World of Music-New Series, an esteemed journal published by VWB-VERLAG WISSENSCHAFT & BILDUNG, serves as a pivotal platform for scholarly discourse in the field of music studies. With an ISSN of 0043-8774 and a significant presence in the academic community, this journal has demonstrated its commitment to advancing knowledge in music through rigorous peer-reviewed research. Since its inception in 2002, the journal has undergone several converged years, culminating in its current iteration which continues to publish innovative work as of 2023. Recognized for its contributions, World of Music-New Series holds a Q3 category ranking in the Music category and is positioned within the 52nd percentile among its peers, reflecting its growing impact in the arts and humanities domain. Although currently not an open access journal, it remains an essential resource for researchers, professionals, and students seeking to deepen their understanding of music theory, history, and cultural implications. Located in Germany at URBANSTRASSE 71, D-10967 BERLIN, this journal is committed to promoting diverse voices and perspectives within the music scholarship landscape.

POPULAR MUSIC AND SOCIETY, published by Taylor & Francis Ltd, is a leading interdisciplinary journal that explores the intricate relationships between popular music and social dynamics. With an ISSN of 0300-7766 and E-ISSN 1740-1712, this esteemed journal has established a significant presence in the academic community since its inception, covering a broad scope from 1971 and continuing to provide critical insights into contemporary issues in popular music research. Currently classified as Q1 in both Cultural Studies and Music for 2023, it ranks impressively within the top quartile of its fields, showcasing its scholarly impact and relevance. With a Scopus ranking of #42 in Music and #305 in Cultural Studies, POPULAR MUSIC AND SOCIETY serves as an essential platform for researchers, educators, and students to engage with innovative theories and analyses that reflect the evolving cultural landscape. The journal does not currently offer Open Access options, ensuring a focused readership that values in-depth scholarly work. Nestled in the United Kingdom, this publication continues to shape discussions around music's role in society, making it a pivotal resource for those dedicated to understanding the cultural significance of popular music.

REVUE DE MUSICOLOGIE is a prominent academic journal dedicated to the diverse field of musicology, published by EDITIONS TRANSATLANTIQUES in France. With an ISSN of 0035-1601, this journal has been a key platform for researchers and scholars since its inception, fostering scholarly discourse and advancing the understanding of music's cultural, theoretical, and historical dimensions. Although it currently holds a Q4 category in Music according to the 2023 quartiles and is ranked #140 in the Scopus Arts and Humanities Music category, REVUE DE MUSICOLOGIE continues to publish valuable insights that contribute to the global musicological landscape. The journal does not offer open access, adhering to standard subscription models. Its primary objective is to provide a rigorous forum for original research articles, reviews, and theoretical discussions, making it an essential resource for academics, professionals, and students in the field of musicology. Located at 50 RUE JOSEPH DE MAISTRE, 75018 PARIS, FRANCE, it promises to remain a vital part of music research through 2023 and beyond.

Musicology Today, published by SCIENDO, is a pivotal journal in the field of musicology, presenting a platform for scholars, researchers, and practitioners to disseminate their findings and engage with current trends in music research. With its ISSN 1734-1663 and E-ISSN 2353-5733, the journal aims to provide a comprehensive overview of various aspects of music, including theory, history, and ethnomusicology, fostering a multidisciplinary dialogue among its contributors. Located in Warsaw, Mazovia, Poland, this journal is not only committed to high academic standards but also to promoting open access to knowledge, thereby enhancing accessibility for a global audience. As it continues to bolster its reputation in the academic community, Musicology Today plays an essential role in shaping the future of music scholarship and invites the engagement of seasoned researchers and emerging voices alike.

The Malaysian Journal of Music is a distinguished academic publication dedicated to the exploration and advancement of music and cultural studies within the Southeast Asian context. Published by UNIV PENDIDIKAN SULTAN IDRIS, FACULTY OF MUSIC & PERFORMING ARTS, this journal contributes significantly to the field by disseminating high-quality research and scholarship related to both traditional and contemporary music practices in Malaysia and beyond. Since its inception in 2018, the journal has earned a Q3 categorization in both Cultural Studies and Music, reflecting its commitment to fostering a comprehensive understanding of these interdisciplinary areas. As of now, it ranks 90th out of 180 in the domain of Arts and Humanities focused on Music, positioning it firmly within the academic discourse. The Malaysian Journal of Music serves as an invaluable resource for researchers, professionals, and students alike, providing insights into the rich tapestry of music, culture, and their societal impacts. The journal is dedicated to open access publishing, ensuring that knowledge is shared widely and freely, further solidifying its role as a cornerstone for music scholarship in Malaysia.

