Studi Pasoliniani-Rivista Internazionale is a distinguished academic journal dedicated to the exploration of the works and influence of Pier Paolo Pasolini, an eminent figure in Italian literature and cinema. Published by Fabrizio Serra Editore in Italy, this journal adheres to a multidisciplinary approach that encompasses critical analyses in linguistics, literature, and literary theory, making it a valuable resource for researchers and scholars seeking to deepen their understanding of Pasolini's legacy. Currently, Studi Pasoliniani holds a Q4 quartile ranking in both Linguistics and Language and Literature and Literary Theory, reflecting its commitment to fostering scholarly discourse within these fields. Although the journal does not operate under an open access model, its publication from 2019 to 2023 assures that its content remains relevant and beneficial for academic inquiry. Researchers, professionals, and students alike will find this journal an indispensable venue for engaging with contemporary interpretations and critiques of Pasolini's oeuvre, amidst the rich cultural and historical contexts that inform his work.

Studies in Documentary Film is a prominent academic journal published by Routledge Journals, Taylor & Francis Ltd that delves into the rich intersection of documentary filmmaking and critical academic discourse. With an ISSN of 1750-3280 and an E-ISSN of 1750-3299, this journal has emerged as a key resource for researchers, professionals, and students interested in the impact and evolution of documentary forms in contemporary culture. Recognized within the top tier of journals in Visual Arts and Performing Arts, achieving a Q1 ranking, it also holds a respectable Q3 classification in Communication, making it a vital platform for interdisciplinary dialogue. The journal boasts an impressive Scopus ranking of Rank #87/667 in Visual Arts and Performing Arts and an 87th percentile ranking, highlighting its significant influence and contribution to the field. Operating from the United Kingdom, the journal covers a diverse array of topics related to documentary film theory, practice, and cultural implications, inviting contributions that push the boundaries of traditional and contemporary research. While it does not offer open access, the journal's rigorous editorial standards ensure high-quality, peer-reviewed articles that resonate well with an academic audience committed to the study of documentary film.

POSITIF is a distinguished journal, published by POSITIF EDITIONS, focusing on the dynamic fields of Visual Arts and Performing Arts. With ISSN 0048-4911, this journal has been a significant contributor to the arts community since its establishment in 2002, and it continues to captivate readers with its upcoming issues projected until 2024. Based in the heart of France at 12 RUE PIERRE ET MARIE CURIE, 75005 PARIS, POSITIF serves as an invaluable platform for researchers, professionals, and students alike, promoting innovative discourse and critical analysis within the arts. Despite holding a Q4 category ranking in the 2023 classification and a Scopus rank of 637/667, its commitment to enhancing the understanding and appreciation of visual and performing arts remains steadfast. Researchers are invited to contribute to this growing body of knowledge, enriching the journal's scope and impact in a vibrant artistic landscape.

Cinemas d Amerique Latine is a pivotal academic journal dedicated to the exploration and critical analysis of Latin American cinema. Published by PRESSES UNIV MIDI-PUM in France, this journal serves as an essential platform for scholars, practitioners, and students to engage with the diverse and dynamic landscape of visual storytelling throughout Latin America. With a dedicated focus on the cultural, historical, and aesthetic dimensions of film in this region, Cinemas d Amerique Latine aims to foster a deeper understanding of the cinematic narratives that shape and reflect Latin American societies. The journal has garnered a respectable Q3 ranking in the Visual Arts and Performing Arts category according to the latest 2023 evaluations, signifying its growing impact and relevance in the field. Despite its current lack of open access options, contributors can expect a rigorous peer-review process, ensuring the publication of high-quality research. Researchers exploring the rich tapestry of Latin American cinema will find Cinemas d Amerique Latine to be an invaluable resource in advancing their studies and contributing to vital scholarly conversations.

Junctures: The Journal for Thematic Dialogue is a distinguished academic platform published by Otago Polytechnic - Te Kura Matatini Ki Otago, based in New Zealand. With the ISSN 1176-5119 and E-ISSN 1179-8912, this journal offers a unique scope that encompasses cultural studies, literature, and the visual and performing arts, providing a critical space for scholars and practitioners to explore interdisciplinary thematic dialogues. Despite being categorized in the lower quartiles of the 2023 Scopus rankings, the journal serves as an important venue for emerging voices in the arts and humanities, facilitating innovative discussions around contemporary cultural issues. While currently not an open access journal, it remains dedicated to fostering scholarly engagement and thought-provoking discourse, enhancing the academic landscape from 2009 to 2012, and again from 2015 to 2020, with a resurgence in 2022 to 2023. Researchers, professionals, and students alike will find in Junctures a valuable resource for advancing the understanding and appreciation of the arts and culture.

