Cine Documental is a prominent academic journal dedicated to the exploration of documentary cinema, encompassing a wide range of topics from historical analyses to contemporary critiques and theoretical frameworks. Published by CINE DOCUMENTAL, this journal provides an essential platform for researchers, filmmakers, and enthusiasts in the field of film studies, particularly focusing on the vital role that documentary plays in reflecting and shaping societal narratives. With an ISSN of 1852-4699, Cine Documental invites contributions that engage with both traditional and avant-garde documentary forms, fostering dialogue and innovation within the discipline. Although currently not operating under an open-access model, this journal is committed to maintaining a rigorous peer-review process, ensuring the quality and relevance of published works. Located in Buenos Aires, Argentina, and catering to a global audience, Cine Documental stands as a significant contributor to the advancement of film scholarship, making it an invaluable resource for students, academics, and professionals alike.

Acta Universitatis Sapientiae-Film and Media Studies is a distinguished journal dedicated to the exploration of film and media within the broader context of cultural studies. Published by SCIENDO, this journal has been an essential resource for researchers, professionals, and students since it adopted an Open Access model in 2013, facilitating worldwide accessibility to cutting-edge scholarship. With its ISSN 2065-5924 and E-ISSN 2066-7779, Acta Universitatis Sapientiae aims to publish high-quality, peer-reviewed articles that promote innovative research and critical discourse in film and media studies. Located in Warsaw, Poland, and contributing to the international academic community, this journal provides a platform for interdisciplinary dialogue and the examination of emerging trends in media practices, theories, and technologies. By encouraging diverse perspectives, it not only enriches the academic landscape but also nurtures the next generation of scholars in this dynamic field.

CINEFORUM is a distinguished journal published by the FEDERAZIONE ITALIANA CINEFORUM, focusing on the vibrant field of Visual Arts and Performing Arts. With an ISSN of 0009-7039, this journal serves as a significant platform for researchers and practitioners interested in critical discussions and analyses pertaining to cinema and performance. Although coverage in Scopus discontinued in 2020, CINEFORUM has established its standing with a category ranking in the Q4 quartile for Visual Arts, reflecting its niche yet passionate readership in the arts community. Based in Bergamo, Italy, the journal aims to foster a deeper understanding of cinematic and performative texts, offering insights and scholarly contributions that enhance the discourse within these artistic domains. Catering to an audience that includes researchers, professionals, and students, CINEFORUM remains an essential resource for those looking to explore the intersection of theory and practice in cinema and performing arts.

FILM CRITICISM is a prestigious open-access journal dedicated to the study and review of cinema, offering a platform for scholars, critics, and students to engage deeply with the evolving landscape of film. Published by Film Criticism and based in the United States at Allegheny College, this journal has been contributing to film studies since 2002, with recent issues spanning from 2023 to 2024. Registered under ISSN 0163-5069, it is recognized in the Visual Arts and Performing Arts categories, achieving a commendable rank of #372 out of 667 in Scopus, placing it in the 44th percentile of its field. With an open-access policy implemented since 2016, FILM CRITICISM not only broadens accessibility to scholarly work but also enhances the dialogue around cinematic narratives, theories, and critiques. The journal's relevance is underscored by its current Q3 ranking, making it an essential resource for researchers and professionals alike who are invested in the critical examination of film.

Film-Philosophy is an esteemed academic journal published by Edinburgh University Press, specializing in the intersection of film studies and philosophical discourse. Since its launch in 1998, this Open Access journal has provided a platform for scholarly debates and innovative research, allowing for free and unrestricted access to its content, which has significantly contributed to the global dialogue on visual culture. With a commendable impact illustrated by its Q1 ranking in Visual Arts and Performing Arts and Q2 in Philosophy, the journal sits within the top quartile of its field. Operating from the United Kingdom, Film-Philosophy is committed to fostering a multidisciplinary approach, inviting contributions from researchers, professionals, and students alike. By engaging with critical theories and the aesthetics of cinema, the journal stands as a vital resource for understanding the philosophical implications of film and its cultural significance.

