Musica Tecnologia is an emerging journal that explores the intersection of music and technology, published by FIRENZE UNIV PRESS. With its ISSN 1974-0042 and E-ISSN 1974-0050, the journal serves as a platform for innovative research on the technical aspects of music creation, distribution, and performance. Despite being relatively new, having converged its years from 2020 to 2024, it has already established itself within academic circles, as evidenced by its Q4 ranking in categories such as Computer Science Applications, Electrical and Electronic Engineering, and Music. While the journal does not currently offer Open Access, it provides a crucial avenue for both established scholars and emerging researchers in the arts and technology to disseminate their findings. The potential to influence practices in music technology is significant, making Musica Tecnologia a valuable resource for those looking to stay at the forefront of interdisciplinary research. The journal is located in Florence, Italy, and continues to build its reputation as a meaningful contributor to the fields of music and technology.

World of Music-New Series, an esteemed journal published by VWB-VERLAG WISSENSCHAFT & BILDUNG, serves as a pivotal platform for scholarly discourse in the field of music studies. With an ISSN of 0043-8774 and a significant presence in the academic community, this journal has demonstrated its commitment to advancing knowledge in music through rigorous peer-reviewed research. Since its inception in 2002, the journal has undergone several converged years, culminating in its current iteration which continues to publish innovative work as of 2023. Recognized for its contributions, World of Music-New Series holds a Q3 category ranking in the Music category and is positioned within the 52nd percentile among its peers, reflecting its growing impact in the arts and humanities domain. Although currently not an open access journal, it remains an essential resource for researchers, professionals, and students seeking to deepen their understanding of music theory, history, and cultural implications. Located in Germany at URBANSTRASSE 71, D-10967 BERLIN, this journal is committed to promoting diverse voices and perspectives within the music scholarship landscape.

REVISTA DE ESTUDIOS HISPANICOS is a distinguished academic journal published in the United States, dedicated to the exploration of Hispanic studies through a multifaceted lens that encompasses literature, cultural studies, and the performing arts. Established to serve as a platform for innovative research and critical discourse, this journal presents a vibrant collection of peer-reviewed articles that contribute to the understanding of Hispanic cultures and their global impact. With an ISSN of 0034-818X, the journal operates from the esteemed Washington University in St. Louis, providing a scholarly refuge for researchers and students alike. Despite its Q4 status in Cultural Studies, it boasts commendable positions in both Literature and Literary Theory and Visual Arts and Performing Arts (Q3), reflecting its evolving influence in these fields. Although currently not an open-access publication, it remains accessible for institutional subscribers and dedicated scholars eager to delve into its rich content. The REVISTA DE ESTUDIOS HISPANICOS aims to foster dialogue and interdisciplinary research, making it an essential resource for anyone committed to advancing knowledge and appreciation of Hispanic heritage and arts.

SOUND AND VIBRATION, published by TECH SCIENCE PRESS, is a pivotal journal in the fields of Acoustics and Ultrasonics, Mechanical Engineering, and Safety, Risk, Reliability, and Quality. With an ISSN of 1541-0161, this journal has been a reliable source of innovative research and developments from its inception in 1976 through to 2024. Although it currently ranks in the Q4 category on Scopus, it serves as a vital platform for the dissemination of studies focusing on sound and vibration phenomena, contributing to the understanding and advancement of engineering principles. Researchers and professionals are encouraged to utilize this journal to gain insights into critical acoustic applications and mechanical dynamics. While SOUND AND VIBRATION does not operate under an Open Access model, it remains a valuable asset for anyone committed to exploring the various ramifications of sound and vibration in engineering and applied sciences.

Acoustics is a dynamic, peer-reviewed open access journal published by MDPI, dedicated to advancing the field of acoustics since its inception in 2019. With an E-ISSN of 2624-599X, this journal serves as a pivotal platform for researchers, professionals, and students engaged in the study of sound, its generation, transmission, and reception, as well as its applications across various domains, such as engineering, environmental science, and health. Based in Switzerland, Acoustics has quickly established its reputation, achieving a commendable Q2 ranking in the Acoustics and Ultrasonics category, as well as a noteworthy 16th position out of 44 in Scopus ranking, placing it in the 64th percentile among its peers. The journal aims to provide a comprehensive understanding of acoustic phenomena through interdisciplinary collaborations and innovative research, while ensuring immediate and free access to all published articles. For those vested in the ever-evolving landscape of acoustics, this journal represents a crucial resource for the latest developments and findings in the field.