The Paris Review is a distinguished literary journal published in France that has gained acclaim for its contributions to the fields of literature and literary theory. Established as a leading platform for contemporary literary discourse, this journal brings together a diverse array of voices, from emerging authors to established literary figures, offering readers rich insights into the world of literature. Despite its Scopus Rank placing it in the 2nd percentile within its category, it serves as a vital space for debate, reflection, and exploration in literary scholarship. The journal spans multiple converged years, specifically from 2002 to 2014 and from 2016 to 2024, and continues to engage its audience with thought-provoking content. Although currently not an Open Access publication, it remains accessible to a broad readership, making it an essential resource for researchers, students, and literary enthusiasts seeking a deeper understanding of literary trends and theory.

The Missouri Review, published by the University of Missouri, College of Arts and Science, is a prominent literary journal that serves as a platform for innovative and diverse voices in literature and literary theory. Established as a key publication within the United States, it holds an ISSN of 0191-1961 and an E-ISSN of 1548-9930, reflecting its reach in both print and digital formats. With a current ranking in the Q4 quartile for the year 2023, the journal is positioned in the lower echelon of the literature field as per Scopus rankings, emphasizing the growth potential for emerging scholars and established authors alike. The Missouri Review actively contributes to the scholarly discourse in literature, aiming to enhance understanding through the publication of original short stories, essays, and poetry that challenge and refine literary conventions. Researchers, professionals, and students interested in contemporary literary developments and trends should consider this journal a vital resource for insights and inspiration.

Journal of Screenwriting, published by INTELLECT LTD in the United Kingdom, is a leading academic journal dedicated to the evolving field of screenwriting. With an impact factor that places it in Quartile 1 for both Literature and Literary Theory as well as Visual Arts and Performing Arts, this journal stands at the forefront of scholarly discourse, facilitating an exchange of innovative ideas and research from 2014 to 2024. Targeting writers, researchers, and educators, the journal aims to enrich the understanding of screenwriting techniques, narrative structures, and industry trends through rigorous peer-reviewed articles, case studies, and critical analyses. While currently not an open-access journal, it provides essential insights for those invested in the art and craft of screenwriting, making it an invaluable resource for developing professionals and academics alike.

Film-Philosophy is an esteemed academic journal published by Edinburgh University Press, specializing in the intersection of film studies and philosophical discourse. Since its launch in 1998, this Open Access journal has provided a platform for scholarly debates and innovative research, allowing for free and unrestricted access to its content, which has significantly contributed to the global dialogue on visual culture. With a commendable impact illustrated by its Q1 ranking in Visual Arts and Performing Arts and Q2 in Philosophy, the journal sits within the top quartile of its field. Operating from the United Kingdom, Film-Philosophy is committed to fostering a multidisciplinary approach, inviting contributions from researchers, professionals, and students alike. By engaging with critical theories and the aesthetics of cinema, the journal stands as a vital resource for understanding the philosophical implications of film and its cultural significance.

The HENRY JAMES REVIEW, published by Johns Hopkins University Press, is a prominent academic journal dedicated to the exploration and critique of the literary works and legacy of renowned American author Henry James. Established to foster scholarly discourse, the journal aims to encourage innovative research, analysis, and interpretation within the fields of Literature and Literary Theory. Though it holds a Q4 category ranking in its domain as of 2023, the review plays a crucial role in providing a platform for dialogues about James's impact on modern literature and critical thought, especially as it converges from 2002 to 2024. With an ISSN of 0273-0340 and an E-ISSN of 1080-6555, the journal is accessible for academics, students, and professionals seeking to deepen their understanding of Jamesian themes, creative processes, and narrative structures. While currently not Open Access, the journal remains an essential resource for anyone engaged in literary studies, reflecting ongoing scholarly engagement with one of America's most esteemed authors.