Transnational Screens

Scope & Guideline

Bridging Cultures Through the Lens of Contemporary Media

Introduction

Immerse yourself in the scholarly insights of Transnational Screens with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageEnglish
ISSN2578-5273
PublisherTAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2020 to 2024
AbbreviationTRANSNATL SCRE / Transnatl. Screens
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OR14 4RN, OXON, ENGLAND

Aims and Scopes

The journal 'Transnational Screens' focuses on the intersections of cinema, media, and cultural studies across borders, emphasizing transnational dynamics in film production, representation, and audience engagement.
  1. Transnational Film Studies:
    The journal explores how films transcend national boundaries, examining co-productions, cultural exchanges, and the impact of global cinema on local identities.
  2. Cultural Representation and Identity:
    A consistent focus on how films represent diverse identities and cultures, including analyses of gender, race, and ethnicity in transnational contexts.
  3. Audience Reception and Engagement:
    Research on how audiences engage with transnational films, including the influence of streaming platforms and global distribution on viewing habits.
  4. Historical and Contemporary Perspectives:
    The journal covers both historical and contemporary cinema, addressing how past film practices inform current transnational trends.
  5. Interdisciplinary Approaches:
    Utilizing methodologies from various fields such as cultural studies, media studies, and sociology, the journal emphasizes interdisciplinary perspectives in film analysis.
The journal 'Transnational Screens' has seen a rise in certain themes reflecting current global trends and issues in cinema and media studies.
  1. Sino-International Collaborations:
    Recent publications highlight the growing significance of Sino-international film co-productions, reflecting broader geopolitical dynamics and cultural diplomacy.
  2. Queer Cinema and Representation:
    There is an emerging focus on queer cinema within transnational contexts, exploring how LGBTQ+ narratives are represented and received across different cultures.
  3. Digital and Streaming Media:
    The impact of digital platforms on transnational cinema is increasingly emphasized, with research on how streaming services reshape audience engagement and film production.
  4. Transnational Feminisms:
    A notable trend is the exploration of transnational feminist approaches in cinema, addressing issues of gender, power, and representation in global contexts.
  5. Cinematic Responses to Global Crises:
    Emerging themes include how cinema responds to global crises, such as migration, cultural memory, and political upheaval, showcasing the role of film in contemporary societal discussions.

Declining or Waning

While 'Transnational Screens' continues to engage with a wide array of themes, certain topics appear to be diminishing in frequency or focus in recent publications.
  1. Traditional National Cinema:
    There seems to be a waning interest in traditional forms of national cinema, as the focus shifts towards more fluid and hybrid forms of transnational storytelling.
  2. Static Cultural Narratives:
    Papers that center on fixed cultural narratives without considering their transnational implications are less prevalent, indicating a shift towards more dynamic analyses of cultural intersections.
  3. Historical Film Analysis:
    There is a noticeable decline in articles strictly analyzing historical films in isolation, with a preference for examining their transnational relevance and connections.

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