Journal of British Cinema and Television, published by Edinburgh University Press, is a leading academic journal that explores the dynamic interplay between British cinema and television within the context of cultural studies. With an ISSN of 1743-4521 and E-ISSN of 1755-1714, this journal provides a platform for scholarly discourse, enabling researchers, professionals, and students to engage with critical analyses of screen media and its socio-political impact. As a Q3 journal in Communication and a Q1 journal in Visual Arts and Performing Arts for 2023, it occupies an influential position, particularly in the Arts and Humanities, where it ranks in the 90th percentile. The journal's scope encompasses a wide range of topics, from historical perspectives to contemporary practices in British visual culture, making it essential reading for anyone interested in the evolution and significance of screen studies in the UK. While it is not an open-access publication, the rigorous peer-review process ensures high academic standards and contributes to its esteemed reputation in the field. As it continues to converge from 2004 to 2024, the Journal of British Cinema and Television remains a vital resource for those seeking to deepen their understanding of British media and its global resonance.

Atalante-Revista de Estudios Cinematograficos, an esteemed open-access journal published by ASOC CINEFORUM L ATALANTE, has been a vital platform for scholarly discourse in the fields of Cultural Studies, History, and Visual Arts and Performing Arts since its inception in 2011. With a commitment to promoting innovative research and critical analyses, Atalante has earned a commendable reputation, achieving Q2 status in Cultural Studies and both Q1 rankings in History and Visual Arts for 2023. Based in Valencia, Spain, this journal not only serves as a conduit for scholars to disseminate findings but also provides unrestricted access to its contents since 2013, fostering a more informed and engaged academic community. With its diverse range of topics and the ability to access high-quality research at no cost, Atalante plays a crucial role in advancing the understanding of cinematic studies and its contextual significance in broader cultural narratives.

CINEFORUM is a distinguished journal published by the FEDERAZIONE ITALIANA CINEFORUM, focusing on the vibrant field of Visual Arts and Performing Arts. With an ISSN of 0009-7039, this journal serves as a significant platform for researchers and practitioners interested in critical discussions and analyses pertaining to cinema and performance. Although coverage in Scopus discontinued in 2020, CINEFORUM has established its standing with a category ranking in the Q4 quartile for Visual Arts, reflecting its niche yet passionate readership in the arts community. Based in Bergamo, Italy, the journal aims to foster a deeper understanding of cinematic and performative texts, offering insights and scholarly contributions that enhance the discourse within these artistic domains. Catering to an audience that includes researchers, professionals, and students, CINEFORUM remains an essential resource for those looking to explore the intersection of theory and practice in cinema and performing arts.

The HENRY JAMES REVIEW, published by Johns Hopkins University Press, is a prominent academic journal dedicated to the exploration and critique of the literary works and legacy of renowned American author Henry James. Established to foster scholarly discourse, the journal aims to encourage innovative research, analysis, and interpretation within the fields of Literature and Literary Theory. Though it holds a Q4 category ranking in its domain as of 2023, the review plays a crucial role in providing a platform for dialogues about James's impact on modern literature and critical thought, especially as it converges from 2002 to 2024. With an ISSN of 0273-0340 and an E-ISSN of 1080-6555, the journal is accessible for academics, students, and professionals seeking to deepen their understanding of Jamesian themes, creative processes, and narrative structures. While currently not Open Access, the journal remains an essential resource for anyone engaged in literary studies, reflecting ongoing scholarly engagement with one of America's most esteemed authors.

MILLENNIUM FILM JOURNAL, published by MILLENNIUM FILM WORKSHOP INC, stands as a pivotal platform for exploration and discourse within the realm of film studies. With its ISSN 1064-5586, the journal has been noteworthy in delineating the complexities of visual arts and performing arts, contributing significantly to academic scholarship between the years 2009 to 2016, and in 2018. Though its coverage has been discontinued in Scopus, the journal has attained a respectable position within its category, ranking #320 out of 502 in the Arts and Humanities field. Researchers, professionals, and students alike are invited to engage with interdisciplinary discussions that illuminate the cultural and theoretical dimensions of cinema. While currently not offering open access options, the journal continues to serve as a vital resource for those deeply invested in the study of film, making it a respected voice in visual arts and performance research.

