YEARBOOK FOR TRADITIONAL MUSIC

Scope & Guideline

Exploring the Melodies of Tradition

Introduction

Explore the comprehensive scope of YEARBOOK FOR TRADITIONAL MUSIC through our detailed guidelines, including its aims and scope. Stay updated with trending and emerging topics, and delve into declining areas to understand shifts in academic interest. Our guidelines also showcase highly cited topics, featuring influential research making a significant impact. Additionally, discover the latest published papers and those with high citation counts, offering a snapshot of current scholarly conversations. Use these guidelines to explore YEARBOOK FOR TRADITIONAL MUSIC in depth and align your research initiatives with current academic trends.
LanguageMulti-Language
ISSN0740-1558
PublisherCAMBRIDGE UNIV PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2002 to 2024
AbbreviationYEARB TRADIT MUSIC / Yearb. Tradit. Mus.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressEDINBURGH BLDG, SHAFTESBURY RD, CB2 8RU CAMBRIDGE, ENGLAND

Aims and Scopes

The Yearbook for Traditional Music serves as a prominent platform for the exploration and documentation of traditional music practices across the globe. It aims to foster a deeper understanding of the cultural, social, and political contexts in which traditional music operates, while also highlighting the dynamic interactions between music and various aspects of human life.
  1. Ethnomusicological Research:
    The journal is dedicated to ethnomusicological studies that examine the music of different cultures through comprehensive fieldwork and analysis, emphasizing the importance of context and cultural significance.
  2. Interdisciplinary Approaches:
    It encourages interdisciplinary methodologies, integrating perspectives from anthropology, sociology, and cultural studies to enrich the understanding of music traditions and their societal roles.
  3. Global Perspectives on Traditional Music:
    The journal showcases a diverse range of musical traditions from around the world, focusing on both well-documented and underrepresented musical forms, thus promoting a global dialogue about musical heritage.
  4. Cultural Preservation and Revitalization:
    A significant emphasis is placed on the role of music in cultural identity, preservation, and revitalization efforts, particularly among indigenous and marginalized communities.
  5. Innovative Performance Practices:
    The Yearbook also explores contemporary performance practices and innovations within traditional music genres, reflecting on how they adapt and evolve in modern contexts.
Recent publications in the Yearbook for Traditional Music reflect evolving interests and emerging themes that signify a shift in the field. These trends are indicative of contemporary issues and global challenges that intersect with traditional music practices.
  1. Musical Activism and Social Justice:
    There is a growing focus on how traditional music acts as a form of activism and a medium for social justice, reflecting current global movements and the role of music in political discourse.
  2. Community and Identity:
    Research increasingly emphasizes the relationship between music, community engagement, and identity formation, particularly in the context of diaspora and migration.
  3. Ecological and Environmental Concerns:
    Emerging themes explore the intersection of traditional music with ecological issues, highlighting how music can respond to and reflect environmental changes and challenges.
  4. Digital Ethnomusicology:
    The rise of digital platforms and online dissemination of music has led to new research on how these technologies impact traditional music practices and cultural transmission.
  5. Transnational Musical Practices:
    There is a noticeable trend towards examining transnational influences and hybrid musical forms that emerge from the interactions between different cultures.

Declining or Waning

While the Yearbook for Traditional Music continues to thrive in many areas, certain themes have seen a decline in focus over recent years. These waning scopes reflect changing research interests and the evolving landscape of traditional music studies.
  1. Historical Musicology:
    There has been a noticeable decrease in papers focused solely on historical musicological analysis, as contemporary ethnomusicological approaches that emphasize present-day practices and meanings take precedence.
  2. Western Classical Music Traditions:
    Research centered on Western classical music traditions has diminished, as the journal increasingly prioritizes non-Western music traditions and the contexts surrounding them.
  3. Music Theory and Analysis:
    Papers that primarily engage in theoretical and analytical frameworks of music without an ethnographic or cultural lens are becoming less frequent, indicating a shift towards more applied and context-driven studies.
  4. Commercial Music Studies:
    There is a waning interest in traditional music's intersection with commercial music industries, as the journal focuses more on grassroots and community-based music practices.
  5. Music and Technology:
    Although technology's role in music is still relevant, specific discussions around technology's impact on traditional music practices have seen a decline, as the journal shifts towards more ethnographic and experiential narratives.

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