Opus is an esteemed open-access journal published by the Associação Nacional de Pesquisa e Pós-Graduação em Música in Brazil, focusing on the field of music studies. With an ISSN of 1517-7017, Opus has been dedicated to fostering innovative research since its inception and has embraced the open-access model since 2009, ensuring that its findings are readily accessible to scholars and enthusiasts globally. The journal has achieved a commendable Q2 ranking in Music as of 2023, showcasing its impact and relevance within the arts and humanities. Although currently ranked #130 out of 180 in Scopus in the music category, Opus maintains a commitment to enhancing the scholarly discourse in musicology through empirical studies, theoretical analyses, and interdisciplinary approaches. The journal's convergence over the years, from 2017 to 2024, reflects its dedication to evolving educational and research methodologies in music. Situated in the vibrant academic landscape of Campinas, SP, Brazil, Opus invites researchers, professionals, and students to contribute to its mission of exploring the multifaceted dimensions of music.

World of Music-New Series, an esteemed journal published by VWB-VERLAG WISSENSCHAFT & BILDUNG, serves as a pivotal platform for scholarly discourse in the field of music studies. With an ISSN of 0043-8774 and a significant presence in the academic community, this journal has demonstrated its commitment to advancing knowledge in music through rigorous peer-reviewed research. Since its inception in 2002, the journal has undergone several converged years, culminating in its current iteration which continues to publish innovative work as of 2023. Recognized for its contributions, World of Music-New Series holds a Q3 category ranking in the Music category and is positioned within the 52nd percentile among its peers, reflecting its growing impact in the arts and humanities domain. Although currently not an open access journal, it remains an essential resource for researchers, professionals, and students seeking to deepen their understanding of music theory, history, and cultural implications. Located in Germany at URBANSTRASSE 71, D-10967 BERLIN, this journal is committed to promoting diverse voices and perspectives within the music scholarship landscape.

The Journal of the Musical Arts in Africa is a premier academic publication dedicated to exploring the rich and diverse musical traditions of the African continent. Published by ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, this journal offers a vital platform for researchers, professionals, and students in the field of musicology. With an ISSN of 1812-1004 and E-ISSN of 2070-626X, the journal has established itself as a significant contributor to the scholarly discourse surrounding African musical practices. With an impact factor reflecting its growing influence, the Journal of the Musical Arts in Africa is categorized in the Q3 quartile of music journals according to the latest metrics, placing it among an essential cadre of publications in the field. The journal invites original research articles, reviews, and critical essays that aim to expand the understanding of music as an integral part of African culture. It has been continuously publishing since 2004 and encompasses a wide range of topics, making it a must-read for anyone interested in the intersections of music, culture, and identity on the African continent. The journal stands as a testament to the vibrant musical heritage of Africa and encourages scholarly contributions that highlight the importance of music in reflecting and shaping societal values.

Ethnomusicology Forum is a premier journal dedicated to the interdisciplinary study of music within its cultural contexts, published by Routledge Journals, Taylor & Francis Ltd. With an ISSN of 1741-1912 and an E-ISSN of 1741-1920, this journal plays a crucial role in advancing the field of ethnomusicology, offering insights into the diverse musical expressions found across the globe. As part of the academic landscape in the United Kingdom, the journal has established a commendable reputation, achieving Q2 rankings in both Anthropology and Music categories in 2023. Also noteworthy is its Scopus ranking, placing it in the 76th percentile in the Arts and Humanities category for Music and the 57th percentile in Social Sciences for Anthropology, reflecting its impact and scholarly importance. The Ethnomusicology Forum seeks to engage researchers, professionals, and students alike, providing a platform for innovative approaches to understanding music's role in society. Published annually and designated for a wide range of scholarly articles, the journal is essential for anyone looking to deepen their knowledge of music's cultural significance and its anthropological implications.

HUDEBNI VEDA is a distinguished journal published by the Czech Academy of Sciences Press, specializing in the field of music. With its ISSN 0018-7003 and E-ISSN 2694-6998, this journal serves as a vital platform for scholarly communication in music studies, promoting innovative research and critical discourse. Since its inception in 2002 and scheduled for continuation until 2024, it has emerged as a respected publication within the music academic community, though currently holding a Category Quartiles ranking of Q4 in Music. Notably, it ranks #127 out of 180 in the Scopus Arts and Humanities - Music category, placing it in the 29th percentile. While it operates under traditional access constraints, HUDEBNI VEDA is committed to fostering an inclusive academic environment, inviting contributions that push the boundaries of musicology. This journal is essential for researchers, professionals, and students eager to explore and engage with contemporary issues and developments in the study of music.