Musicologist is a premier academic journal dedicated to the exploration and analysis of music theory, history, and practice, published by the esteemed Trabzon University State Conservatory in Turkey. With an ISSN of 2618-5652, this journal has been a vital platform for scholars since its inception in 2019, reflecting a commitment to fostering innovative research in the field of music. Recognized for its quality, the journal currently holds a Q2 ranking in the music category for 2023, placing it within the top segments of its discipline, as evidenced by its position at #72 out of 180 in the Scopus rankings, representing the 60th percentile. Although the journal employs a traditional publication model, it serves as a crucial repository for contemporary musicological discourse, aiming to advance knowledge and understanding within a vibrant academic community. Musicologist is not only a resource for seasoned researchers but also an invaluable tool for students and professionals alike, nurturing a comprehensive appreciation of music as an art form and scholarly pursuit.

Circuit is a prominent academic journal published by PRESSES UNIV MONTREAL, specializing in the field of electrical engineering and circuit design. With its ISSN 1183-1693, the journal serves as a vital platform for disseminating cutting-edge research, innovative methodologies, and breakthrough technologies that shape the future of circuit theory and applications. Despite the absence of an official impact factor, the journal maintains a commitment to rigorous peer review and scholarly excellence, ensuring high-quality content for its readers. Although it operates under a traditional subscription model rather than Open Access, Circuit is essential for researchers, professionals, and students seeking to deepen their knowledge in circuit engineering and related disciplines. Its position within academic literature makes it an invaluable resource for advancing the understanding and development of electrical systems, highlighting the ongoing importance of this field in a technology-driven world.

The Journal of the Society for American Music is a leading academic journal dedicated to the study of American music and its diverse cultural contexts. Published by Cambridge University Press, this journal serves as a vital platform for researchers and professionals in the fields of musicology, ethnomusicology, and American studies, contributing significantly to scholarly discourse and advancing knowledge in these areas. With an impressive impact factor reflecting its academic rigor, it is placed in Q2 of the music category as of 2023 and ranks #55 out of 180 in the Arts and Humanities segment, placing it in the 69th percentile among its peers. Since its inception, the journal has published a wealth of articles, reviews, and critical studies that explore the rich tapestry of American musical traditions from historical and contemporary perspectives. It operates under a subscription model, ensuring a wide distribution and accessibility to its important findings. Researchers, students, and professionals alike will find the journal an essential resource for advancing their understanding of the dynamic landscape of American music.

Musicologica Brunensia, an esteemed journal published by Masaryk University, Faculty of Arts, serves as a significant platform for the dissemination of knowledge in the field of musicology. Based in the Czech Republic, this Open Access journal has been facilitating scholarly communication since 2009, allowing unrestricted access to its rich array of research articles. With an ISSN of 1212-0391 and an E-ISSN of 2336-436X, Musicologica Brunensia proudly holds a Q3 ranking in the Music category as of 2023, reflecting its dedication to advancing research in the arts and humanities, particularly music. The journal accepts contributions spanning diverse topics within music studies, fostering interdisciplinary dialogue among researchers, professionals, and students alike. Located at Arne Novaka 1, Brno, 60200, Czech Republic, Musicologica Brunensia is poised to continue its journey of promoting innovative scholarship in musicology until 2024 and beyond, making it a valuable resource for anyone passionate about the field.

The INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC, published by the Croatian Musicological Society, is a pivotal scholarly journal dedicated to the intricate intersection of music, aesthetics, and sociology. With a special focus on exploring the cultural and social dimensions of music, this journal serves as a platform for researchers, professionals, and students alike to disseminate innovative ideas and transformative research. Although it operates under a traditional access model, the journal's impact within the field of music studies is underscored by its commendable Scopus ranking in the Q3 category and its established history from 2009 to 2016, with a renewed focus from 2018 to 2023. With an ISSN of 0351-5796, it continues to shape academic discourse with its insightful contributions and is essential for those aiming to engage deeply with the evolving dynamics of music in society.