Projections: The Journal for Movies and Mind is a leading scholarly publication dedicated to exploring the intricate relationship between cinema, cognition, and culture. Published by BERGHAHN JOURNALS, this journal has made significant strides since its inception in 2015, achieving impressive rankings in its fields, including a Q1 classification in both Cultural Studies and Visual Arts and Performing Arts for 2023. With an ISSN of 1934-9688 and an E-ISSN of 1934-9696, Projections engages the academic community by delivering innovative research that scrutinizes how films influence and reflect human thought processes and societal structures. While it operates outside the Open Access model, the journal offers critical insights and diverse perspectives that are essential for researchers, professionals, and students alike. With its remarkable impact factor and solid reputation in the arts and humanities domain, Projections serves as an indispensable resource for those dedicated to understanding the psychological and cultural implications of cinematic narratives.

The F Scott Fitzgerald Review is a distinguished journal published by Penn State University Press, dedicated to the critical examination and appreciation of the works of F. Scott Fitzgerald and their lasting impact on literature and culture. With an ISSN of 1543-3951 and an E-ISSN of 1755-6333, this journal publishes an array of scholarly articles, essays, and reviews that explore themes, styles, and the historical context of Fitzgerald's writings. Since its inception in 2017, it has established itself as a vital resource in the field of Literature and Literary Theory, achieving a Scopus ranking of #336 out of 1106, placing it in the 69th percentile of its category. While currently not an open access journal, it remains an essential medium for researchers, professionals, and students interested in enriching their understanding of Fitzgerald's literary contributions. The journal's commitment to rigorous scholarship and insightful analysis makes it a significant platform for ongoing discussions about one of America's literary giants.

POSITIF is a distinguished journal, published by POSITIF EDITIONS, focusing on the dynamic fields of Visual Arts and Performing Arts. With ISSN 0048-4911, this journal has been a significant contributor to the arts community since its establishment in 2002, and it continues to captivate readers with its upcoming issues projected until 2024. Based in the heart of France at 12 RUE PIERRE ET MARIE CURIE, 75005 PARIS, POSITIF serves as an invaluable platform for researchers, professionals, and students alike, promoting innovative discourse and critical analysis within the arts. Despite holding a Q4 category ranking in the 2023 classification and a Scopus rank of 637/667, its commitment to enhancing the understanding and appreciation of visual and performing arts remains steadfast. Researchers are invited to contribute to this growing body of knowledge, enriching the journal's scope and impact in a vibrant artistic landscape.

ANQ: A Quarterly Journal of Short Articles, Notes and Reviews is a distinguished publication hosted by Routledge Journals, Taylor & Francis Ltd, and plays a pivotal role in the fields of Cultural Studies, History, and Literature and Literary Theory. Since its inception in 1988, the journal has fostered a dynamic exchange of ideas, featuring concise articles that provide insightful analyses, reviews, and commentary on contemporary issues and historical perspectives, making it an invaluable resource for scholars and practitioners alike. With an impressive ranking within the 89th percentile in Literature and Literary Theory and consistently recognized in the Q2 and Q3 quartiles across key categories, ANQ stands as a testament to rigorous scholarship and innovation in research. While the journal operates under a traditional subscription model, its contributions significantly enrich the academic conversation, fostering insights that resonate across disciplines. Located in Milton Park, Abingdon, United Kingdom, ANQ invites researchers, professionals, and students to delve into its treasure trove of short articles and reviews, thereby enhancing their understanding and appreciation of cultural narratives and literary discourse.

Cine Documental is a prominent academic journal dedicated to the exploration of documentary cinema, encompassing a wide range of topics from historical analyses to contemporary critiques and theoretical frameworks. Published by CINE DOCUMENTAL, this journal provides an essential platform for researchers, filmmakers, and enthusiasts in the field of film studies, particularly focusing on the vital role that documentary plays in reflecting and shaping societal narratives. With an ISSN of 1852-4699, Cine Documental invites contributions that engage with both traditional and avant-garde documentary forms, fostering dialogue and innovation within the discipline. Although currently not operating under an open-access model, this journal is committed to maintaining a rigorous peer-review process, ensuring the quality and relevance of published works. Located in Buenos Aires, Argentina, and catering to a global audience, Cine Documental stands as a significant contributor to the advancement of film scholarship, making it an invaluable resource for students, academics, and professionals alike.