 87th percentile ranking, highlighting its significant influence and contribution to the field. Operating from the United Kingdom, the journal covers a diverse array of topics related to documentary film theory, practice, and cultural implications, inviting contributions that push the boundaries of traditional and contemporary research. While it does not offer open access, the journal's rigorous editorial standards ensure high-quality, peer-reviewed articles that resonate well with an academic audience committed to the study of documentary film.

Acta Universitatis Sapientiae-Film and Media Studies is a distinguished journal dedicated to the exploration of film and media within the broader context of cultural studies. Published by SCIENDO, this journal has been an essential resource for researchers, professionals, and students since it adopted an Open Access model in 2013, facilitating worldwide accessibility to cutting-edge scholarship. With its ISSN 2065-5924 and E-ISSN 2066-7779, Acta Universitatis Sapientiae aims to publish high-quality, peer-reviewed articles that promote innovative research and critical discourse in film and media studies. Located in Warsaw, Poland, and contributing to the international academic community, this journal provides a platform for interdisciplinary dialogue and the examination of emerging trends in media practices, theories, and technologies. By encouraging diverse perspectives, it not only enriches the academic landscape but also nurtures the next generation of scholars in this dynamic field.