The Journal of the Society for American Music is a leading academic journal dedicated to the study of American music and its diverse cultural contexts. Published by Cambridge University Press, this journal serves as a vital platform for researchers and professionals in the fields of musicology, ethnomusicology, and American studies, contributing significantly to scholarly discourse and advancing knowledge in these areas. With an impressive impact factor reflecting its academic rigor, it is placed in Q2 of the music category as of 2023 and ranks #55 out of 180 in the Arts and Humanities segment, placing it in the 69th percentile among its peers. Since its inception, the journal has published a wealth of articles, reviews, and critical studies that explore the rich tapestry of American musical traditions from historical and contemporary perspectives. It operates under a subscription model, ensuring a wide distribution and accessibility to its important findings. Researchers, students, and professionals alike will find the journal an essential resource for advancing their understanding of the dynamic landscape of American music.

MUSIC & LETTERS, published by Oxford University Press, is a prominent academic journal that has been at the forefront of musicology and music studies since its inception in 1920. With an ISSN of 0027-4224 and an E-ISSN of 1477-4631, the journal provides a platform for scholarly articles that explore the rich interplay between music and literature, contributing significantly to the understanding of musical context, form, and societal impact. As of 2023, it holds a respectable Q3 rank in Music within its category, positioned at Rank #66 out of 180 in the Scopus Arts and Humanities Music category. Despite not being an Open Access journal, its rigorous peer-review process and commitment to high-quality research make it an essential resource for researchers, professionals, and students alike. The journal's scope encompasses various genres and historical periods, ensuring a comprehensive examination of music's role in culture and community, thereby enhancing the scholarly discourse within this vibrant field. Based in the United Kingdom, at Great Clarendon St, Oxford OX2 6DP, England, MUSIC & LETTERS continues to inspire and inform the global music scholarly community.

MUSIKTHEORIE is a pivotal journal dedicated to the field of music theory, published by LAABER-VERLAG. With its ISSN 0177-4182, this journal serves as an essential platform for scholars, educators, and practitioners interested in the multifaceted dimensions of music theory. Although it does not currently offer open access, it provides in-depth analyses and critical discourse on theoretical frameworks, compositional techniques, and historical perspectives in music. Despite its coverage in Scopus being discontinued after 2018 and ranking within the 5th percentile of Arts and Humanities - Music, MUSIKTHEORIE remains a respected publication for advancing knowledge and fostering collaboration within the musicological community. Researchers and students alike can benefit from its rich content and the insights shared within its pages.

British Journal of Music Education is a prestigious academic publication dedicated to advancing the field of music education. Published by Cambridge University Press, it benefits from a notable impact factor that positions it in the Q2 category in Education and the Q1 category in Music as of 2023. This journal serves as a vital platform for researchers, educators, and students alike, focusing on innovative research, pedagogical studies, and theoretical discussions that shape the practice of music education globally. Since its inception in 1984, the journal has contributed significantly to the understanding of music pedagogy and continues to be relevant and influential, currently spanning the years from 1984 to 1998 and 2007 to 2024. With impressive rankings, including rank #16/180 in Arts and Humanities (Music) and rank #669/1543 in Social Sciences (Education) on Scopus, it highlights the journal's commitment to scholarly excellence. Though it does not currently offer open access, its contributions are an essential resource for anyone involved in the education landscape of music.

Folk Music Journal, published by the English Folk Dance Song Society, is a prominent publication within the fields of Music and Visual Arts and Performing Arts. This journal, based in the United Kingdom at Cecil Sharp House, has been instrumental in advancing the study and appreciation of folk music, sharing invaluable research and insights from 2002 until its recent coverage concluded in 2020. Notably indexed with a Q3 rank in both the Music and Visual Arts categories for 2023, it stands as a significant resource for researchers, professionals, and students alike, contributing to a deeper understanding of folk music's cultural impact. Although it does not currently offer Open Access, the journal has fostered scholarly discourse, reflecting its vital role in the preservation and analysis of traditional musical forms.