Musicologica Brunensia

Scope & Guideline

Fostering Interdisciplinary Dialogue in Music Studies

Introduction

Delve into the academic richness of Musicologica Brunensia with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageMulti-Language
ISSN1212-0391
PublisherMASARYKOVA UNIV, FAC ARTS
Support Open AccessYes
CountryCzech Republic
TypeJournal
Convergefrom 2017 to 2024
AbbreviationMUSICOL BRUN / Musicol. Brun.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressARNE NOVAKA 1, BRNO 60200, CZECH REPUBLIC

Aims and Scopes

Musicologica Brunensia is dedicated to the comprehensive study and analysis of musicology, particularly focusing on Central European musical traditions, historical contexts, and contemporary practices. The journal aims to foster scholarly discourse and contribute unique insights into various aspects of music culture.
  1. Central European Musicology:
    The journal emphasizes the study of music within Central European contexts, highlighting local composers, musical practices, and cultural influences, particularly from Czech and Moravian perspectives.
  2. Historical and Cultural Analysis:
    It provides a platform for research that explores the historical evolution of musical forms, genres, and practices, with a focus on archival research and historical documents.
  3. Interdisciplinary Approaches:
    Musicologica Brunensia encourages interdisciplinary methodologies, merging musicology with cultural studies, sociology, and anthropology to enrich understanding of music's role in society.
  4. Focus on Liturgical and Sacred Music:
    The journal frequently addresses liturgical music, examining its historical significance and contemporary applications within religious contexts.
  5. Exploration of Music and Identity:
    It investigates the relationship between music and identity, including the roles of ethnicity, nationalism, and cultural narratives in shaping musical expression.
Recent publications in Musicologica Brunensia reveal emerging themes and a shifting focus that reflect current social, cultural, and technological trends in musicology. These themes are increasingly relevant and indicate a dynamic evolution in the field.
  1. Acoustic Ecology and Soundscape Studies:
    There is a marked increase in research related to acoustic ecology, emphasizing the relationship between sound environments and urban life, which highlights contemporary concerns about noise pollution and urbanization.
  2. Music and Social Issues:
    Recent articles have increasingly addressed the intersection of music with social issues, including war, migration, and identity, reflecting a broader societal engagement with music as a tool for commentary and activism.
  3. Digital Humanities in Musicology:
    Emerging methodologies involving digital humanities are becoming more prominent, with studies exploring the use of technology in music analysis, archiving, and audience engagement.
  4. Music and Mental Health:
    An increasing number of studies are focusing on the effects of music on mental health and well-being, recognizing the therapeutic potential of music in contemporary society.
  5. Intermediality in Music:
    Research on intermediality—how music interacts with other art forms such as visual arts and literature—is gaining traction, indicating a trend towards exploring holistic artistic expressions.

Declining or Waning

While Musicologica Brunensia continues to thrive in several research areas, certain themes have shown a decline in prominence over the years, reflecting shifts in scholarly interest and the evolving landscape of musicology.
  1. Traditional Music Theory:
    The focus on traditional music theory concepts appears to be waning, as contemporary studies increasingly prioritize practical applications and interdisciplinary frameworks over strict theoretical analyses.
  2. Historical Music Performance Practice:
    Research specifically dedicated to historical performance practices has decreased, possibly due to a growing interest in contemporary interpretations and modern adaptations of classical works.
  3. Czech Folk Music Studies:
    While still relevant, the frequency of studies centered on Czech folk music traditions has declined, as scholars shift their attention towards broader cultural and global perspectives.

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