Sound Studies

Scope & Guideline

Exploring the Resonance of Sound in Society

Introduction

Welcome to your portal for understanding Sound Studies, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN2055-1940
PublisherTAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2015 to 2024
AbbreviationSOUND STUD / Sound Stud.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OR14 4RN, OXON, ENGLAND

Aims and Scopes

The journal 'Sound Studies' serves as a multidisciplinary platform that explores the intricate relationships between sound, culture, and society. Its core areas focus on the theoretical, historical, and practical dimensions of sound, offering insights into how auditory experiences shape human interactions and cultural narratives.
  1. Interdisciplinary Exploration of Sound:
    The journal emphasizes the intersection of various disciplines such as musicology, cultural studies, sociology, and technology, allowing for a rich analysis of sound phenomena.
  2. Historical and Cultural Contexts:
    Research published in the journal often contextualizes sound within specific historical and cultural frameworks, examining how sound has been perceived and utilized across different eras and societies.
  3. Technological Impact on Sound Practices:
    A consistent focus on the role of technology in shaping sound practices is evident, including discussions on recording technologies, sound art, and the implications of digital media.
  4. Sonic Politics and Power Dynamics:
    The journal frequently addresses themes of power and politics in relation to sound, exploring how sound can serve as a medium for resistance, identity formation, and social justice.
  5. Diversity and Inclusion in Sound Studies:
    There is a commitment to exploring diverse sound cultures, including those of marginalized communities, and understanding the implications of neurodiversity and aural accessibility.
Recent publications in 'Sound Studies' reveal a dynamic landscape of emerging themes that reflect contemporary societal issues and technological advancements. These trends indicate a shift towards interdisciplinary and inclusive frameworks in sound research.
  1. Technologies of Listening:
    There is a growing interest in how emerging technologies, such as AI and machine learning, impact listening practices and auditory experiences, particularly in the context of surveillance and data collection.
  2. Sonic Activism and Resistance:
    Recent papers highlight the role of sound in activism, focusing on how sonic practices can facilitate social movements and challenge dominant narratives, reflecting a heightened awareness of sound's political power.
  3. Multispecies Listening:
    An emerging theme is the exploration of sound across species, examining how humans engage with the sounds of non-human entities, which raises questions about empathy, environmental awareness, and coexistence.
  4. Neurodiversity and Aural Accessibility:
    The journal is increasingly addressing the importance of neurodiversity in sound studies, emphasizing the need for inclusive practices in listening environments and performances.
  5. Sound and Mental Health:
    There is a notable trend towards investigating the relationship between sound and mental health, exploring how auditory experiences can influence well-being and therapeutic practices.

Declining or Waning

As the field of sound studies evolves, certain themes appear to be declining in prominence. This shift may reflect changing academic interests or the emergence of new methodologies and topics within the discipline.
  1. Traditional Musicology:
    While still relevant, there seems to be a waning focus on traditional musicology approaches that primarily emphasize musical notation and formal analysis, as newer methodologies prioritize socio-cultural interpretations.
  2. Static Sonic Environments:
    Research that solely focuses on static or unchanging sound environments is becoming less common, as scholars increasingly explore dynamic and interactive soundscapes influenced by technology and human agency.
  3. Historical Archival Studies:
    Although historical perspectives remain important, there is a noticeable decline in studies that focus exclusively on archival research without integrating contemporary implications or connections to current sound practices.
  4. Acoustic Ecology in Isolation:
    Studies centered on acoustic ecology that do not engage with broader socio-political or environmental contexts are appearing less frequently, as the field shifts towards more integrative approaches.

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