Organised Sound, published by Cambridge University Press, stands as a pivotal journal in the fields of Music and Computer Science Applications, reflecting its commitment to advancing interdisciplinary research related to sound and music technologies. Established in 1996, this biannual journal encourages the exploration of new forms of composition, performance, and listening practices using contemporary technological advancements. With an impressive Q1 ranking in Music and a notable place within the top 79th percentile of its category according to Scopus, Organised Sound provides a unique platform for researchers, practitioners, and artists to share innovative ideas and collaborate across disciplines. The journal's rigorous peer-review process ensures high-quality contributions that are informed by the latest theoretical and practical developments. Although currently not an open-access journal, it remains highly regarded for its scholarly depth and relevance in today’s rapidly evolving soundscape.

Computer Music Journal, published by MIT Press, stands as a prominent platform for scholarly discourse in the intersection of music and technology. With its origins dating back to 1982, the journal spans an extensive range of topics, from computer-generated music and sound synthesis to interactive musical systems and multimedia art. Despite not being an open-access journal, it has garnered significant recognition, reflected in its rankings across various fields—placing 22nd in Music within Arts and Humanities and achieving a Q2 category status in Music for 2023. This publication is invaluable for researchers, practitioners, and enthusiasts alike, offering critical insights that expand the boundaries of musical composition and technological innovation. With its robust history and commitment to advancing the understanding of computer music, the Computer Music Journal continues to be a critical resource in both the academic and artistic communities.

The Journal of Chinese Cinemas, published by Routledge Journals, Taylor & Francis Ltd, is a leading platform dedicated to advancing the field of film studies with a focus on cinema from China. With an ISSN of 1750-8061 and an E-ISSN of 1750-807X, this journal provides a comprehensive examination of the cultural, social, and political dynamics inherent in Chinese cinema. Ranked in the Q3 category for Communication and Q1 for Visual Arts and Performing Arts in 2023, it stands out in the academic landscape, particularly noted for its innovative research and diverse discourse. It holds a respectable position in Scopus rankings, coming in at #219 within Visual Arts and Performing Arts, indicating its growing impact among scholars and practitioners alike. With its commitment to publishing high-quality research from 2012 onwards, the journal serves as an essential resource for researchers, professionals, and students eager to deepen their understanding of the evolving landscape of Chinese cinema.

Art Style, an esteemed journal published by Art Style Communication & Editions, is dedicated to the exploration and advancement of contemporary art practices and theoretical discourse. Since its inception in 2019, this Open Access journal has provided a vibrant platform for academics, artists, and enthusiasts to share innovative research and critical insights across a diverse array of artistic disciplines. With an ISSN of 2596-1802 and an E-ISSN of 2596-1810, Art Style aims to foster dialogue and collaboration within the global art community, making valuable contributions to the field. The journal not only seeks to highlight emerging trends and practices in art but also to challenge existing narratives, ensuring that diverse voices are heard and represented. As a vital resource for researchers, professionals, and students, Art Style aspires to enhance the understanding and appreciation of contemporary art through quality scholarship and open access to knowledge.

Applied Acoustics is a prestigious peer-reviewed journal published by Elsevier Science Ltd, dedicated to advancing the field of acoustics and ultrasonics. With an impressive impact factor that places it in the Q1 category for the 2023 Acoustics and Ultrasonics rankings and a strong Scopus rank of #7 out of 44 in its field, this journal serves as an essential resource for researchers, professionals, and students. Covering a broad range of topics related to practical applications of sound in various industries, Applied Acoustics offers insights into innovative technologies and methods that push the boundaries of acoustic research. The journal spans from its inception in 1968 to its continuation through 2025, promising a wealth of historical and contemporary studies. While not currently an open-access publication, it remains a pivotal platform for disseminating high-quality research findings and fostering collaboration within the global acoustics community.