CINEJ Cinema Journal, published by the University of Pittsburgh Library System, stands as a pivotal platform for scholarly discourse in the dynamic field of cinema studies. With an ISSN of 2159-2411 and an E-ISSN of 2158-8724, this Open Access journal has been dedicated to disseminating high-quality research since its inception in 2011. CINEJ provides an essential resource for researchers, practitioners, and students alike, exploring varied dimensions of cinema, including its cultural, historical, and technological implications. The journal is committed to fostering interdisciplinary dialogue, making it a vital asset for those seeking to deepen their understanding of cinema as an art form and social phenomenon. By engaging with contemporary issues and trends in the cinematic landscape, CINEJ encourages contributions that illuminate the intersection of film and social inquiry, ensuring its relevance in today’s academic ecosystem.

POSITIF is a distinguished journal, published by POSITIF EDITIONS, focusing on the dynamic fields of Visual Arts and Performing Arts. With ISSN 0048-4911, this journal has been a significant contributor to the arts community since its establishment in 2002, and it continues to captivate readers with its upcoming issues projected until 2024. Based in the heart of France at 12 RUE PIERRE ET MARIE CURIE, 75005 PARIS, POSITIF serves as an invaluable platform for researchers, professionals, and students alike, promoting innovative discourse and critical analysis within the arts. Despite holding a Q4 category ranking in the 2023 classification and a Scopus rank of 637/667, its commitment to enhancing the understanding and appreciation of visual and performing arts remains steadfast. Researchers are invited to contribute to this growing body of knowledge, enriching the journal's scope and impact in a vibrant artistic landscape.

Music Sound and the Moving Image is an esteemed journal published by Liverpool University Press, focusing on the intricate relationships between music, sound, and the moving image. Since its inception, the journal has aimed to foster a multidisciplinary discourse, engaging scholars and practitioners across the fields of musicology, media studies, and visual arts. With an ISSN of 1753-0768 and an E-ISSN of 1753-0776, it has solidified its presence in the academic community, evidenced by its diverse impact reflected in Scopus rankings, including Rank #63/180 in Music and Percentile 65th. The journal's classification in Q3 for Music and its active coverage from 2018 to 2024 enhances its relevance, making it a pivotal resource for researchers and creators who explore the dynamic interplay of sound and imagery. Although currently not available as Open Access, the journal offers a robust platform for peer-reviewed articles, contributing to the advancement of knowledge in this rapidly evolving field.

The F Scott Fitzgerald Review is a distinguished journal published by Penn State University Press, dedicated to the critical examination and appreciation of the works of F. Scott Fitzgerald and their lasting impact on literature and culture. With an ISSN of 1543-3951 and an E-ISSN of 1755-6333, this journal publishes an array of scholarly articles, essays, and reviews that explore themes, styles, and the historical context of Fitzgerald's writings. Since its inception in 2017, it has established itself as a vital resource in the field of Literature and Literary Theory, achieving a Scopus ranking of #336 out of 1106, placing it in the 69th percentile of its category. While currently not an open access journal, it remains an essential medium for researchers, professionals, and students interested in enriching their understanding of Fitzgerald's literary contributions. The journal's commitment to rigorous scholarship and insightful analysis makes it a significant platform for ongoing discussions about one of America's literary giants.

The Missouri Review, published by the University of Missouri, College of Arts and Science, is a prominent literary journal that serves as a platform for innovative and diverse voices in literature and literary theory. Established as a key publication within the United States, it holds an ISSN of 0191-1961 and an E-ISSN of 1548-9930, reflecting its reach in both print and digital formats. With a current ranking in the Q4 quartile for the year 2023, the journal is positioned in the lower echelon of the literature field as per Scopus rankings, emphasizing the growth potential for emerging scholars and established authors alike. The Missouri Review actively contributes to the scholarly discourse in literature, aiming to enhance understanding through the publication of original short stories, essays, and poetry that challenge and refine literary conventions. Researchers, professionals, and students interested in contemporary literary developments and trends should consider this journal a vital resource for insights and inspiration.